THE MARCELS: BLUE MOON- ORIGINAL COLPIX#416 (1962)HEAR
  $   40

 


$ 40 Sold For
Jul 8, 2011 Sold Date
Jul 1, 2011 Start Date
$   25 Start price
3   Number Of Bids
  USA Country Of Seller
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Description



TITLE : BLUE MOON

ARTIST :THE MARCELS

LABEL & RECORD #: COLPIX #416....(1962) MONO!!!!!

VINYL CONDITION: HEAR SOUNDS CLIPS INCLUDED: MOST NM!!!!!!

LABELS CONDITIONS: SEE SCAN : NM

COVER CONDITION: SEE SCAN : THERE IS SOME LIGHT EDGE WEAR AND 4" TAPE ON TOP SEAM...THAT's ALL!! 

REMARKS: THE MARCELS.....LOOK AT THE WEB PRICES FOR THIS GREAT ORIGINAL LP!!!  DOOWOP WAS BACK AGAIN!

 

THIS WAS (IS) ONE OF MY FAVORITE DOOWOP LPS EVER…I GOT MY COPY IN 1962 (and sold it!) AND BESIDES THE HITS RELEASED BY THE GROUP AS SINGLES ONE OF THOSE NOT RELEASED (NOT EVEN IN THE “EMUS” LP REISSUE) WAS “A FALLEN TEAR” WHICH WAS A FANTASTIC COVER OF THE ORIGINAL RELEASED BY EL DORADOS IN 1956!!!!....”A FALLEN TEAR” WILL BE HEAR ON THE 1ST SOUND CLIP PROVIDED…THAT  WAS 150% Doo-wop!!

 

PLEASE LOOK TO THE PRICES THEY ARE ASKING IN THE WEB…THERE IS A BLUE LABEL COLPIX BUT THE GOLD LABEL WAS 1ST PRESSING...THIS IS THE ONE!!!! 

 

The Marcels were the most successful representatives of the surprising doo-wop revival of 1961. Their current status doesn't seem to be very high, not even (or perhaps especially) among doo-wop fans. Jim Raper did not include a single Marcels record in his list of "The 1,000 Best Doo-Wop Songs" in Now Dig This. One the other hand, Jay Warner* calls them "one of the best vocal groups of all time". I wouldn't go that far, but the group certainly deserves a better fate than being known only for their Bomp baba bomp dang a dang dang "slaughter" of "Blue Moon", the 1934 standard by Richard Rodgers and Lorenz Hart. The group had a strong, distinctive lead in Cornelius "Nini" Harp and made some worthwhile records.

 

Though they sound very black, the Marcels were originally a racially mixed group : Richard Knauss (baritone) and Gene Bricker (second tenor) were white, Cornelius Harp (lead singer), Ronald Mundy (first tenor) and Fred Johnson (bass) were black. All five were natives of Pittsburgh, Pennsylvania. The group was formed in 1959 and named after Harp's hairstyle, the marcel. Their repertoire consisted of 1950s R&B songs, several of which were performed on a demo tape that they sent to Colpix Records. Stu Phillips, A&R director for Colpix, liked the tape enough to invite the group to New York, where (at RCA Studios) they had their first session on February 15, 1961 and recorded seven songs. The last one of these - with only eight minutes of studio time left - was "Blue Moon", which was done in two takes, using the same bass intro arrangement of the Cadillacs' "Zoom" that was also on their demo tape. An overzealous promotion man for Colpix heard "Blue Moon" and asked for a copy of the tape, which he gave to Murray the K at WINS, who - according to legend - played it 26 times during his four-hour show. Reaction was so strong that the label rush-released the single in late February.

 

Even the Colpix people were not prepared for what happened next. In four weeks it was # 1 on both the pop and R&B charts, having pushed no less than Elvis Presley out of the top spot. "Blue Moon" also reached # 1 in the UK, and went Top 10 in Australia, New Zealand, Sweden, Spain, France, Belgium, Holland, Norway, South Africa, Denmark and Israel. Three weeks after "Blue Moon" was released, the Marcels were brought into the studio again for a let's-get-an-album-out-quick session (six tracks) and on April 11 they were recording yet again. Eighteen songs had been recorded before their second single, "Summertime", was issued, which stalled at # 78. In the summer of 1961, the group appeared in the film "Twist Around the Clock" with Dion and Chubby Checker, and in July, Colpix released an LP called "Blue Moon". However, the group was no longer intact when the LP came out. Knauss and Bricker left the group and were replaced by Allen Johnson (Fred's brother) and Walt Maddox. The now all-black quintet's first session, on September 1, 1961, yielded another big hit (# 7) , a remake of Guy Lombardo's 1931 hit "Heartaches", done in "Blue Moon" style, with its opening nonsense chant and upbeat rendition of the melody. "My Melancholy Baby", recorded in December 1961, was the group's last hit (# 58), in February 1962. By then, Fred Johnson's exaggerated bass had developed into self-parody. Though there were no more hits, the group made some of their best recordings in 1962. My personal favourites are "Friendly Loans", an amusing slice of social criticism, and "I Wanna Be the Leader", an answer to Johnny Cymbal's "Mr. Bass Man", which satirized the Marcels style. Cornelius Harp, the heart of the Marcels, left in 1963. The group then left Colpix and continued to record for Kyra, Queen Bee, St. Clair, Rocky and Monogram with varying lineups until 1975. By then they were working the oldies circuit.

 

TRACKS SIDE A"

1- Blue Moon

2- Goodbye To Love
3- Sweet Was The Wine
4- Peace Of Mind

5- A Fallen Tear

6- Over The Rainbow

TRACKS SIDE B:

 1- I'll Be Forever Loving You

 2-Two People In The World

 3- Most Of All

 4-Teeter Totter Love

 5- Sunday Kind Of Love

 6- Crazy Bells

WEB REMARKS: " my pleasure , ive always loved this song? since i was reallly young my pleasure , ive always loved this song? since i was reallly young"

 

" This beast actually sold 2.5 million copies!!! Recorded in a single take! I spent an hour with Stu? Phillips last week - he was the producer who put the Marcels on the map with this song 50 years ago. An amazing composer/arranger/conductor"

 

"Regarding the re-issue...because the two versions sound different, to my ears the first version in mono sounds better - it has more energy and life. It's like the Beatles songs, people know the stereo mixes but the mono ones apparently were the ones they spent time making sure they sounded good, stereo? wasn't really important to them - most people couldn't play it yet. So apparently the mono mixes sound like almost a different record."

 

MY Note: Well...This Was The Version We 1st Heard!!!!!

SHIPPING CHARGES........FOR GATEFOLDS With 2 Lps ADD S&H FOR 2

ITALY CUSTOMERS:

ITALY……. ADD $11 FOR REGISTRATION!!! No exceptions! Sorry, I’m following Other Dealers Suggestions Regarding Problems With the Delivery/Handling of Items…I personally had 2 of 4 problems, Mexico was the Other) in ten years (Thousands Of Records Sold) in the business!!!

(Gli acquirenti italiani sono tenuti ad aggiungere 11 dollari per la spedizione registrata. Non si fanno eccezioni)

POSTAL RATES & WEIGHTS - LPs

LBS.

0.82

1.4

1.9

2.6

3

# of LPs

1

2

3

4

5

USA MEDIA $4.00 $4.00 $4.00 $4.25 $4.50 USA PRIORITY $6.50 $9.50 $9.50 $11.50 $11.50 EUROPE $14.00 $16.50 $19.00 $24.00 $26.00 ASIA $14.00 $16.50 $19.00 $24.00 $26.00 SOUTH AMERICA $11.50 $15.00 $18.50 $23.50 $27.00 CENTRAL AMERICA $11.50 $15.00 $18.50 $23.50 $27.00 CARIBBEAN $11.50 $15.00 $18.50 $23.50 $27.00 MEXICO $10.00 $13.50 $16.00 $20.75 $22.00 CANADA $6.25 $8.25 $10.25 $13.00 $14.00

 

* We offer a money back + shipping costs guarantee on our records (unless otherwise noted) if you feel the LP was not graded properly We Must Be Notified Of Any Discrepancy in 2 Days after received. . We will issue a full refund upon its return, once our mistake has been verified. Record Must Be Returned in 3 Days…Foreign in 7 Days….We have available the insurance option…


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Record Grading: Standard guidelines for grading records comes down to a subjective judgment that may vary from person to person. We grade records and LP covers visually AND (when possible) play-tested. We make every effort to give full disclosure (remember that the LP has at least 12 tracks and the grading may vary between each other)  and your satisfaction is guaranteed. Don't assume that our vinyl determination of "Very Good+" is the same as yours!

 

MM RECORDS: are shiny, with no visible defects. They might have some minor superficial (“Paper”) scuff but they should play without any noise. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must not be present; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)

NM COVERS: have no creases, ring wear or seam splits of any kind.
NM  PICTURES SLEEVES: should look as if they never housed a record. This is a great reason to remove your 45s from their picture sleeves and keep them separate. Just keeping the 45 inside the sleeve will cause damage than can reduce the grade of the sleeve.

VG++ (Excellent) RECORDS: Barely noticeable play wear and background noise. May have surface scuffs and/or superficial marks, which will be inaudible or indiscernible from the background, no scratches. Very nice, no flaws noted.
VG++ COVERS: Artwork is still as close to perfect as can be. Some impression to the cover (minor outer ring wear) but no ink wear! Some slight creases to the corners, but not wrinkled and obtrusive to the eye. The corners can show white (where the artwork pasted slick was) meaning, slight wear. No seam splits or writing on the cover or taped repairs can make this grade.

VG+ RECORDS:  may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable

.VG+ COVERS:  should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint Unless Tiny/Small (EG: Tiny DH).

VG+ PICTURE SLEEVES: might show some very light creasing where it is obvious that a record once resided (or still does reside). A VG+ picture sleeve might have some very minor seam wear or a split (less than one inch long) at the bottom, the sleeve’s most vulnerable location.

 

VG RECORDS have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches  may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape, or a sticker can detract from the label. Many collectors who have jukeboxes   will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape.

VG COVERS and PICTURE SLEEVES:  will have many signs of human handling. Ring wear  in the middle or along the edges of the cover where the edge of a record would  reside, is obvious, though not overwhelming. Some more creases might be  visible. Seam splitting will be more obvious; it may appear on all three sides,  though it won’t be obvious upon looking. Someone might have written or stamped  a price tag on it, too.

 

RECORDS GRADED VG OR BELOW WILL BE "SOLD AS IS"

(We Will Try To Grade Them As Accurately As Possible!)

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