REFERENCE AUDIOPHILE RR-48 ARNOLD OVERTURES NEW SEALED
$
250
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Description
S H I P P I N G :
WARNING USA BIDDERS: The shipping cost to USA is the follow: $ 19.00
Please wait for invoice.
EUROPEAN COMMUNITY COUNTRIES: $ 14.00 (Registered mail)
ALL OTHER COUNTRIES: $ 19.00 (Registered mail)
DOMESTIC (Greece): $ 7.00 (Registered mail)
ONLY PAYPAL ACCEPTED
D E S C R I P T I O N :
FORMAT: LP AUDIOPHILE
ARTIST: MALCOLM ARNOLD - THE LONDON PHILHARMONIC ORCHESTRA
TITLE: "ARNOLD OVERTURES"
LABEL: REFERENCE
NUMBER: RR-48
MONO/STEREO: ST.
GRADE & DESCRIPTION (COVER): SEALED
GRADE & DESCRIPTION (RECORD): NEW
ADDITIONAL NOTES:
VERY RARE OUT OF PRINT US AUDIOPHILE 180 Gram LP PURE
ANALOGUE RECORDING LIMITED EDITION.
STILL SEALED - NEW
Very Rare album!
Arnold Overtures
Malcolm Arnold and the London Philharmonic Orchestra
Reference Recording RR-48, 1992, 33 1/3 RPM, 2 records, Stereo LP.
A Professor Johnson Pure Analogue Recording.
Heavy duty gatefold album and high quality record inner sleeves.
Track Listing
1. A Sussex Overture, for orchestra, Op. 31
2. Beckus the Dandipratt, comedy overture for orchestra, Op. 5
3. The Smoke, overture for orchestra, Op. 21
4. The Fair Field, overture for orchestra, Op. 110
5. Commonwealth Christmas Overture, for orchestra, Op. 64
About the company (from their website):
We at RR believe that how a recording sounds is as important as the music itself. "Prof." Keith O. Johnson, our chief engineer and Technical Director, is a true audio legend, having designed and patented many innovative products in the professional and consumer fields. The RR Sound comes from his singular methods and equipment, hand-built or extensively modified by him. Microphone techniques range from single-point Blumlein to spaced omnis to complex studio mixes, depending on the musical forces and the performing space involved. Our goal is to recreate the sound of real musicians making music in real space.
"Prof." Keith Johnson has spent over 30 years developing a reputation for innovative thinking, technical achievement and musicianship which has elevated him to a position in the audio industry occupied by only a handful of visionaries. His intensive investigation of electronic behavior and acoustic perception have led most recently to his development (with digital engineer Michael Pflaumer) of the revolutionary High Definition Compatible Digital encoding process, produced and marketed by Pacific Microsonics (recently acquired by Microsoft). HDCD is widely considered to be the most accurate recording process ever invented.
For more than 20 years, Keith O. Johnson has served as Technical Director, Recording Engineer and partner in Reference Recordings. His 100-plus recordings for the label have long been considered the standard for high fidelity, and include three GRAMMY award-winners and eight additional GRAMMY nominations.
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