Uncle Tupelo Still Feel Gone & March 16 - 20 1992 LP
$
36
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Description
Uncle Tupelo Still Feel Gone & March 16 - 20 1992 LP
Condition -
vinyl: NM-/VG++. There is some slight surface noise between tracks. A couple of almost inaudible soft clicks at the beginning of "Gun" - other than that it is a very quiet listening experience. However the LPs are NOT MINT, they have been played and there is some very soft surface noise between tracks, and sometimes barely audible during the quiet tracks. I grade conservatively. In any event, if you are not satisfied, I will accept returns. cover: VG++
PAYPAL ONLY
Packaged very securely. I've been selling vinyl for years and have never had a dissatisfied customer. Returns accepted.
About the record...
Still Feel Gone
Uncle Tupelo clearly defined their nervy Gram Parsons-meets-the Minutemen sound on their debut album, 1990's No Depression, and their 1991 follow-up, Still Feel Gone, found them branching out into new variations of their previously established themes. While No Depression was dominated by breakneck tempos with the occasional slow, contemplative number thrown in for variety, Still Feel Gone found Uncle Tupelo taking a closer look at the middle ground, as evidenced by the high-strung acoustic guitars of "Still Be Around," the measured but powerful Crazy Horse stomp of "Looking for a Way Out," the lonesome shuffle of "True to Life," and the stark atmospherics of "If That's Alright" (the latter of which in retrospect sounds like the first dawning of the ideas Jeff Tweedy would explore withWilco). But plenty of what made No Depression so impressive is still on view here, including the brutal stutter-step of "Gun," the simple but powerful declaration of "Watch Me Fall," and the heartfelt tribute to an obvious influence, "D. Boon." And if anything, the band sounds even more powerful this time out, and the broader picture of their abilities only confirms how strong a combination Jay Farrar, Jeff Tweedy, and Mike Heidorn really were. If Still Feel Gone isn't as immediately impressive as No Depression, a few plays confirms it's still the work of a gifted band at full strength, and this reissue gives the album the special treatment it deserves.
March 16-20, 1992
Produced by R.E.M.'s Peter Buck, March 16-20, 1992 represents Uncle Tupelo's full evolution into a true country unit; with the exception of the eerie squalls of guitar feedback which haunt Jeff Tweedy's mesmerizing "Wait Up," there's virtually no evidence of the trio's punk heritage. Instead, the all-acoustic album -- a combination of Tupelo originals and well-chosen traditional songs -- taps into the very essence of backwoods culture, its music rooted in the darkest corners of Appalachian life. An inescapable sense of dread grips this collection, from the large-scale threat depicted in the stunning rendition of the Louvin Brothers' "The Great Atomic Power" to the fatalism of the worker anthems "Grindstone" and "Coalminers"; even the character studies, including a revelatory "Moonshiner," are relentlessly grim. A vivid glimpse at the harsh realities of rural existence, March 16-20, 1992 is a brilliant resurrection of a bygone era of American folk artistry.
PLEASE NOTE - I don' t ship to Italy or South America.
price rating
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