ROLLING STONES Dirty Work VINYL LP [SEALED EURO 1st PRESS] NM RS CBS 86321 1986
  $   20

 


$ 20 Sold For
Mar 19, 2019 Sold Date
Mar 12, 2019 Start Date
1 Number Of Bids
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Description


I had 5 brick and mortar stores in Portland, OR, Boise, ID, Fairbanks, AK, and 2 stores in Anchorage, AK. I operated under the name Nickelodeon Records & Tapes from 1973 to 1978, hence the eBay name Original 1976 Nickelodeon Records.

All of my Listings are NEAR MINT VINYL By Visual Inspection UNLESS OTHERWISE NOTED
Not Play Graded

EACH COVER CONDITION is INDIVIDUALLY NOTED 

THIS LISTING is for ROLLING STONES Dirty Work ROLLING STONES RECORDS CBS 8632 1986
THIS IS A SEALED FIRST PRESSING OF THE ROLLING STONES 18th BRITISH and 20th AMERICAN ALBUM...ALL ORIGINAL IN PRISTINE COLLECTOR'S QUALITY


ALBUM IS THE VERIFIED FIRST PRESSING AND ONE OF THE VERIFIED 12 VARIATIONS AS INDICATED BY THE NOTES AND IDENTIFIERS BELOW BUT THE EXACT VARIANT IS NOT INDICATED BECAUSE OF THE SEALED CONDITION. IT IS SEALED IN THE ORIGINAL FACTORY RED CELLOPHANE SHRINKWRAP MANUFACTURED IN HOLLAND.
THERE ARE NO IMPERFECTIONS IN THE COVER SUCH AS SAW CUTS, DRILL HOLES, SPLIT SEAMS, WRITINGS, RING WEAR,OR EXCESSIVE CORNER WEAR IN THE SHRINKWRAP
NOTES This album is dedicated to Ian Stewart "Thanks, Stu, for 25 years of boogie-woogie." 

Track B6 is not listed. It concerns a short version of the Big Bill Broonzy blues standard. It's played by Ian Stewart who died shortly after this recording. 

Matte cover.
Some releases issued in dark red cellophane shrinkwrap with a large illustrated promotional sticker on the front.
Inner sleeve has lyric sheet and a comic strip, "Dirty Workout", by Mark Marek and a generic inner sleeve with rounded corners too.

Made in Holland
? © 1986

BARCODE and OTHER IDENTIFIERS

  • Label Code: LC 0149
  • Matrix / Runout (Label side A): 01-086321-1
  • Matrix / Runout (Label side B): 01-086321-2
  • Matrix / Runout (Variant 1 - side A runout etched): AL40250-1AD
  • Matrix / Runout (Variant 1 - side A runout stamped): 01-86321-4A-1
  • Matrix / Runout (Variant 1 - side B runout etched): BL40250-1AC
  • Matrix / Runout (Variant 1 - side B runout stamped): 01-86321-3B-1
  • Matrix / Runout (Variant 2 - side A runout etched): AL 40250-1A
  • Matrix / Runout (Variant 2 - side A runout stamped): 01-86321-1A-1
  • Matrix / Runout (Variant 2 - side B runout etched): BL40250-1AE
  • Matrix / Runout (Variant 2 - side B runout stamped): 01-86321-5B-11
  • Matrix / Runout (Variant 3 - side A runout etched): AL 40250-1A
  • Matrix / Runout (Variant 3 - side A runout stamped): 01-86321-A1-1
  • Matrix / Runout (Variant 3 - side B runout etched): BL40250-1AD
  • Matrix / Runout (Variant 3 - side B runout stamped): 01-86321-4B-1
  • Matrix / Runout (Variant 4 - side A runout etched): AL 40250-1AD
  • Matrix / Runout (Variant 4 - side A runout stamped): 01-86321-4A-1
  • Matrix / Runout (Variant 4 - side B runout etched): BL 40250-1AA
  • Matrix / Runout (Variant 4 - side B runout stamped): 01-86321-1B-1
  • Matrix / Runout (Variant 5 - side A runout etched): AL 40250-1B
  • Matrix / Runout (Variant 5 - side A runout stamped): 01-86321-2A-1
  • Matrix / Runout (Variant 5 - side B runout etched): BL 40250-1AD
  • Matrix / Runout (Variant 5 - side B runout stamped): 01-86321-4B-1
  • Matrix / Runout (Variant 6 - side A runout etched): AL 40250-1A
  • Matrix / Runout (Variant 6 - side A runout stamped): 01-86321-1A-1 C C???????
  • Matrix / Runout (Variant 6 - side B runout etched): BL 40250-1AA
  • Matrix / Runout (Variant 6 - side B runout stamped): 01-86321-1B-1 C
  • Matrix / Runout (Variant 7 - side A runout etched): AL 40250-1B
  • Matrix / Runout (Variant 7 - side A runout stamped): 01-86321-2A-1 C
  • Matrix / Runout (Variant 7 - side B runout etched): BL 40250-1AC
  • Matrix / Runout (Variant 7 - side B runout stamped): 01-86321-3B-1 A
  • Matrix / Runout (Variant 8 - side A runout stamped): 01-86321-4A-1 C
  • Matrix / Runout (Variant 8 - side A runout etched): AL 40250-1AD
  • Matrix / Runout (Variant 8 - side B runout etched): BL 40250-1AB
  • Matrix / Runout (Variant 8 - side B runout stamped): 01-86321-2B-1 B
  • Matrix / Runout (Variant 9 - side A runout stamped): 01-86321-1A-1 A
  • Matrix / Runout (Variant 9 - side A runout etched): AL 40250-1A
  • Matrix / Runout (Variant 9 - side B runout etched): BL40250-1AE
  • Matrix / Runout (Variant 9 - side B runout stamped): 01-86321-5B-1 B
  • Matrix / Runout (Variant 10 - side A runout etched): AL 40250-1A
  • Matrix / Runout (Variant 10 - side A runout stamped): 0I-86321_IA_I D
  • Matrix / Runout (Variant 10 - side B runout etched): BL 40250-1AE
  • Matrix / Runout (Variant 10 - side B runout stamped): 0I-86321_5B_I C

  • Other (On labels, US catalog number, in brackets): OC 40250
  • Other (On back cover and inner sleeve, manufacturer catalog number ): 01-086321 

Reuniting after three years and one solo album from Mick Jagger, the Rolling Stones attempted to settle their differences and craft a comeback with Dirty Work , but the tensions remained too great for the group. Designed as a return to their rock & roll roots after several years of vague dance experiments, Dirty Work is hampered by uneven songs and undistinguished performances, as well as a slick, lightly synthesized production that instantly dates the album to the mid-'80s. Jagger often sounds like he's saving his best work for his solo records, but a handful of songs have a spry, vigorous attack -- "One Hit (To the Body)" is a classic, and "Winning Ugly" and "Had It With You" have a similar aggression. Still, most of Dirty Work sounds as forced as the cover of Bob and Earl's uptown soul obscurity "Harlem Shuffle," leaving the album as one of the group's most undistinguished efforts. Stephen Thomas Earlewine. Allmusic Review
PLEASE SEE SIDEBAR BELOW    CRITICAL REVIEWS

Rolling Stone Album Review

Do we ask too much of the Rolling Stones? Here they are with Dirty Work, their umpteenth American album since 1964 — actually their twenty-first, not counting greatest-hits compilations, EPs and live recordings — and they’re still making rock that crunches and snickers and yowls. Is that enough? Through twenty-four years, the Stones have been low-class, high-class, crude, tony, showbizzy, uppity, smarmy, careerist and more diversely ironic than any other band. And they’ve taught everyone since the baby boom how to listen to rock — with affection, cynicism and both feet on the dance floor. When Mick Jagger sings, “Hear the voice of experience,” in Dirty Work‘s “Hold Back,” he ain’t kidding. The Stones’ music has sniffed at every trend from psychedelia to disco, yet it’s gone nowhere slowly; it’s still basically the same warped Chicago blues they started with (especially on Dirty Work in “Had It With You”), plus a little reggae. Amid ups and downs, they’ve always known how to make a solid rock record in ways Mr. Mister or the Pet Shop Boys could never imagine. Yet every time the Stones get around to releasing an album, we expect them to do more — to take us by surprise, make us laugh and gawk, tell us what the hell is going on...Dirty Work does that, but only now and then; it’s more like a product than a statement, although it’s a little of both. With “Winning Ugly” and “Dirty Work,” this is the Stones album for the yuppie era, defining — and defying — the complacent nastiness of the mid-1980s as “Gimme Shelter” caught the crumbling hopes of the late Sixties and early Seventies...Jon Pareles. Rolling Stone. March 24, 1986.                                                                               
             

        TRACKS LISTED                        SIDE ONE: One Hit (To The Body), Fight, Harlem Shuffle,
                                      Hold Back, Too Rude.

                        SIDE TW0: Winning Ugly, Back To Zero, Dirty Work,
                                      Had It With You, Sleep Tonight, Key To The Highway.

   LOOK FOR MORE GREAT PRESSINGS FROM THE ORIGINAL 1976 NICKELODEON RECORDS
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