PETER LAUGHNER Take The Guitar Player For A Ride 2 LP Kerr Records PERE UBU
    85
  $   99

 


€ 85 Sold For
Dec 28, 2012 Sold Date
Dec 26, 2012 Start Date
1 Number Of Bids
  Germany Country Of Seller
eBay Sold at
 
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Description

 

PETER LAUGHNER * & FRIENDS

 Take The Guitar Player For A Ride

* Pere Ubu      Tim/Kerr Records TK9312043 2 × Vinyl, LP, Album, Compilation US  1993 Blues, Rock Country Blues, Folk Rock, Punk, Acoustic

 

 

Tracklist

A1 Peter Laughner– Baudelaire Bass – Albert Dennis 6:18 A2 Peter Laughner– Rock It Down Bass – Albert Dennis 2:36 A3 Peter Laughner– Sylvia Plath 3:40 A4 Peter Laughner– In The Bar 3:56 A5 Peter Laughner– Cinderella Backstreet 6:08 B1 Peter Laughner– Only Love Can Break Your Heart 2:59 B2 Peter Laughner– Lullaby 2:37 B3 Peter Laughner– Pledging My Time Written-By – B. Dylan 3:18 B4 Peter Laughner– Visions Of Johanna Written-By – B. Dylan 9:39 C1 Peter Laughner– Amphetamine 8:37 C2 Peter Laughner– Life Stinks 2:57 C3 Friction – Don't Take Your Love Away Backing Vocals – Deborah Smith
Written-By – C. Pressler, D. Smith, Laughner
6:31 C4 Friction – Calvary Cross Written-By – R. Thompson 8:30 D1 Peter Laughner– What Love Is Written-By – C. Chrome*, D. Thomas*, Laughner* 2:08 D2 Rocket From The Tombs– Ain't It Fun Written-By – C. Chrome*, Laughner* 6:03 D3 Friction– Dear Richard 5:51 D4 Finns, The– Baby's On Fire Written-By – B. Eno* 5:32 D5 Peter Laughner– Me & The Devil Blues Written-By – R. Johnson* 2:59

 

 

 

 

 

Trouser Press: As chronicler of — and prime mover in — the groundbreaking Cleveland scene in the early '70s, Peter Laughner (who died in 1977 at the age of 24) ranks as one of underground rock's true unsung heroes. Though Lou Reed was undeniably his major influence (particularly as a vocalist), Laughner's work can scarcely be narrowcast as mere tribute. The self-titled album, gleaned from a brace of demos and live recordings, reveals his folkier side, with nods to Ramblin' Jack Elliott ("Rag Baby") and Richard Thompson (on the melancholy "Baudelaire"). The two-record Take the Guitar Player for a Ride is much more exhaustive (and exhausting): from the sorrowful epic "Amphetamine" (a line from which gives the album its title) to a hushed version of Robert Johnson's "Me and the Devil Blues" (recorded the night before his death), it's a detailed map of a one-way route down to the crossroads. The CD has three fewer songs than the vinyl.

Amazon.com: To some, Peter Laughner was just another self-desructive, showy hack on the CBGB PUNK scene. To others he was a shadowy, peripheral, even influential figure in bands like Rocket From The Tombs, Pere Ubu & Television. Still others may remember him a bratty, self importnant Rock critic for CREEM magazine. Regardless, at 27, he wound up like his fellow staff writer, Lester Bangs---dead. Unlike, Bangs he didn't leave much of an archive behind to remember him by. This is pretty much it.

Like Laughner himself, this record is a glorious mess. Essentially, a bootleg. In terms of influences, Laughner wears them on his sleeve. Lou Reed, Brian Eno, Dylan, early Elvis Costello, The Stooges--just to name a few. There's even some Captain Beefheart-ish moments like, "Life Stinks".

The first half consists of acoustic bedroom demos, while the second features some stellar live work. At the very least Laughner was a fine guitar player, as evidenced on his stab at Richard Thompson's epic, "Calvary Cross". His subtlety can be found in "Lullabye" & in his sideman work on "Don't Take Your Love Away" ( featuring what sounds like Alex Chilton? on lead vocals). He even shows considerable Blues chops on the closer, "Me & The Devil Blues".

True standouts are "Amphetamine" & self-penned literary name droppers like, "Baudelaire" & "Sylvia Plath". Each characterized by sprawling, poetic lyrics & catchy hooks. Despite any literary pretention, both songs are moving. Though he definitely has a chip on his shoulder, lines like, "let's see you do something as graceful as Sylvia Plath" are enough to silence any detractors.

In short, he was versitlile--- touching on it all from purile punk, to bedsit strumming, to Rock God grandstanding.

In the end, this is an oddly touching record. Though not destined to go down in history as a Guitar God, this one goes to show Laughner's talents were prodigious. If anything, this collection serves as a faded snapshot of someone who "could've been a contender".

 

 

Die Platten sind neuwertig exzellent erhalten.

Das Klappcover ist topp exzellent+ erhalten.

The condition of the records is top: excellent.

The condition of the gatefold-sleeve is strong excellent.

 

Der Versand im Inland erfolgt im stabilen, eckengeschützten Hermes Paket. Kombiversand: Beim Kauf beliebig vieler Artikel berechnen wir nur einmal Versandkosten.

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International shipping registered priority airmail letter in a sturdy, cornerprotected box. We always offer combined shipping for multiple items, depending on weight and total amount. So you can save shipping costs. 


BESCHREIBUNG DES ARTIKELS

Alle Platten werden erst unter einer starken Strahlerlampe begutachtet und dann auf einem High-End Plattenspieler angespielt. Alle Fotos sind Originalfotos des angebotenen Artikels zum Zeitpunkt des Einstellens.

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BEWERTUNG

Wir bewerten alle Platten sehr sorgfältig sowohl akustisch als auch visuell nach den UK RECORD COLLECTOR Standards:

M > MINT : Die Platte ist brandneu ohne jegliche Gebrauchsspuren oder Einschränkungen in der Klangqualität. Das Cover sowie Textblätter, Poster, Booklets usw. sind ebenfalls in perfekter Qualität.

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EX > EXZELLENT : Die Platte zeigt nur minimale Abspielspuren und Abstriche an der Klangqualität sind sehr gering. Ähnliches gilt für das Cover.

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VG > VERY GOOD : Man sieht der Platte an, daß sie des öfteren abgespielt worden ist; leichte Kratzer und Gebrauchsspuren sind vorhanden. Die Klangqualität ist jedoch noch gut. Das Cover hat Gebrauchsspuren, jedoch keine größeren Schäden.

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G > GOOD : Verkaufen wir nur, wenn die Platte sehr selten ist. Bitte in der jeweiligen Artikelbeschreibung nachlesen.

+ / - : Erlaubt eine noch genauere Bewertung.

CO > CUT-OUT : das Cover hat ein kleines Loch oder einen Schnitt

WOC : das Cover hat einen Stempel oder eine Beschriftung

WOL : das Label hat einen Stempel oder eine Beschriftung

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VERPACKUNG

Wir nehmen alle Platten für den Versand aus dem Cover, um ein Durchschlagen während des Transports zu verhindern. Jede Platte mit Cover und Innenhülle erhält eine neue, verschließbare Aussenhülle. Wir verschicken nur in neuen, stabilen Spezialkartons mit Verstärkungspappe(n).

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ITEM DESCRIPTIONS
All vinyl is graded under very bright lighting and played on a high-tech turntable. All photographs are of the actual item for sale and taken at the time of listing.

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GRADING

Records are carefully graded using the UK RECORD COLLECTOR system:

M > MINT : The record itself is in brand new condition with no surface marks or deterioration in sound quality.The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition.

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EX > EXCELLENT : The record shows few signs of having been played, but there is little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.

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VG > VERY GOOD : The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

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G > GOOD : We do not to sell records that are in less than very good condition, unless they are extremely rare. Please see our individual description for these items.

+ / - : plus and minus allows an even more individual grading

CO > CUT OUT : The cover has a tiny hole or cut

WOC : Writing or stamp on cover

WOL : Writing or stamp on label

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PACKAGING
Items are removed from their outer sleeves and supplied in a brand new protective outer sleeve. All articles are shipped in high quality extra thick mailers with cardboard stiffener(s).


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