ROLAND KIRK THE INFLATED TEAR STILL SEALED 1968 ATLANTIC STEREO LP
  $   46

 


$ 46 Sold For
Oct 20, 2013 Sold Date
Oct 13, 2013 Start Date
$   10 Start price
4   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

    
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WE CURRENTLY HAVE   NEARLY 500   LISTED ITEMS

 

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·       ROLAND KIRK – THE INFLATED TEAR – 1968 ATLANTIC RECORDS STEREOLP SC 1502

 

·       GENUINE  U.S. PRESSING

 

 

*** STILL SEALED LP BELIEVED TO BE THE MID-1970s PRESSING ***

 

 

·       BELIEVED TO BE A VERY EARLY PRESSING CIRCA 1974 ON RED (ORANGE) AND GREEN ATLANTIC RECORDS LABEL WITH WEA LOGO ALONG THE LABEL’S EDGE

 

·       THIS IS NOT AN IMPORT, RECORD CLUB RELEASE OR A COUNTERFEIT PRESSING.

 

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

 

·       FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the thickness of the vinyl as 6.

 

(PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

 

 

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The debut recording by Roland Kirk (this was still pre-Rahsaan) on Atlantic Records, the same label that gave us Blacknuss and Volunteered Slavery, is not the blowing fest one might expect upon hearing it for the first time. In fact, producer Joel Dorn and label boss Neshui Ertegun weren't prepared for it either. Kirk had come to Atlantic from Emarcy after recording his swan song for them, the gorgeous Now Please Don't You Cry, Beautiful Edith, in April. In November Kirk decided to take his quartet of pianist Ron Burton, bassist Steve Novosel, and drummer Jimmy Hopps and lead them through a deeply introspective, slightly melancholy program based in the blues and in the groove traditions of the mid-'60s. Kirk himself used the flutes, the strich, the Manzello, whistle, clarinet, saxophones, and more -- the very instruments that had created his individual sound, especially when some of them were played together, and the very things that jazz critics (some of whom later grew to love him) castigated him for. Well, after hearing the restrained and elegantly layered "Black and Crazy Blues," the stunning rendered "Creole Love Call," the knife-deep soul in "The Inflated Tear," and the twisting in the wind lyricism of "Fly by Night," they were convinced -- and rightfully so. Roland Kirk won over the masses with this one too, selling over 10,000 copies in the first year. This is Roland Kirk at his most poised and visionary; his reading of jazz harmony and fickle sonances are nearly without peer. And only Mingus understood Ellington in the way Kirk did. That evidence is here also. If you are looking for a place to start with Kirk, this is it.

 

 (EXCERPT FROM AN ONLINE REVIEW BY THOM JUREK, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

 

"Roland Kirk has forever been my idol. Some people create a total thing by using the audience as a base of communication, not just playing for themselves or for a certain market — which is the same thing. That's what he did, and that's what I do. Others play the same music live that they played on record which is fine, but it's like who are they doing it for and why? I mean, they've already done it. Why do they go backwards?  Why don't they move into new territory and explore new concepts like Roland Kirk does, or Miles Davis? Music should be alive, in-the-now. It should come out of the moment you're sharing with the audience. Roland has been my idol for years, his rhythmic time, his conception, all of his chops, but his expression is the thing I'm really moved by. He doesn't hold anything back. He gives it all and it's awake and vital, in the moment, not some retread of an album he did ten years ago or even yesterday. Everything great is rooted in spontaneity and Roland Kirk is the epitome of spontaneity".

 

- TIM BUCKLEY, AS QUOTED BY LEE UNDERWOOD, THE AUTHOR OF 'BLUE MELODY: TIM BUCKLEY REMEMBERED

 

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

 

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·       CONDITION:

 

·       RECORD

 

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

 

(a)          THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID).

 

(b)          The record comes in the original stock inner sleeve (we can see it through the opening)

 

(c)             The record is  apparently pressed on a RELATIVELY  thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type),  vinyl, but not the thickest, most rigid vinyl, either.

 

(d)          Stock (commercially released) mono copies of this album are NOT known to exist.

 

 

·       COVER

 

COVER IS STRONG NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP

 

The following flaws or imperfections are noted on the cover:

 

-        Cover has a small cutout saw-mark (an indent about 3-5 mm long ) on one of its seams.

 

NO OTHER IMPERFECTIONS ON THE COVER:

 

-        No split seams

-        No ring wear

-        No cut-out (drill) holes.

-        No cut-out corners

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No yellowing from aging

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

 

 

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POSTAGE & SHIPPING:

 

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

 

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

 

 

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OUR REFUND POLICY :

 

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 7 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. Click here  for the full text of our policy

 

 

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