THE MARVELETTES Greatest Hits ORANGE COVER-THE MOST POP ORIENTATED MOTOWN ACT
  $   27

 


$ 27 Sold For
May 3, 2018 Sold Date
Apr 6, 2018 Start Date
$   33 Start price
1 Number Of Bids
  USA Country Of Seller
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Description

THE MARVELETTES Greatest Hits ORANGE COVER-THE MOST POP ORIENTATED MOTOWN ACT

A MINT MINUS/VG++ LP ON TAMLA 253

FROM 1966 A MONO DEEP GROOVE PRESSING

WITH THE RARELY SEEN ORANGE COVER INDICATING INDIANAPOLIS PRESSING AND WITH TRACKS ON LABEL IN SAN-SERIF TYPEFACE (MOST COVERS ARE GREEN)

WITH THE ORIGINAL BLUE MOTOWN/GORDY/TAMLA/SOUL INNER SLEEVE AS SHOWN

TRACKS AS SHOWN ON THE LABEL PHOTOS

MORE INFO FROM ALLMUSIC.COM
Probably the most pop-oriented of Motown's major female acts, the Marvelettes didn't project as strong an identity as the Supremes, Mary Wells, or Martha Reeves, but recorded quite a few hits, including Motown's first number one single, "Please Mr. Postman" (1961). "Postman," as well as other chirpy early-'60s hits like "Playboy," "Twistin' Postman," and "Beechwood 4-5789," were the label's purest girl group efforts. Featuring two strong lead singers, Gladys Horton and Wanda Young, the Marvelettes went through five different lineups, but maintained a high standard on their recordings. After a few years, they moved from girl group sounds to up-tempo and mid-tempo numbers that were more characteristic of Motown's production line. They received no small help from Smokey Robinson, who produced and wrote many of their singles; Holland-Dozier-Holland, Berry Gordy, Mickey Stevenson, Marvin Gaye, and Ashford-Simpson also got involved with the songwriting and production at various points. After the mid-'60s Wanda Young assumed most of the lead vocal duties; Gladys Horton departed from the group in the late '60s. While the Marvelettes didn't cut as many monster smashes as most of their Motown peers after the early '60s, they did periodically surface with classic hits like "Too Many Fish in the Sea," "Don't Mess With Bill," and "The Hunter Gets Captured by the Game." There were also plenty of fine minor hits and misses, like 1965's "I'll Keep Holding On," which is just as memorable as the well-known Motown chart-toppers of the era. The group quietly disbanded in the early '70s after several years without a major hit.

COVER STOCK WITH ONLY A HINT OF RUB WEAR. SOME VERY LIGHT AGE DISCOLORATION TO BACK COVER. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. BOTTOM RIGHT CORNER STARTING TO SPLIT. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.

SPINDLE HOLE WITH SOME VERY LIGHT RUB WEAR. THE HIGH LUSTER VINYL BLANK AT FIRST GLANCE OUT OF THE SLEEVE APPEARS UNUSUALLY PRISTINE AND TO HAVE NOT BEEN PLAYED, MUCH LESS TOUCHED, BEFORE NOW. UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION A FEW LIGHT SURFACE RUB SCUFF MARKS AND PAPER SLEEVE STORAGE IMPRESSIONS.

FROM A NOTED REVIEWER'S PRIVATE COLLECTION

⁂PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
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  827 (GS 7.0.13 (827))


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