OTIS REDDING IMMORTAL ULTRA-RARE WL PROMO-ONLY MONO LP

$

42

WE CURRENTLY HAVE   NEARLY 700   LISTED ITEMS.   TO DISPLAY ALL OUR AUCTIONS IN ALPHABETICAL ORDER (BY ARTISTS’ NAMES)  ►CLICK HERE

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·       OTIS REDDING - THE IMMORTAL OTIS REDDING - ORIGINAL ATCO RECORDS 1968 MONO LP 33-252

·       ORIGINAL U.S. PRESSING

·       *** WHITE LABEL PROMO ***

·       *** IN ADDITION, THE PROMOTIONAL STICKER ON THE COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***

·       *** ULTRA-RARE PROMOTIONAL-ONLY MONO COPY; MONO VERSION OF THIS  ALBUM WAS NEVER COMMERCIALLY RELEASED IN ANY WAY OR FORM ***

·       ORIGINAL ATCO LABEL, WHITE PROMO VERSION.

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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What we have here technically DOES NOT EXIST and is not supposed to exist. To our best knowledge, the existence of this PROMO-ONLY mono version of this great album has never been documented or substantiated, and none of the price books and guides currently in print make any reference to its history or background. The historical importance of this item cannot be overestimated: this is an equivalent of discovering a long-lost animal- or plant species!!!

The bidders should note that this album contains mono mixes which are either considerably different: much more raw and "punchy" than the common, commercially available stereo mixes.

***

There is not a shred of doubt in my mind:  In the entire history of Soul Music, this has got to be one of the most - if not THE most emotionally drenching, devastating performance on record. Just as Billie Holiday's final studio album ("Lady in Satin", 1958) was a testament of an artists whose vocal power was on decline, but whose interpretative prowess at her peak, this, the final "real" Otis Redding album shows Otis pouring his heart and soul out, as if he were clinging on by the thread. Recorded in a few frantic sessions just days before he died in a plane crash, Otis Redding was fighting with his own demons, as well as effects of a major surgery on his larynx, which rendered him inactive for most of his last summer (1967). As if he knew that his final hour was near, he poured his heart and soul in these, final sessions of November/December 1967. What he left was an abundance of material, not all of it top-notch - which was lovingly compiled on three (3) posthumous albums by his label mate Steve Cropper (of Booker T & The MGs). Of the three albums which collect these, final, session tracks "The Immortal",  which came out first,  just weeks after Otis’ death - was by far the best and the most heartfelt and emotionally charged. This is one big, strong, cathartic listening experience. I can think of only one or two albums - in all of contemporary music - that radiate such emotional intensity. Otis is literally and figuratively struggling to keep his emotions in check. Some songs, like "A waste of Time" or "Thousand Miles Away", have got to be ultimate heartfelt soul vocal performances. King of Soul still reigns, 42 years after his death. Bless your soul, Otis.

Track listing: I've Got Dreams To Remember - You Made A Man Out Of Me - Nobody's Fault But Mine - Hard To Handle - Thousand Miles Away - Happy Song (Dum-Dum-De-De-De-Dum-Dum) - Think About It - Waste Of Time - Champagne And Wine - Fool For You - Amen.

For its extraordinary contribution to the contemporary music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, songwriters and general public, or for some other inherent quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, show business professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, the legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice , Lisa Robinson, Robert Shelton, Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" , Omnibus Press, Library of Congress Catalog No.7855565 (or ► click here  for the complete album listing)

THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

THIS IS A NO-RESERVE AUCTION!

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

We could not "feel" these abrasions with our fingertip, and we suspect that they are NOT audible.

(b)          The record comes in the original stock inner sleeve.

(c)           The record is apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          White Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 50:1.

(e)           In addition, promo-only MONO pressing of this title is much rarer, and by far more  preferable to its stereo counterpart. We think that the mix is more natural, humane, "organic" and that the mixes are somewhat different than on the stereo version. We estimate that stereo copies of this album outnumber mono pressings by a ratio of at least 200:1.

(f)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        A small, faint, barely visible “glass bottom” stain noted on front cover (less than 2 square inches in size)

-        Cover shows some light yellowing on both sides, apparently from aging.

-        Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3 (front side) and 4(back side)

-        Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-        Cover has some fraying/wear along the upper seam

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No stamps

-        No peel-off marks

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

We offer two postage rates for both Domestic and International Mail: Media Mail and Priority Mail for domestic, and First Class and Priority International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: you should select priority mail when making a payment, in order to prevent any lost, stolen, damaged or undelivered orders and to obtain tracking info, which is NOT available for First Class International shipments.

INTERNATIONAL POSTAGE- and insurance rates vary from country to country. For SPECIFIC international and domestic postage and insurance rates ►click here. While you can be rest assured that our packaging is careful, sturdy and impact-proof,  please note we are NOT responsible for uninsured items.

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OUR REFUND POLICY :

Cash refund will be granted only for DEFECTIVE  items, but we are flexible and reasonable in reviewing the merits of each individual case. We do NOT play-grade records and can only make reasonable judgment  on the item's condition based on its visual appearance. Every bid carries a risk that purchased item might play worse than its visual grade may indicate. Still sealed items MUST be returned sealed in order to be eligible for a refund. Please read our complete refund policy before placing a bid. ►Click here  for the full text of our policy .

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