Red Garland: At The Prelude LP #PRLP 7170 Record Very Good +++
  $   35

 


$ 35 Sold For
Jun 6, 2020 Sold Date
Feb 25, 2014 Start Date
1 Number Of Bids
  USA Country Of Seller
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The Record is Very Good ++++No Album Cover available. Rolodex Sicker on side one label See Pictures in listing No Album Cover Available. Will be shipped in a Heavy Paper Sleeve.




William "Red" Garland was born in Dallas, Texas, in 1923. His mother played several instruments. He began his musical studies on the clarinet and alto saxophone but in 1940 switched to the piano. Garland spent copious amounts of time practicing and rapidly developed into a proficient player. A short early career as a welterweight boxer did not seem to hurt his playing hands. He fought a young Sugar Ray Robinson before making the switch to a full-time musician.

Garland's sound

Garland's trademark block chord technique, a commonly borrowed maneuver in jazz piano today, was unique and differed from the methods of earlier block chord pioneers such as George Shearing and Milt Buckner. Garland's block chords were constructed of three notes in the right hand and four notes in the left hand, with the right hand one octave above the left. Garland's left hand played four note chords that simultaneously beat out the same exact rhythm as the right hand melody played. But, unlike George Shearing's block chord method, Garland's left hand chords did not change positions or inversions until the next chord change occurred. It's also worth noting that Garland's four note left hand chord voicings occasionally left out the roots of the chords, which later became a chord style associated with pianist Bill Evans. Garland's block chord method had a brighter quality, slightly more dissonance, and a fullness in the upper register compared to the mellower Shearing block chord sound. Garland's solo lines also had a glassy, shimmering tone that matched the quality of his chords.[citation needed]


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