THE MARVELETTES GREATEST HITS from 66-CHIRPY HITS WITH PUREST GIRL GROUP SOUND
  $   25

 


$ 25 Sold For
Aug 21, 2016 Sold Date
Jul 23, 2016 Start Date
$   35 Start price
1 Number Of Bids
  USA Country Of Seller
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Description

THE MARVELETTES GREATEST HITS from 66-CHIRPY HITS WITH PUREST GIRL GROUP SOUND






A MINT MINUS LP ON TAMLA 253

FROM 1966 IN STEREO

WITH AN ORIGINAL MOTOWN/TAMLA/GORDY/SOUL INNER SLEEVE AS SHOWN (SIDE SPLIT)

AS WELL AS WHAT APPEARS TO BE THE ORIGINAL HALF ROUND POLY BAG WITH THE PERFORATED STRAIGHT EDGE

TRACKS AS SHOWN ON THE LABEL PHOTOS

BACKGROUND INFO FROM ALLMUSIC.COM WEBSITE:
Probably the most pop-oriented of Motown's major female acts, the Marvelettes didn't project as strong an identity as the Supremes, Mary Wells, or Martha Reeves, but recorded quite a few hits, including Motown's first number one single, "Please Mr. Postman" (1961). "Postman," as well as other chirpy early-'60s hits like "Playboy," "Twistin' Postman," and "Beechwood 4-5789," were the label's purest girl group efforts. Featuring two strong lead singers, Gladys Horton and Wanda Young, the Marvelettes went through five different lineups, but maintained a high standard on their recordings. After a few years, they moved from girl group sounds to up-tempo and mid-tempo numbers that were more characteristic of Motown's production line. They received no small help from Smokey Robinson, who produced and wrote many of their singles; Holland-Dozier-Holland, Berry Gordy, Mickey Stevenson, Marvin Gaye, and Ashford-Simpson also got involved with the songwriting and production at various points. After the mid-'60s Wanda Young assumed most of the lead vocal duties; Gladys Horton departed from the group in the late '60s. While the Marvelettes didn't cut as many monster smashes as most of their Motown peers after the early '60s, they did periodically surface with classic hits like "Too Many Fish in the Sea," "Don't Mess With Bill," and "The Hunter Gets Captured by the Game." There were also plenty of fine minor hits and misses, like 1965's "I'll Keep Holding On," which is just as memorable as the well-known Motown chart-toppers of the era. The group quietly disbanded in the early '70s after several years without a major hit.

COVER STOCK WITH LIGHT RUB AND RING WEAR AND AGE DISCOLORATION MORE NOTICEABLE ON BACK. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. A VERY SMALL EDGE RUB LOSS TO TOP AND BOTTOM EDGES. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.

VIRGIN SPINDLE HOLE. THE HIGH LUSTER VINYL
BLANK AT FIRST GLANCE OUT OF THE SLEEVE APPEARS UNUSUALLY PRISTINE AND TO HAVE NOT BEEN PLAYED, MUCH LESS TOUCHED, BEFORE NOW.

THE VINYL BLANK IN MOST UNUSUALLY FINE CONDITION
FROM A NOTED REVIEWER'S PRIVATE COLLECTION

⁂PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
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DOMESTIC: FREE USPS MEDIA MAIL WITH TRACKING. USPS 1 day Priority Express or 2-4 day Priority available for fee shown by Ebay postage calculator for your zip code.  625 (GS 6.9.7 (625))


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