SENSATIONAL ALEX HARVEY BAND THE PENTHOUSE TAPES VINYL LP RECORD ALBUM MINT 1ST
£
20
$
26
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Description
THE SENSATIONAL ALEX HARVEY BAND
THE PENTHOUSE TAPES
ORIGINAL FIRST PRESSING UK 1976 STEREO VINYL LP RECORD ALBUM
VERTIGO SPACESHIP LABELS
COMPLETE WITH PRINTED INNER SLEEVE AND INSERT
VINYL IN NEAR MINT CONDITION
COVER IN NEAR MINT CONDITION (SEE PHOTOS)
VERTIGO RECORDS
SUPER DE LUXE 9102 007
- Matrix / Runout (Side A Runout Stamped): 9102007 1Y//2 E 11 5
- Matrix / Runout (Side B Runout Stamped): 9102007 2Y//4 E 11 2
FROM MY OWN PERSONAL COLLECTION THE PICTURES SHOWN IN THE LISTING ARE OF THE ACTUAL ITEM FOR SALE
I DO NOT USE MISLEADING STOCK PHOTOS
FREE UK POSTAGE
THANKS FOR LOOKING
The Penthouse Tapes
Label: Vertigo ?– 9102 007 Format: Vinyl, LP, AlbumCountry: UK Released: 1976 Genre: Rock Style: Prog Rock, Hard Rock
TracklistHide Credits
A1 I Wanna Have You Back Written-By – A. Harvey*, A. Cleminson* 2:42 A2 Jungle Jenny Written-By – D. Batchelor*, S.A.H.B.* 4:07 A3 Runaway Written-By – D. Shannon*, M. Crook* 2:46 A4 Love Story Written-By – Ian Anderson 5:10 A5 School's Out Written-By – A. Cooper*, B.Ezrin* 5:02 B1 Goodnight Irene Written-By – Lomax*, Leadbetter* 4:30 B2 Say You're Mine (Every Cowboy Song) Written-By – A. Harvey* 3:23 B3 Gamblin' Bar Room Blues Written-By – J. Rodgers*, Shelley Lee Alley* 4:09 B4 Crazy Horses Written-By – A. Osmond*, M. Osmond*, W. Osmond* 2:54 B5 Cheek To Cheek Written-By – I. Berlin* 3:52Companies, etc.
- Produced For – Mountain Records (5)
- Recorded By – Rak Mobile
- Phonographic Copyright (p) – Phonogram Ltd.
- Printed By – Robert Stace
- Published By – Eiger Music Ltd.
- Published By – Panache Music Ltd.
- Published By – Vicki Music Ltd.
- Published By – Chrysalis Music Ltd.
- Published By – Copyright Control
- Published By – Tro Essex Music Ltd.
- Published By – Southern Music Ltd.
- Published By – Intersong Music Ltd.
- Published By – Chappell & Co.
- Published By – Irving Berlin (England) Music
- Recorded At – Basing Street Studios
- Recorded At – New Victoria Theatre
- Mixed At – Basing Street Studios
- Mixed At – Air Studios
- Mixed At – Advision Studios
- Mastered At – EMI Studios
Credits
- Bass Guitar – Chris Glen
- Engineer – Denny Bridges, Doug Hopkins*, John Burns, John Punter
- Guitar – Zal Cleminson
- Keyboards, Synthesizer – Hugh McKenna
- Lacquer Cut By – HTM.*
- Pedal Steel Guitar – BJ Cole (tracks: B2)
- Percussion – Ted McKenna
- Producer – David Batchelor
- Vocals – Alex Harvey
Notes
? A1,A2,A4,A5,B1,B3 to B5 1976 Phonogram Ltd? A3 1975 Phonogram Ltd
? B2 1973 Phonogram Ltd
Released with a cardboard inner-sleeve and an insert
Recorded and mixed at Basing Street Studios, London. Additional mixing at AIR and Advision Studios, London.
"Cheek to Cheek" recorded live at the New Victoria Theatre, London (Christmas 1975) with the RAK Mobile.
A1, A2, B2: Pub. Eiger Music/Panache Music Ltd (Cover) Eiger/Panache M. Ltd (Label)
A3: Pub. Vicki Music Ltd (Carlin) (Cover) Vicki M. Ltd (Carlin) (Label)
A4: Pub. Chrysalis Music Ltd (Cover) Chrysalis M. Ltd (Label)
A5: Pub. Copyright Control (Cover) Cop Con (Label)
B1: Pub. TRO-Essex Music Ltd (Cover) TRO-Essex M. Ltd (Label)
B3: Pub. Southern Music (Cover) Southern Music Ltd (Label)
B4: Pub. Intersong Music (Cover) Intersong M. Ltd (Label)
B5: Pub. Irving Berlin (England) Music (Cover) Chappell & Co. (Label)
Made in England
Barcode and Other Identifiers
- Matrix / Runout (Side A Label): 9102 007.1
- Matrix / Runout (Side B Label): 9102 007.2
- Matrix / Runout (Variant 1: Side A Runout Stamped): 9102007 1Y//2 E 11 5
- Matrix / Runout (Variant 1: Side B Runout Stamped): 9102007 2Y//4 E 11 2
- Matrix / Runout (Variant 2: Side A Runout Stamped): 9102007 1Y//1 E 12 3
- Matrix / Runout (Variant 2: Side B Runout Stamped): 9102007 2Y//4 E 11 8
- Matrix / Runout (Variant 3: Side A Runout Stamped): 9102007 1Y//2 E 4
- Matrix / Runout (Variant 3: Side B Runout Stamped): 9102007 2Y//3 E 11 3
- Matrix / Runout (Side A & B Runout Etched): HTM.
Record Collector Magazine's Grading Guide
"MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
BAD: The record is unplayable or might even be broken, and is only of use as a collection filler."
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