THE BEATLES Live At The BBC a 1994 DOUBLE mono VINYL LP - Apple Records PCSP 726
£
55
$
73
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Description
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All Records are packed in Bubble Wrap with cardboard backing boards.
Order additional Records with this delivery and pay just 60p postage per record for each extra record.
All photographs are of the record you are bidding on. I do not use stock shots.
The Beatles – Live At The BBC - 2 x Vinyl LPs, Remastered Mono,
First pressing.
Apple Records – 7243 8 31796 1 9, Apple Records – PCSP 726
See Booklet... misprint
Made in the UK. Released: 6 Dec 1994
Gatefold sleeve with session stories and recollections.
Printed inner sleeves with photos, credits and session info.
Matrix / Runout Side A stamped: PCSP 726 A-01-1- 1 D
Matrix / Runout Side B stamped: PCSP 726 B-01-1- 1 D
Matrix / Runout Side C stamped: PCSP 726 C-01-1- 1 D
Matrix / Runout Side D stamped: PCSP 726 D-01-1- 2 D
This release contains two printing errors:
"See booklet for details" appears underneath record title on the labels. There was no booklet future pressings substituted the word “Sleeve” for “Booklet”
""Beatles", "Apple" and the Apple logos are trademarks of Apple Corps Ltd." does NOT appear on the back cover.
These errors were corrected in later pressings. There is no certainty as to the time gap between the appearance of these two variants. It's possible they were printed at the same time and the error was corrected in the production process.
The labels feature a newer Apple design. Glossy labels have Apple logo on a black background without perimeter print, the copyright text is moved into the middle of the apple.
Condition
All records are played and cleaned with the latest AudioQuest Anti-Static Brush before listing.
Record : Near Mint+
This is a little played double Album The vinyl is glossy and unmarked. The record is flat without warping. The new Apple label is bright, clean and unblemished, undimmed by its near 30 years. Beautiful, good as new, sound, no crackle or blips.
Two original Inner Sleeves are Near Mint, uncreased, clean and white with minimal wear.
Cover: Near Mint-
Gatefold Cover is fully intact and retains all its original rigidity and protection. Very minor corner dinting, minimal edge wear. Colour gloss retains all its original vibrancy, undimmed by its near 30 years.
Outstanding quality.
A lovely package
Tracklist
A1 Beatle Greetings Interviewer – Tony Hall
A2 From Us To You. Written-By – Lennon-McCartney
A3 Riding On A Bus Interviewer – Brian Matthew
A4 I Got A Woman Written-By – Charles*
A5 Too Much Monkey Business – Written By Chuck Berry*
A6 Keep Your Hands Off My Baby – Written By Goffin & King*
A7 I'll Be On My Way – Written By – Lennon & McCartney
A8 Young Blood – Written By Pomus*, Leiber & Stoller*
A9 A Shot Of Rhythm And Blues Written-By Thompson*
A10 Sure To Fall (In Love With You) Written-By Cantrell*, Perkins*, Claunch*
A11 Some Other Guy Written-By Leiber & Stoller*, Barrett*
A12 Thank You Girl– Written By – Lennon & McCartney
A13 Sha La La La La!
A14 Baby It's You Written-By – Williams*, Bacharach*, David*
A15 That's Alright (Mama) Written-By – Crudup*
A16 Carol Written-By Chuck Berry*
A17 Soldier Of Love – Written By Cason*, Moon*
B1 A Little Rhyme
B2 Clarabella Written-By – Pingatore*
B3 I'm Gonna Sit Right Down & Cry (Over You) Written-By Biggs*, Thomas*
B4 Crying, Waiting, Hoping Written By Buddy Holly*
B5 Dear Wack! Interviewer – Brian Matthew
B6 You Really Got A Hold On Me Written-By – Smokey Robinson*
B7 To Know Her Is To Love Her Written-By Phil Spector*
B8 A Taste Of Honey Written-By – Scott*, Marlow*
B9 Long Tall Sally Written-By – Johnson*, Penniman*, Blackwell*
B10 I Saw Her Standing There – Written By – Lennon & McCartney
B11 The Honeymoon Song Written-By – Theodorakis*, Sansom*
B12 Johnny B Goode Written By Chuck Berry
B13 Memphis, Tennessee Written By Chuck Berry*
B14 Lucille Written-By – Collins*, Penniman*
B15 Can't Buy Me Love Written By – Lennon & McCartney
B16 From Fluff To You Interviewer – Alan 'Fluff' Freeman
B17 Till There Was You Written-By – Willson*
C1 Crinsk Dee Night
C2 A Hard Day's Night – Written By – Lennon & McCartney
C3 Have A Banana!
C4 I Wanna Be Your Man – Written By – Lennon & McCartney
C5 Just A Rumour
C6 Roll Over Beethoven Written-By Chuck Berry*
C7 All My Loving – Written By – Lennon & McCartney
C8 Things We Said Today – Written By – Lennon & McCartney
C9 She's A Woman – Written By – Lennon & McCartney
C10 Sweet Little Sixteen Written-By – Chuck Berry*
C11 1822!
C12 Lonesome Tears In My Eyes Written-By –Mortimer, J&D. Burnette, Burlison
C13 Nothin' Shakin' Written-By – Colacrai*, Lampert*, Fontaine*, Gluck*
C14 The Hippy Hippy Shake Written-By – Romero*
C15 Glad All Over Written-By – Schroeder*, Bennett-Tepper*
C16 I Just Don't Understand Written-By – Westberry*, Wilkin*
C17 So How Come (No-One Loves Me) Written-By – Bryant*, Bryant*
C18 I Feel Fine – Written By – Lennon & McCartney
D1 I'm A Loser– Written By – Lennon & McCartney
D2 Everybody's Trying To Be My Baby Written-By – Carl Perkins*
D3 Rock And Roll Music Written-By Chuck Berry*
D4 Ticket To Ride – Written By – Lennon & McCartney
D5 Dizzy Miss Lizzy Written-By – Williams*
D6 Medley: Kansas City / Hey! Hey! Hey! Hey! By Penniman*, Leiber Stoller*
D7 Set Fire To That Lot! Interviewer – Rodney Burke
D8 Matchbox Written-By Carl Perkins*
D9 I Forgot To Remember To Forget Written-By – Feathers*, Kesler*
D10 Love These Goon Shows!
D11 I Got To Find My Baby Written-By Chuck Berry*
D12 Ooh! My Soul Written-By – Penniman*
D13 Ooh! My Arms
D14 Don't Ever Change Written-By – Goffin & King*
D15 Slow Down Written-By – Williams*
D16 Honey Don't Written-By Carl Perkins*
D17 Love Me Do – Written By – Lennon & McCartney
Credits
Design – Richard Ward
Executive-Producer – George Martin
Liner Notes [Introduction] – Derek Taylor
Liner Notes [Sleeve notes] – Kevin Howlett
Mastered By – BG*
On cover rear, inner sleeves and on each label side:
℗1994 The copyright in these sound recordings is owned by the BBC under exclusive licence to EMI Records Ltd.
©1994 Apple Corps Ltd. under exclusive licence to EMI Records Ltd.
Barcode: 724383179619
Matrix number
A matrix number is an alphanumeric code (and on occasion, other symbols) stamped or handwritten (or a combination of the two) into the run-out groove area of a phonograph record. This is the non-grooved area between the end of the final band on a record's side and the label, also known as the run-off groove area, end-groove area, matrix area, or "dead wax".
On my retirement I said to my children “my collection of records, books and comics will be yours”, “ not interested, get rid of them” was their reply. I’m well on with the comics and books and it’s now time to sell my vinyl.
Most were purchased during my late teens through my mid-twenties. Many remained unplayed for 30+ years some having been replaced by CDs while others just stored, their music unheard. In preparation for their sale I have played each one to check for sound quality and to make sure there were no flaws. I used my new AudioQuest Anti-Static brush each time. It was so good listening to this wonderful music and revisting my younger self. I was amazed at what good taste I had when I was young!
Hope you enjoy them as much as me.
See below for notes on my Grading Strategy
Tom Fisher of near-mint second hand emporium Rat Records describes the fairly universal grading system he uses. If it's good enough for Tom, It’s good enough for me.
Cover and Record are graded separately.
Vinyl Grading System
Mint (M) – Absolutely perfect in every way. Never been played and usually sealed.
Near Mint (NM) – The record has been on a shelf between other records. The vinyl looks glossy and clearly has only been played a few times. There are no marks on the vinyl and the whole package is complete.
Excellent (E) – Same but I’d tolerate very light marks where the vinyl has been in and out of the inner sleeve a few times, or tiny signs of use generally.
Very Good Plus (VG+) – A few further faults are acceptable, but nothing that really compromises the record visually or audibly. A little rub, light inaudible marks, a little background crackle.
Very Good (VG) – It’s seen a bit of life, but is still usable. Light pops and clicks, an edge split, light visible scratches. You can still listen to it and enjoy looking at it, but it is visually and audibly USED.
Good (G) – To be honest you’re making trouble for yourself here, as Good means Bad. I’d only be selling something really desirable in this condition, with a bargain price and a full, no holds barred description to match.
Poor (P), Fair (F) Attempting to listen will be a disturbing experience. Expect major noise issues, skipping or repeating. The record itself is cracked, badly warped and has deep scratches. The cover is also approaching death.
price rating