PAUL CHAMBERS GO ULTRA-RARE ORIG'59 VEE JAY MONO LP DG+

$

34

    
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·       PAUL CHAMBERS –  GO ! – ORIGINAL 1960 VEE JAY RECORDS MONO LP 1014

Cannonball Adderley  -  Sax (Alto)

Philly Joe Jones  -  Drums

Wynton Kelly  -  Piano

Jimmy Cobb  -  Drums

Paul Chambers  -  Bass

Freddie Hubbard  -  Trumpet

·       ORIGINAL U.S. PRESSING

·       ORIGINAL MAROON (DARK RED), NON-GLOSSY, VEE-JAY MONO LABEL WITH SILVER PRINT, LATE 50’s STYLE.

·       DEEP GROOVE PRESSING

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH "-1D/-1".  ON SOME LABELS, SUFFIX - 1 SIGNIFIES THE VERY FIRST, ORIGINAL PRESSING (JUDGING BY THE MASK OF THE CATALOG NUMBER IN THE DEAD WAX, THIS PRESSING WAS MADE BY RCA VICTOR CUSTOM PRESSING FACILITY, PROBABLY THE ONE IN CAMDEN, NJ)

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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The first of two Vee Jay label dates by the acclaimed modern jazz bassist Paul Chambers is a fine exercise in hard bop, split between showcasing his compositions and famous standards. Alto saxophonist Cannonball Adderley and trumpeter Freddie Hubbard are on the front line, perhaps for the only time in their storied careers, and work well for the most part. Pianist Wynton Kelly and either drummers Philly Joe Jones or Jimmy Cobb complete the quintets. The advantage in buying this reissue is that the second CD is comprised exclusively of outtakes from the originally issued tracks, and many of them have extended solos. Of the covers, "There Is No Greater Love" features a chuckling and cajoling Adderley, very happy for the fortune smiling on him, while "Just Friends" has the two horns playing this chestnut pretty much straight, with counterpointed stop-start techniques chirping at the rhythm section, and a young Hubbard offering his best solo. "I Got Rhythm" brings Cobb to the team, as a modal base from Kelly and Chambers buoys the wailing horns. Of the originals, Hubbard and Adderley sound mismatched on the 6/8 to 3/4 calypso-swing "Julie Ann," where their harmonics don't quite synch up. Their teamwork pays off royally during "I Heard That" and the classic hard bopper with Cobb "Ease It," where the tempo persists, but the horns grow quieter and quieter in mezzo piano range to near nothingness -- the epitome of cool. There's another classic here, as "Awful Mean" is emotionally neither, but instead cures Adderley's brief once-through melody statement into a vintage shuffle. The alternate take of this one is two-and-a-half minutes longer. "I Heard That" is called a "remake" though the original is just fine, and the second "remake" of the ballad "Dear Ann" (one of three attempts included) extends Chambers on his arco bowed bass melody, both pieces adding a ramped uptempo. This recording and 1st Bassman offer different aspects of Chambers as a leader, with the latter album having him take on more responsibility as a lead melodicist. After having played with the game changing bands of Miles Davis and John Coltrane, Chambers died far too young ten years hence in January of 1969, but left behind a memorable 15-year legacy, well represented by this recording where he was in his early prime.

 (EXCERPT FROM AN ONLINE REVIEW BY MICHAEL G. NASTOS, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

THIS IS A NO-RESERVE AUCTION!

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·       CONDITION:

·       RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          CAUTION! The vinyl is only VERY GOOD (-) TO VERY GOOD, with multiple, numerous, small scuffs and scratches which are BOTH visible AND audible. The record plays with light and tolerable BUT AUDIBLE surface noise and occasional pops and clicks. The record plays without skipping throughout. This record WAS play-graded.

(b)          The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS ABOUT VERY GOOD (VG).

The following flaws or imperfections are noted on the cover:

-        Cover has a partially split top seam (between 8 and 10 inches  / 20 to 22 centimeters)

-        Cover has a partially split bottom seam (between 4 and 6 inches  / 10 to 15 centimeters)

-        Cover has some ring wear. On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 5.

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows some light yellowing on back side, apparently from aging.

-         Back cover has some light yellowish stains, probably from exposure to humidity (covering about 1/4 of the back panel)

-         Cover has some visible fraying/tattering on the top seam

-         Cover has two corners slightly worn / dinged  / bent (nothing significant)

-         Cover has a few tiny wrinkles along the spine

. NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No stamps

-        No peel-off marks

-        No mold or mildew spots

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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