Pink Floyd - THE PIPER AT THE GATES OF DAWN - Columbia SCX 6157 (1967)
£
36
$
48
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
Bought from new soon after release, rarely played after 1974 when I discovered reggae. Photo is of actual cover, inner sleeve has some splits, no major defects in either.
Part of my collection that has been stored in cool conditions throughout, and will need a good clean before you play it. Record will be dispatched in a Vinyl LP Record Box Mailer, corrugated and strong, to prevent damage.
This record is graded with the Vinyl Factory grading system:
Very Good (VG) – It’s seen a bit of life, but is still usable. Light pops and clicks, an edge split, light visible scratches. You can still listen to it and enjoy looking at it, but it is visually and audibly USED.
The Piper at the Gates of Dawn is the debut studio album by English rock band Pink Floyd, released 4 August 1967 by EMI Columbia. The only album made under founding member Syd Barrett's leadership, it takes its title from chapter seven of Kenneth Grahame's The Wind in the Willows, and was recorded at EMI Studios in London from February to May 1967 with producer Norman Smith.
Architecture students Roger Waters, Nick Mason and Richard Wright and art student Syd Barrett had performed under various group names since 1962, and began touring as "The Pink Floyd Sound" in 1965. They turned professional on 1 February 1967 when they signed with EMI, with an advance fee of £5,000. Their first single, a song about a kleptomaniac transvestite titled "Arnold Layne", was released on 11 March to mild controversy, as Radio London refused to air it.
About three weeks later, the band were introduced to the mainstream media. EMI's press release claimed that the band were "musical spokesmen for a new movement which involves experimentation in all the arts", but EMI attempted to put some distance between them and the underground scene from which the band originated by stating that "the Pink Floyd does not know what people mean by psychedelic pop and are not trying to create hallucinatory effects on their audiences." The band returned to Sound Techniques studio to record their next single, "See Emily Play", on 18 May. The single was released almost a month later, on 16 June, and reached number six in the charts.
Pink Floyd picked up a tabloid reputation for making music for LSD users. The popular broadsheet News of the World printed a story nine days before the album's recording sessions began, saying that "The Pink Floyd group specialise in 'psychedelic music', which is designed to illustrate LSD experiences." Contrary to this image, only Barrett was known to be taking LSD; authors Ray B. Browne and Pat Browne contend that he was the "only real drug user in the band"Tracklist
A1 Astronomy DomineA2 Lucifer Sam
A3 Matilda Mother
A4 Flaming
A5 Pow R. Toc H.
A6 Take Up Thy Stethoscope And Walk
B1 Interstellar Overdrive
B2 The Gnome
B3 Chapter 24
B4 The Scarecrow
B5 Bike
price rating