VTG WILLY SCHNEIDER SING MIT DAS GERMAN FOLK MUSIC VOLKSTÜMLICHE RECORD ALBUM LP

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VTG WILLY SCHNEIDER SING MIT DAS GERMAN FOLK MUSIC VOLKSTÜMLICHE RECORD ALBUM LP

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WILLY SCHNEIDER
SING MIR DAS LIED NOCH EINMAL
"SING ME THE SONG AGAIN"
2 LP STEREO ALBUMS
GATEFOLD JACKET
#2652 046
KARUSSELL 
GOLD SERIE
COPYRIGHT 1968
POLYDOR INTERNATIONAL GmbH

RECORD IS MINT
JACKET IS VG+
PLAYED / TESTED
YOUR SATISFACTION IS GUARANTEED

Some Famous Songs Include:

Auf der Heide blüh'n die letzten Rosen
Das kannst Du nicht ahnen
Kornblumenblau
Grün ist die Heide
Gute Nacht, Mutter
Herzliebchen mein unter'm Rebendach
Heimat, deine Sterne
Heimweh nach Virginia
Heimweh nach Köln
O Mosella
Am Zuckerhut" (together with Danielle Marc and René Carol)
Wenn das Wasser im Rhein gold'ner Wein wär
Kleine Kellnerin aus Heidelberg
Schütt' die Sorgen in ein Gläschen Wein
Man müsste nochmal zwanzig sein
Bergisches Heimatlied
Behüt' Dich Gott, es wär' so schön gewesen
Ich hab Den Wind Belauscht
Aus Der Jugendzeit
Drüben In Der Heimat Da Heimat Da Blueht Ein Rosengarten
Wenn Ich So An Ming Heimat Denke
Ich Weiss Nicht, Was Soll Es Bedeuten
Alle Tage Ist Kein Sonntag
Am Zuckerhut, am Zuckerhut
Auf Der Heide Blueh'n Die Letzten Rosen
Bergmannslos
Das Kannst Du Nicht Ahnen
Das Mutterherz
Dat Kleine Tannebaeumche
Die Kleine Stadt Will Schlafen Geh'n
Drueben In Der Heimant Da Blueht Ein Rosengarten
Du Kleines Schwalbenpaar
Einmal Am Rhein
Einmal Spielt Die Geige
Es gibt eine Frau, die dich niemals vergisst
Es ist nicht immer Sonntag
Es liegt ein Fass in Heidelberg
Gute Nacht, Mutter
Heimat deine Sterne
Ja, grün ist die Heide
Catarina Valente und ihre Freunde (Originalaufnahmen)
Karnevalskneller
Kornblumenblau
Lili Marleen
Die Grossen Gentlemen
Maendel Ich Bin Dir So Gut
Man Muesste Nochmal 20 Sein

LOOSLEY TRANSLATED

Auf der Heide bloom the last roses
That you can not foresee
Cornflower blue
The Heath Is Green
Good night, Mother
Heart sweetheart my unter'm vine roof
Home, your star
Homesick for Virginia
Homesick for Cologne
O Mosella
On Sugar "(together with Danielle and Marc René Carol)
When the water in the Rhine wine would gold'ner
Small waitress from Heidelberg
Bulk 'concerns in a glass of wine
One would again be twenty
Bergisches Heimatlied
Behüt 'like God, it would' have been so nice
I got the wind Overheard
From adolescence
Over in the home since home Since blooms a rose garden
If I like that Ming home Think
I do not know what it signifies
Every day is not a Sunday
At Sugarloaf, at Sugarloaf
Auf Der Heide blüh'n The Last Rose
Bergmannslos
You can not ancestors
The mother's heart
Dat Kleine Tannebaeumche
The small town of Will Geh'n sleep
Over in the Heimant Since blooms a rose garden
You Little Swallow couple
Once Am Rhein
Once plays the violin
There is a woman who never forgets you
It is not always Sunday
There is a barrel in Heidelberg
Good night, Mother
Home your star
Yes, The Heath Is Green
Catarina Valente and her friends (original recordings)
Carnival Kneller
Cornflower blue
Lili Marleen
Die Grossen Gentlemen
Maendel I am so Good
One would again be 20

SEE JACKET PHOTO FOR COMPREHENSIVE LIST

BOX 2
 

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FYI 

Willy Schneider (born 5 September 1905 in Cologne; died 12 January 1989 in Cologne) was a German schlager singer.

Awards
Willi-Ostermann-Medaille
1973: Order of Merit of the Federal Republic of Germany, 1st class
1975: Deutscher Weinkulturprei

Schlager music (German: Schlager, synonym of "hit-songs" or "hits"), also known in the United States as entertainer music or German hit mix, is a style of popular or electronic music prevalent in Central and Northern Europe, and Southeast Europe (in particular Germany, Austria, the Netherlands, Flanders, Republic of Macedonia, Slovenia, Serbia, Croatia, Hungary, Switzerland, Turkey, Scandinavia and the Baltic States) and also (to a lesser extent) in France and Poland. In Portugal, it was adapted and became pimba music. Typical schlager tracks are either sweet, highly sentimental ballads with a simple, catchy melody or light pop tunes. Lyrics typically center on love, relationships and feelings. The northern variant of schlager (notably in Finland) has taken elements from Nordic and Slavic folk songs, with lyrics tending towards melancholic and elegiac themes. Musically, schlager bears similarities to styles such as easy listening music.

The word schlager is also a loanword in some languages (Hungarian, Russian, Hebrew, Romanian, for example), where it retained its meaning of a "(musical) hit". The style has been frequently represented at the Eurovision Song Contest and has been popular since it originated in 1956, although it is gradually being replaced by other pop music styles.

Variations by country
The Netherlands and Flanders
Dutch schlager is called levenslied (literally 'life song', i.e. 'song about real life'). It is a sentimental, Dutch-language subgenre of pop music. Typical levenslied lyrics treat subjects such as love, misery, and nostalgia, besides longing for sunny, exotic holiday places. A typical levenslied has catchy, simple rhythms and melodies (in common with many pop and folk tunes) and is structured in couplets and refrains. Traditional instruments in levenslied music are the accordion and the barrel organ.

Unlike in the Netherlands, the name 'schlager' is still used in Flanders, Belgium. Flanders hold a major "Schlagerfestival" every year.

Finland
The roots of Finnish schlager (Finnish: iskelmä) date back to the interwar period, when popular singers included Georg Malmstén and Matti Jurva. A particularly notable song was opera singer Ture Ara's "Emma" in 1929. Schlager tradition had (and still has) an important place in Finnish popular music, and its melodic language has also influenced Finnish rock. Schlager music shares its audience with Finnish tango music, since both are popular among older and even middle-aged Finns. A particular feature of Finnish schlager music were "translation schlagers" (Finnish: käännösiskelmä). Noteworthy Finnish schlager composers include Juha Vainio. According to the polls conducted among Finnish audiences, "Hopeinen kuu", (originally "Guarda che luna" by Walter Malgoni and Bruno Pallesi), recorded in Finnish by Olavi Virta and "Satulinna" (composed by Jukka Kuoppamäki and sung by Jari Sillanpää) are the most popular Finnish schlagers of all time.

Germany and Austria
The roots of German schlager are old: the word refers to songs by Heinz Rühmann and other movie actors/ singers of the 1930s. The antecessor of the schlager might be the operettas, which were extremely famous in the 1920s. Well-known schlager singers during the 1950s and the early 1960s include Lale Andersen, Freddy Quinn, Ivo Robic, Gerhard Wendland, Caterina Valente, Margot Eskens and Conny Froboess. Schlager reached its peak in popularity in Germany and Austria during the 1960s (featuring Peter Alexander and Roy Black) and the early 1970s. During the 1980s and early 1990s, Schlager was not popular in Germany and Austria. From the mid-to-late 1990s into the early 2000s, however, German-language schlager saw an extensive revival in Germany by, for example, Guildo Horn, Dieter Thomas Kuhn, Michelle and Petra Perle. Even reputable dance clubs would put in a stretch of schlager titles during the course of an evening, and numerous new bands specialising in 1970s schlager cover versions and "new" material were formed. In Hamburg, schlager fans still (as of 2013) gather annually by the hundreds of thousands and dress in 1970s clothing for a street parade called "Schlager Move". Due to its popularity, the Schlager Move brand is also used for a number of smaller Schlager music parties in several major German cities throughout the year. This revival is associated with kitsch and camp.

Germans view Schlager as their Country Music and in fact American Country and TexMex are both major elements in the Schlager culture (Is This the Way to Amarillo is regularly played in Schlager contexts, usually in the English original).

Popular Schlager singers include Roland Kaiser, Jürgen Drews, Andrea Berg, Helene Fischer, Nicole, Claudia Jung, Andrea Jürgens, Michelle, Kristina Bach, Marianne Rosenberg, Simone Stelzer, Christian Lais, Semino Rossi, Vicky Leandros, Leonard, DJ Ötzi and Andreas Gabalier who was voted best 'Schlager' singer in 2012. Stylistically, schlager continues to influence German "party pop": music most often heard in après-ski bars and Majorcan mass discos. Contemporary schlager is often mingled with Volkstümliche Musik. If it is not part of an ironic kitsch revival, a taste for both styles of music is commonly associated with a lower and lower middle class habitus, typically heard in folksy pubs, at fun fairs, and bowling league venues.

Sweden
In Sweden, schlager has waxed and waned in popularity since at least the 1930s. It still enjoys a large place in Swedish culture, although it is considered to be too "popular and commercial" by many people. Although the original schlager was heavily influenced by operettas, cabaret- and variety-style music and jazz, this started to change during the 1960s and 1970s when schlager music became more pop-oriented. Since the early 1990s, schlager songs began to include elements of rock and techno. Therefore, modern schlager music little resembles that of the 1940s. Despite this, many old schlager tunes are still popular; they are performed by many artists and at the Allsång på Skansen.

The Melodifestival (which selects the Swedish competitor at the Eurovision Song Contest) is popularly called Schlagerfestivalen ("the Schlager Festival"), since it has traditionally been characterised by schlager songs. The amount of schlager has decreased drastically in recent years, but schlager songs are the most likely genre to win the competition ("Evighet" (English: "Invincible" in 2006 by Carola and "Hero" by Charlotte Perrelli in 2008, for example). Melodifestivalen is the most popular TV program in Sweden. It is broadcast annually, and in 2006 an estimated 47 percent of the Swedish population watched the final. In Sweden "schlager" is often used to refer to Eurovision-participating songs.

Two characteristics of Swedish schlager are a pronounced key change before the final chorus and their three-minute length (the maximum song length permitted at the Eurovision Song Contest). Some Swedes dispute the meaning of "schlager" with respect to Swedish music; it may be used indiscriminately to describe all popular music, "older-sounding" popular music, Melodifestivalen songs, Eurovision songs, songs with a "catchy" chorus or dansband music. Both Björn Ulvaeus and Benny Andersson of ABBA were influenced by schlager music early in their careers.

North America
While at one time schlager was also fairly popular in the UK, Canada and USA, due to the constant change of fashion in popular culture it has generally fallen out of favour in some circles since the 1970s. In 1970, Warner Bros. Records released a two-LP sampler of tracks from its current non-rock albums called Schlagers. Examples of American schlager style singers would include Pat Boone, Donny & Marie Osmond, the Carpenters, Barry Manilow, Frankie Avalon, and even Elvis Presley during his Blue Hawaii period.

United Kingdom
Although the term is not well known in the UK, schlager style music in Britain has long been popular, especially between the 1950s and 1980s, with singers such as Tony Christie (who enjoyed huge success among schlager audiences in Germany) and Engelbert Humperdinck, as well as bands such as Black Lace (whose most famous hits were covers of mainland European songs in this style). During the mid-to-late 1990s and early 2000s an element of British pop music could be compared to contemporary schlager such as Scooch, and the Fast Food Rockers. With younger generations taking more interest in chart music, the popularity of this music style has faded, though the style still remains popular at parties and is often played in British pubs. Some schlager style songs, and those which can be considered to be contemporary schlager, are sometimes played in British nightclubs.

German schlager, although mainly sung in German including volksmusik and its modern version volkstümliche Musik, has attracted a small fan base in the United Kingdom, including BBC Radio Manchester commentator, Ian Cheeseman. British schlager singers including Ross Antony, Tony Christie and Roger Whittaker have appeared on shows such as Musikantenstadl.

Volkstümliche Musik (German for "folksy/traditional/popular music") is a modern popular derivation of the traditional Volksmusik genre of German-speaking countries in general and their Alpine regions in particular. Though it is often marketed as Volksmusik, it differs from traditional folk music in that it is commercially performed by celebrity singers and concentrates on newly created sentimental and cheerful feel-good compositions. Volkstümliche Musik is sometimes instrumental, but usually presented by one or especially two singers and is most popular amongst an adult audience in Germany, Austria, and Switzerland, but also in adjacent South Tyrol (Italy), Slovenia and Alsace (France).

Characteristics
Closely related to the German schlager genre, many titles stress a Heimat affect, being presented in regional dialects (typically Bavarian but also Upper Saxon, Low German or Rhinelandic) or colloquial language and invoke local and regional lifestyles and traditions, particularly dances. Brass and Alpine musical instruments, such as Alphorns, Zithers, acoustic guitars, violas and harmonicas are frequently featured, although most commercial productions nowadays employ drum machines and synthesizers. Yodeling is also common.

From the early 1960s onwards, Volkstümliche Musik was conceived for commercial reasons as a counterweight to youth-oriented rock and pop music. The adjective volkstümlich refers to the borrowing of German and in particular "Alpine" folklore elements, connecting them to virtually all kinds of light dance and popular music of the 19th and early 20th centuries, from waltz to swing music. The large popularity of this music genre led to the development of volkstümliche record charts and various radio and television broadcasts with popular presenters like Carolin Reiber or Maria Hellwig.

Volkstümliche Musik was influenced by Flower Power songs as well as by popular classical pieces during the 1970s and has been increasingly mingled with schlager music, promoted by successful singers like Heino serving as a model for performers like Die Flippers, Andy Borg or Kristina Bach. Its diffusion was further boosted by comprehensive TV broadcasting with some of the most popular programmes including Musikantenstadl (since 1981), Grand Prix der Volksmusik (1986–2010) and Lustige Musikanten with Marianne & Michael. Beside Volkstümliche Musik, these telecasts also feature big bands, country and even samba music.

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