The Jimi Hendrix Experience "Electric Ladyland" Gatefold 2x LP NM UK 231027

$

80

The Jimi Hendrix Experience "Electric Ladyland" Gatefold 2xLP Polydor Records 2310270 (UK)

Vinyl is NM, Jacket is VG

Track Listing:

Electric Ladyland is the third and final album of new material by the Jimi Hendrix Experience, released in October 1968 on Reprise Records, catalogue 2RS 6307. It is the only Hendrix studio album professionally produced under his supervision. It topped the Billboard 200 album chart for two weeks in November 1968. The original North American-only Reprise release album cover featured a "fiery" photo of Hendrix' head. The slightly later Track/Polydor International album release cover, controversially, was a photo of a group of nude women, which was only replaced after Experience Hendrix took control of Hendrix' recordings. In most Francophone parts of Europe, Barclay Records used a cover showing a downward pointing arm at a very small photo of Hendrix' head.

Content

Released as a double album, Electric Ladyland is a cross-section of Hendrix's wide range of musical talent. It includes examples of several genres and styles of music: the psychedelic "Burning of the Midnight Lamp", previously a U.K. single in the summer of 1967; the extended blues jam "Voodoo Chile"; the New Orleans-style R&B of Earl King's "Come On"; the epic studio production of "1983... (A Merman I Should Turn to Be)"; the social commentary of "House Burning Down"; and the Sixties-era Britpop of Noel Redding's "Little Miss Strange". The album also features an electric reworking of the Bob Dylan classic "All Along the Watchtower", which has been well-received by critics as well as by Dylan himself, and also "Voodoo Child (Slight Return)", a staple of both radio and guitar repertoire.

Recording and production

Following the first tranche of recordings to be included in the album from Olympic Studios in London, including part of "All Along the Watchtower" and the aforementioned 1967 single, production moved during the spring of 1968 to the newly opened Record Plant Studios, situated close to Hendrix's favorite New York clubs. Recording there was by Jimi's favorite engineers Eddie Kramer and Gary Kellgren. Despite a claim by Record Plant engineer Chris Stone that Kellgren engineered "90%" of Ladyland, the studio records show that most of the work was done by Kramer, only three tracks including the one by Redding having Kellgren as engineer.

During the recording of the album, Hendrix fell out with producer Bryan "Chas" Chandler and bassist Noel Redding. Pressured by a hectic tour schedule, Hendrix still wanted to have a life, so he combined work with pleasure by inviting his friends and acquaintances to the studio. Chas Chandler hated spending so much time in the studio and partly blamed it on these guests, but Jimi was determined to have his way. Chandler complained that Hendrix's insistence on doing multiple takes of every song, combined with what he saw as Hendrix's drugged incoherence, led him to sell his share of the management company to his partner Michael Jeffery. Chandler quit in May 1968, leaving Hendrix sole producer on the project.

Hendrix' studio perfectionism was legendary – he and Mitchell recorded well over 50 takes of "Gypsy Eyes" over three sessions, Hendrix generally insecure about his voice and often recording his vocals hidden behind studio screens. Hendrix sings all the backing vocals himself on the title track and on "Long Hot Summer Night". He was said to be very happy with the vocal results on "Have You Ever Been to Electric Ladyland."

Many of the album tracks show Hendrix's vision expanding far beyond the scope of the original trio and saw him collaborating with a range of outside musicians including Dave Mason, Chris Wood and Steve Winwood from Traffic; future Band of Gypsys drummer Buddy Miles; Jefferson Airplane bassist Jack Casady; former Dylan organist Al Kooper; and members of 'the Serfs': Mike Finnegan on organ, Freddie Smith on saxophone, and Larry Faucette on congas. Cooperation between Hendrix and bassist Noel Redding, who was of the same opinion about time spent in the studio as Chandler, was strained during production. Hendrix plays bass on many tracks, including the bass solo on "1983". At times Hendrix recorded bass tracks simply to make things proceed faster. Redding plays acoustic guitar and sings lead vocals with Mitchell on his own track, "Little Miss Strange."

Release and reception

The UK edition reached #6 on its release amid considerable controversy. A letter Hendrix wrote to Reprise described exactly what he wanted for the cover art, but it was mostly ignored. He expressly asked for a color photo by Linda Eastman of the group sitting with children on a sculpture from Alice in Wonderland in Central Park, NY, even drawing a picture of it for reference. The company instead used a blurred red and yellow photo of his head, taken by Karl Ferris. Track Records had its own art department, which produced a cover depicting 19 nude women lounging in front of a black background taken by photographer David Montgomery, who also shot the inside cover portrait of Hendrix. Later reissues for compact disc in 1997 and 2010 feature the Ferris cover worldwide, and the Hendrix family has indicated that they will no longer use the nudes cover since Hendrix himself expressed his opinion against the nudes cover saying that it was rather an opposite to what he had wanted.

In 2005 Q magazine readers voted Electric Ladyland the 38th greatest album of all time; in 2003 the TV network VH1 placed it at number 72. In 2003, Rolling Stone declared it the 54th greatest album of all time. The album is included in the book 1001 Albums You Must Hear Before You Die. Also, The Source magazine ranked it #40 on their Critics Top 100 Black Music Albums of All Time list in 2006.

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