●SUPER-SOUND MEGA-RARE 1963 UK MSFL MASTERS ● "With The BEATLES" BEAT INVASION

$

305

 .

• ORIGINAL MASTERS / MOBILE FIDELITY
  
• 
  
• LONG GONE ~ SUPER-SOUND
•  
  
• 1963 UK MASTERS
• 
  
• Far Superior To The USA RELEASE
  ..|/\|...............................................|/\|..

• "With The Beatles"

• 
  
• "With The Beatles"

• 
  
• ..|/\|...............................................|/\|..
• USA - MOBILE FIDELITY ~ MSFL 1-102
  
• 
  PERFECT TOP COPY
      Most amazing **BEST** SOUND QUALITY around ~
  
• Original "limited edition"

• 
      MOBILE FIDELITY SOUND LABS issue of the LEGENDARY
  
• "THE BEATLES ~~ "With The Beatles"
  
  Contains the original fold out insert ++++ EVERYTHING !
  ............................................   
  
      MFSL (MOBILE FIDELITY SOUND LABS) became well known for quality vinyl pressings in the late 70's and went out of business in the 1990's -- their pressings are now extremely sought after and only getting harder to get by the day....

• SO What distinguishes an Original master Recording LP from any other record ?
  

•  1. Original Master Recordings are exclusively transferred from the original stereo master tape that the musicians recorded in the studio (not from a second, third, or fourth generation copy of that master tape).
  
      2. Each Original Master Recording employs Mobile Fidelity Sound lab's exclusive half-speed mastering process, thus capturing every nuance of sound from the master tape.
  
      3. Quality, not quantity, is the overwhelming consideration in the creation of each Original Master Recording. The number of pressings is strictly controlled. These limited editions assure you that the quality of the last pressing matches the quality of the first.
  
      4. Original Master recordings are custom pressed overseas by the Victor Company of Japan (JVC). Super Vinyl, an exclusive compound far superior to even so-called 100% virgin vinyl, is utilized to achieve maximum clarity and startling quietness.... Super Vinyl also bestows unsurpassed durability to each Original Master Recording LP, achieving a "playing lifespan" at least five times longer than mass- produced records.
  
      5. Each Original Master Recording is ultra-packaged to maintain flatness and prevent warpage.
  
      MFSL became well known for quality vinyl pressings and went out of business in the 1990's -- their pressings are now extremely sought after and only getting harder to get by the day....
  ............................................  

1. 
   
2. Legendary THE BEATLES~~ "With The Beatles" is clearly one of the BEATLES historic classics basically being the universal pioneer changing the face of rock-music forever !
   
3. 
   
4. ...............................................
5. The SUPER-SOUND stereophonic (rare) MOBILE MASTERS pressing
   plays with
   dynamic in-your-face audio clarity!
   
6. ...............................................
7. 
   Don’t be swayed by ridiculous (-)opinions, when filled top to bottom with goodness-greatness.
   
8. We feel every important collection should own...
   
9. 
   
10. THE BEATLES ~~ "With The Beatles" !!!

1. "With the Beatles" was the second album by the Beatles, issued in England, in November, 1963.
   
   Earth shaking thrills, the altered version of the album was released in the U.S.A. in January, 1964, and by far known as the inferior
   
2. "Meet The Beatles"
   
3. 
   
4. "With The Beatles" in the highest order, advances the iconic FAB-4 from their first LP "Please Please Me" —  Better's by developing THE BEATLES own tone and dynamic depth.
   
       While it may share several similarities with its predecessor — there is an equal ratio of covers-to-BEATLES originals, a familiar blend of girl group, Motown, R&B, pop, and ALL INFECTIOUS Beatles-styled rockers — the mighty "With the Beatles" was the best record to the date, that not only rocks harder, but is "wig-ravishingly" more sophisticated...
   
       The heart of "With the Beatles" lies in the the Lennon & McCartney originals, making it clear the Beatles were rapidly maturing and changing, turning into expert craftsmen and musical innovators...
5. 
   
6. With the Beatles starts with aggressive confidence, "It Won't Be Long" taking the "yeah yeah" chants that were the group's early calling card and turning them into missiles. We're back, it says, and it's one of their most thrilling songs. On "All My Loving" the guitars bubble and tumble and the band finds a new way to marry prettiness and drive. "I Wanna Be Your Man"-- Ringo's best early vocal-- has a wolfish, hustling urgency. Not everything the band tries, as writers or interpreters, comes off: draggy girl group revival "Devil in Her Heart" is an obscurity too far, and George Harrison wins a first songwriting credit for the Shadows-esque "Don't Bother Me", but it doesn't get much spark until the guitar solo. On McCartney's romantic spotlight, show-tune "Till There Was You", producer George Martin builds a wholly convincing soft-focus sound-world around Ringo Starr's bongos. The group harmonies on tracks like their rumbustious "Please Mr. Postman" are even more gorgeously thick. The way the drums rumble in on "Roll Over Beethoven" is a moment of simple joy.
   
   As for "Money", well, there simply is no second "Twist and Shout" in the catalogue, but neither was there any shame in the Beatles trying. And it has its own thrills to offer: Less demonic and frenetic than that previous album-closer but by some way the heaviest thing they'd yet recorded, a quality the remaster brings fully out. Ringo's booming drums, John Lennon's sneer, and the others' banshee backing vocals all create an air of menace, repressed violence: the black leather vibe of the band's 1961 proving grounds.
   
   It's a superb way to end an album and never cheats the fans either. A week after its release the band would release "I Want to Hold Your Hand" and rewrite the entertainment pecking order: For now they were living up to high expectations..
   
7. 
   
8.   A1
9. 
   
10.  It Won't Be Long (2:14)
    
    Recorded: July 30, 1963 at Abbey Road, London, England
    John Lennon - lead vocal, rhythm guitar
    Paul McCartney - bass guitar, background vocal
    George Harrison - lead guitar, background vocal
    Ringo Starr - drums
    
    All I've Got to Do (2:04)
    
    Recorded: September 11, 1963 at Abbey Road, London, England
    John Lennon - lead vocal, rhythm guitar
    Paul McCartney - bass guitar, harmony vocal
    George Harrison - lead guitar
    Ringo Starr - drums
    
    All My Loving (2:10)
    
    Recorded: July 30, 1963 at Abbey Road, London, England
    John Lennon - rhythm guitar, harmony vocal
    Paul McCartney - lead vocal, bass guitar
    George Harrison - lead guitar, harmony vocal
    Ringo Starr - drums
    
    Don't Bother Me (2:29)
    
    Recorded: September 11-12, 1963 at Abbey Road, London, England
    John Lennon - rhythm guitar, tambourine
    Paul McCartney - bass guitar, claves
    George Harrison - double-tracked lead vocal, lead guitar
    Ringo Starr - drums, bongos, loose-skinned Arabian bongo
    
    Little Child (1:48)
    
    Recorded: September 11-12 and October 3, 1963 at Abbey Road, London, England
    John Lennon - lead vocal, rhythm guitar, harmonica
    Paul McCartney - lead vocal, bass guitar, piano
    George Harrison - lead guitar
    Ringo Starr - drums
    
    Till There Was You (2:17)
    
    Recorded: July 18 and July 30, 1963 at Abbey Road, London, England
    John Lennon - acoustic guitar
    Paul McCartney - lead vocal, bass guitar
    George Harrison - acoustic guitar
    Ringo Starr - bongos
    
    Please Mister Postman (2:37)
    
    Recorded: July 30, 1963 at Abbey Road, London, England
    John Lennon - double-tracked lead vocal, rhythm guitar
    Paul McCartney - bass guitar, harmony vocal
    George Harrison - lead guitar, harmony vocal
    Ringo Starr - drums
    
    Roll Over Beethoven (2:47)
    
    Recorded: July 30, 1963 at Abbey Road, London, England
    John Lennon - rhythm guitar, hand-claps
    Paul McCartney - bass guitar, hand-claps
    George Harrison - double-tracked lead vocal, lead guitar, hand-claps
    Ringo Starr - drums, hand-claps
    
    Hold Me Tight (2:33)
    
    Recorded: September 12, 1963 at Abbey Road, London, England
    John Lennon - rhythm guitar, background vocal
    Paul McCartney - lead vocal, bass guitar
    George Harrison - lead guitar, background vocal
    Ringo Starr - drums
    
    You Really Got a Hold on Me (3:03)
    
    Recorded: July 18, 1963 at Abbey Road, London, England
    John Lennon - lead vocal, rhythm guitar
    Paul McCartney - bass guitar, background vocal
    George Harrison - lead vocal, lead guitar
    Ringo Starr - drums
    George Martin - piano
    
    I Wanna Be Your Man (1:59)
    
    Recorded: September 11-12, October 3, and October 23, 1963 at Abbey Road, London, England
    John Lennon - rhythm guitar, Hammond organ, harmony vocal
    Paul McCartney - bass guitar, harmony vocal
    George Harrison - lead guitar
    Ringo Starr - lead vocal, drums, maracas
    
    Devil in Her Heart (2:24)
    
    Recorded: July 18, 1963 at Abbey Road, London, England
    John Lennon - rhythm guitar, harmony vocal
    Paul McCartney - bass guitar, harmony vocal
    George Harrison - lead vocal, lead guitar
    Ringo Starr - drums, maracas
    
    Not a Second Time (2:04)
    
    Recorded: September 11, 1963 at Abbey Road, London, England
    John Lennon - double-tracked lead vocal, acoustic guitar
    Ringo Starr - drums
    George Martin - piano
    
    Money (That's What I Want) (2:46)
    
    Recorded: July 18, 1963 at Abbey Road, London, England
    John Lennon - lead vocal, rhythm guitar
    Paul McCartney - bass guitar, background vocal
    George Harrison - lead guitar, background vocal
    Ringo Starr - drums
    George Martin - piano
    

1.                 CONDITION:
2. 
   

3. The cover: rated: MINT(-) PERFECT beautiful TOP-MOST COPY -
   
3. NONE BETTER !  - so hard to find this original in ANY condition, yet here is a SOLID MINT original from our storied archives, sold for $300+ being one of the rarest/sought "MSFL" (masters pressings - complete, long ago) . There are no delete marks, no split seams, no bends, and no writing  ...appears better with natural eye-sight than photo here!
   
3. Guaranteed!
   

1. The vinyl: MINT(-)  PERFECT & flawless copy with beautiful deep wide-range audio, will only rise in value as times goes by as the super rare MOBILE FIDELITY !!!  
   
2. both Mobile Fidelity Masters labels are perfect !