RIMSKY-KORSAKOW Scheherazade, Leopold Stokowski, RCA Victor, M-269

$

40

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RIMSKY-KORSAKOW
Scheherazade
Symphonic Suite
"From the Arabian Nights"


Played by
Leopold Stokowski
and the Philadelphia Orchestra


RCA Victor Masterpiece Set
M-269

Complete on Six Twelve-inch Records

Matrix numbers: 8698 - 8703

Nikolai Andreyevich Rimsky-Korsakov (Russian: ??????? ????????? ???????-????????; Russian pronunciation: [n??k??laj ?r?im.sk??j ?kors?k?f]; 18 March [O.S. 6 March] 1844 – 21 June [O.S. 8 June] 1908) was a Russian composer, and a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—Capriccio Espagnol, the Russian Easter Festival Overture, and the symphonic suite Scheherazade—are staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. Scheherazade is an example of his frequent use of fairy tale and folk subjects.

Rimsky-Korsakov believed, as did fellow composer Mily Balakirev and critic Vladimir Stasov, in developing a nationalistic style of classical music. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. However, Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. His techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner.

For much of his life, Rimsky-Korsakov combined his composition and teaching with a career in the Russian military—at first as an officer in the Imperial Russian Navy, then as the civilian Inspector of Naval Bands. He wrote that he developed a passion for the ocean in childhood from reading books and hearing of his older brother's exploits in the navy. This love of the sea might have influenced him to write two of his best-known orchestral works, the musical tableau Sadko (not his later opera of the same name) and Scheherazade. Through his service as Inspector of Naval Bands, Rimsky-Korsakov expanded his knowledge of woodwind and brass playing, which enhanced his abilities in orchestration. He passed this knowledge to his students, and also posthumously through a textbook on orchestration that was completed by his son-in-law, Maximilian Steinberg.

Rimsky-Korsakov left a considerable body of original Russian nationalist compositions. He prepared works by The Five for performance, which brought them into the active classical repertoire (although there is controversy over his editing of the works of Modest Mussorgsky), and shaped a generation of younger composers and musicians during his decades as an educator. Rimsky-Korsakov is therefore considered "the main architect" of what the classical music public considers the Russian style of composition. His influence on younger composers was especially important, as he served as a transitional figure between the autodidactism which exemplified Glinka and The Five and professionally trained composers which would become the norm in Russia by the closing years of the 19th century. While Rimsky-Korsakov's style was based on those of Glinka, Balakirev, Hector Berlioz, and Franz Liszt, he "transmitted this style directly to two generations of Russian composers" and influenced non-Russian composers including Maurice Ravel, Claude Debussy, Paul Dukas and Ottorino Respighi.

Sheherazade (Scheherazade; Russian: ?????a????, Shekherazada in transliteration), Op. 35, is a symphonic suite composed by Nikolai Rimsky-Korsakov in 1888. Based on One Thousand and One Nights, sometimes known as The Arabian Nights, this orchestral work combines two features typical of Russian music and of Rimsky-Korsakov in particular: dazzling, colorful orchestration and an interest in the East, which figured greatly in the history of Imperial Russia, as well as orientalism in general. It is considered Rimsky-Korsakov's most popular work. The music was used in a ballet by Michel Fokine. This use of the music was denounced by the Rimsky-Korsakov estate, led by the composer's widow, Nadezhda Rimskaya-Korsakova.

From the private collection of the late Dr. Harry Hammer, who was the Chairman of Macalester College’s music department from 1969-1977 as well as an avid collector for over 40 years. Dr. Hammer once served as a special hitting coach for the New York Mets. That was in August, 1965...hired to help the Mets' hitters follow the ball better, using a method he originally developed to teach musicians sight reading. All albums are from the late 20’s to early 40’s, and many are original, 1st editions containing pristine pressings from the golden age of 78’s. This collection consists of a nearly complete run of RCA Victor Musical Masterpiece Albums and Columbia Masterworks Album Sets.

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