MUNDELL LOWE+AL COHN SATAN IN HIGH HEELS RARE ORIG '62 PARKER STEREO LP GATEFOLD
$
32
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Description
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· MUNDELL LOWE (WITH CLARK TERRY, AL COHN, PHIL WOODS, OLIVER NELSON AND OTHERS) – SATAN IN HIGH HEELS – ORIGINAL 1962 PARKER RECORDS STEREO LP PLP-406S
· ORIGINAL U.S. PRESSING
· ORIGINAL RED PARKER LABEL WITH BLACK PRINT AND ‘BIRD’ LOGO AND SILVER PRINT
· DEEP GROOVE PRESSING
· EXTREMELY RARE STEREO PRESSING, MANY TIMES RARER THAN MONO
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· VERY RARE TRUE FIRST PRESSING IN ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (LATER PRESSINGS COME IN SINGLE-POCKET COVER)
· ORIGINAL LAMINATED COVER
· THICK, HEAVY VINYL PRESSING
· CLEAN, WEAR-FREE LABELS
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1/-1B'. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Mundell Lowe's score for the exploitation flick Satan in High Heels is an immensely enjoyable collection of exaggeratedly cinematic jazz. Lowe runs through all sorts of styles, from swinging big band to cool jazz, from laid-back hard-bop to driving bop. He pulls it off because his big band is comprised of musicians as skilled as Oliver Nelson, Al Cohn, Phil Woods, Urbie Green, Joe Newman and Clark Terry. They help give the music the extra kick it needs, and Satan in High Heels winds up as a terrific set of humorous and sleazy, but well-played, mainstream jazz.
(EXCERPT FROM AN ONLINE REVIEW BY STEPHEN THOMAS ERLEWINE, ALL MUSIC GUIDE /ALLMUSIC.COM/)
For additional historical or discography information on this album, including track listing ►click here
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(d) Stereo pressing of this title is much rarer, and by far more preferable to its mono counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies by a ratio of at least 5:1.
(e) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 2 (front side) and 3 (back side)
- The cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution. Similar tarnish can also be found on the inside gatefold
- Cover shows some light yellowing on both sides, apparently from aging (nothing significant). Yellowing is also noted on the INSIDE gatefold
- Cover has a few tiny wrinkles along the spine (nothing significant)
- Cover has three corners slightly worn / dinged (nothing significant)
- Back cover has a few yellowish dust speckles scattered here and there (these tiny spots are not overly obtrusive or distracting)
- The cover has a few tiny scratch marks on the back side (nothing significant)
NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE COVER
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POSTAGE & SHIPPING:
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