THE DOORS LIVE AT THE BOWL '68 LONG OUT OF PRINT ORIG 2012 RHINO/ELEKTRA 2LP SET

$

104

WE CURRENTLY HAVE  MORE THAN 300  LISTED ITEMS

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·       THE DOORS - LIVE AT THE BOWL '68 (RECORDED IN HOLLYWOOD BOWL, HOLLYWOOD, CA)  -   MASTERED FROM THE ORIGINAL ANALOG STEREO MASTERS AND PRESSED ON AUDIOPHILE-GRADE 180-GRAM VIRGIN VINYL  - ORIGINAL 2012 RHINO/ELEKTRA/BRIGHT MIDNIGHT STEREO  2-LP SET 8122797119

·       ORIGINAL EUROPEAN UNION  PRESSING (POSSIBLY FOR EXPORT TO THE UNITED STATES)

·       ORIGINAL GOLD/TAN ELEKTRA/RHINO LABEL (THE LABEL MIMICS ELEKTRA'S ORIGINAL MID-'60S LABEL)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST E.U. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL GATEFOLD COVER

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Two years after the Beatles rolled out the hits for the final time further up the West Coast at Candlestick Park -- and over a year into a Rolling Stones touring hiatus -- the Doors played a set at the Hollywood Bowl that is widely regarded to be their finest ever captured on film. Although they weren’t necessarily filling a gap on the live circuit left by their contemporaries -- with their third album, Waiting for the Sun, already in the can and under a week away from release -- it’s clear from this recording that they were keen to impress the 18,000 people who filled the Bowl on July 5, 1968. It’s a tight, musically impressive, well-paced set that falls at that sweet spot in the Doors’ career, between the laid-back hesitancy of early club performances -- such as those found on Live at the Matrix ’67 -- and the often overblown, strident, and bluesy improvisation of later gigs like the two-hour plus 1970 set released as Live in Detroit. Here, the band are well-rehearsed, locked-in, and ooze intensity with Bruce Botnick’s expert remastering giving John Densmore’s dexterous drumming a more prominent focus than it has previously been warranted. It’s not just improved sound that we benefit from here, either. As Jim Morrison’s vocals were not originally captured for large chunks of “When the Music’s Over,” “The Wasp,” and “Hello, I Love You,” Botnick has managed to reconstruct his vocals from recordings that were made in preparation for the Absolutely Live album. Furthermore, while 1987’s Live at the Hollywood Bowl lasted 22 minutes, here we get the entire set: over an hour of music. Live at the Matrix ’67 might have displayed the breadth of their repertoire in a club environment -- cherrypicking the best performances from four nights' worth of material -- but Live at the Bowl ’68 is by far the best Doors concert recording available to date. From Morrison’s primal scream and the explosive drum fill that kickstarts “When the Music’s Over,” they play to the back of the Bowl, and in turn get the back of the Bowl to lean in a little on the more introspective, tempered passages of “Light My Fire” and “The End” that appear toward the latter part of the set. Although the Doors built on the drama that was inherent in the music of the Beatles and the Stones, neither of those acts could match their unequivocal gift for portraying mystery and intrigue on record, or for that matter, in a live context. While Mick Jagger -- who looked on from the front row -- stayed in L.A. for the rest of month to oversee the final mix of the Stones’ satanic blues rock cornerstone Beggars Banquet, Paul McCartney was back in London that night adding the bassline to “Ob La Di Ob La Da.” The Doors returned to perform at the Hollywood Bowl in September 1972, very sadly without Morrison.

 (EXCERPT FROM AN ONLINE REVIEW BY JAMES WILKINSON, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical information on this album, including track listing ►CLICK HERE

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·                               CONDITION:

·                               RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The records are  pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)             The records come in poly-lined inner sleeves, which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years!

·       COVER

THE COVER IS NEAR MINT !

The following flaws or imperfections are noted on the cover:

-         Cover has a few tiny wrinkles along the top seam  (BARELY VISIBLE)

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1    (VISIBLE ON BACK SIDE ONLY) .

-         Cover has a minor wrinkle (crease) in the cardboard base on the back panel

-         Cover has one corner slightly dinged (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No yellowing from aging

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

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OUR REFUND POLICY :

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 30 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here  for the full text of our policy

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