THE ISLEY BREOTHERS Doin' Their Thing FROM 69-GRITTY MOTOWN TO BLISTERING FUNK
$
20
$ 20
Sold For
Aug 5, 2019
Sold Date
May 31, 2019
Start Date
1
Number Of Bids
USA
Country Of Seller
eBay
Sold at
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Description
THE ISLEY BREOTHERS Doin' Their Thing FROM 69-GRITTY MOTOWN TO BLISTERING FUNK
A MINT MINUS LP ON TAMLA 287FROM 1969 A DEEP GROOVE STEREO PRESSING
STILL WITH SHRINK WRAP OVER COVER!
WITH THE ORIGINAL MOTOWN SOUND INNER SLEEVE AS SHOWN
TRACKS AS SHOWN ON THE LABEL PHOTOS
MORE INFO FROM ALLMUSIC.COM
First formed in the early '50s, the Isley Brothers enjoyed one of the longest, most influential, and most diverse careers in the pantheon of popular music -- over the course of nearly a half-century of performing, the group's distinguished history spanned not only two generations of Isley siblings but also massive cultural shifts, which heralded their music's transformation from gritty R&B to Motown soul to blistering funk. The first generation of Isley siblings was born and raised in Cincinnati, Ohio, where they were encouraged to begin a singing career by their father, himself a professional vocalist, and their mother, a church pianist who provided musical accompaniment at their early performances. Initially a gospel quartet, the group was comprised of Ronald, Rudolph, O'Kelly, and Vernon Isley; after Vernon's 1955 death in a bicycling accident, tenor Ronald was tapped as the remaining trio's lead vocalist. In 1957, the brothers went to New York City to record a string of failed doo wop singles; while performing a spirited reading of the song "Lonely Teardrops" in Washington, D.C., two years later, they interjected the line "You know you make me want to shout," which inspired frenzied audience feedback. An RCA executive in the audience saw the concert, and when he signed the Isleys soon after, he instructed that their first single be constructed around their crowd-pleasing catch phrase; while the call-and-response classic "Shout" failed to reach the pop Top 40 on its initial release, it eventually became a frequently covered classic.
COVER STOCK STILL WITH WHAT APPEARS TO BE THE ORIGINAL SHRINK WRAP INTACT. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.
VIRGIN SPINDLE HOLE. THE HIGH LUSTER VINYL BLANK AT FIRST GLANCE OUT OF THE SLEEVE APPEARS UNUSUALLY PRISTINE AND TO HAVE NOT BEEN PLAYED, MUCH LESS TOUCHED, BEFORE NOW. UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION A FEW LIGHT SURFACE RUB MARKS AND OR PAPER SLEEVE STORAGE IMPRESSIONS.
⁂PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
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841 (GS 7.0.16 (841))
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