MICHAEL JACKSON Off The Wall VG++ 1979 Epic FE 35745 1ST PRESSING SANTA MARIA
$
25
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Description
Vinyl: VG++ Play Graded. Sounds Great! Has some marks that don't affect the sound quality. Epic Labels are Clean and Bright. This is the 1979 Epic FE 35745 1st Pressing! This is the audiophile acclaimed release, pressed at Columbia's Santa Maria, CA Pressing Plant!! This pressing plant was known for its craftsmanship in-house and for not overpressing a record, using new Masters more often, resulting in a cleaner, brighter sound overall. Essential Soul! This is MJ's breakthrough album assisted handily by the brilliant Quincy Jones at the height of his Producer Powers. Released at the height of Disco, this one transcends Disco and presents all of its shimmering attributes without any of the dull formulaic dreck that was to be Disco's downfall. Instead, we have classics right out the gate with Monster hits like Don't Stop Til You Get Enough, Rock With You, Get On The Floor. Here's the King Of Pop before the moniker, before the hyper, before the drama. Sheer talent, unfiltered! Instant Dance Party, 70s style! Enjoy! allmusic gives it 5 stars!!!
See Biography Below!
In the Dead Wax: Matrices, etched. On Side 1: S ((Pressed at Columbia's Santa Maria. CA Pressing Plant)) Complete Dead Wax information cheerfully given upon request.
Cover: VG+ (see photos) Gatefold. Front and back of cover artwork and text are rich, clear and bright, with some shelf and ring wear. Seams, spine and corners are solid and clean, with some wear. No splits. No writing. Spine print is mostly readable, particularly the artist name, title and catalog number are all crystal clear.Goldmine Standards. I play grade every record that I sell on eBay as I have found you can't rate a record accurately by just visually inspecting it. I wipe the dust off of every cover with clean, unscented baby wipes. I professionally clean the vinyl. (I also operate a Vinyl Record Cleaning business for your dusty/dirty records--if interested, send me a message).
U.S. Shipping: $4.99 Media Mail. Tracking included. 50 cents additional shipping per additional item, when the shipment is combined. If you wish to take advantage of my COMBINED SHIPPING deal, simply select your items by clicking on "ADD TO CART" on the main listing page. Do this for all of your selections and then go to your cart to checkout. Your combined shipping discount will be computed automatically. Free domestic shipping if you spend $100 or more!
All records are packaged securely with the vinyl outside the jacket (to avoid seam split in transit). The vinyl and jacket are sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box.
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer.
On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
Off the Wall Review
by Stephen Thomas Erlewine
[-]Michael Jackson had recorded solo prior to the release of Off the Wall in 1979, but this was his breakthrough, the album that established him as an artist of astonishing talent and a bright star in his own right. This was a visionary album, a record that found a way to break disco wide open into a new world where the beat was undeniable, but not the primary focus -- it was part of a colorful tapestry of lush ballads and strings, smooth soul and pop, soft rock, and alluring funk. Its roots hearken back to the Jacksons' huge mid-'70s hit "Dancing Machine," but this is an enormously fresh record, one that remains vibrant and giddily exciting years after its release. This is certainly due to Jackson's emergence as a blindingly gifted vocalist, equally skilled with overwrought ballads as "She's Out of My Life" as driving dancefloor shakers as "Working Day and Night" and "Get on the Floor," where his asides are as gripping as his delivery on the verses. It's also due to the brilliant songwriting, an intoxicating blend of strong melodies, rhythmic hooks, and indelible construction. Most of all, its success is due to the sound constructed by Jackson and producer Quincy Jones, a dazzling array of disco beats, funk guitars, clean mainstream pop, and unashamed (and therefore affecting) schmaltz that is utterly thrilling in its utter joy. This is highly professional, highly crafted music, and its details are evident, but the overall effect is nothing but pure pleasure. Jackson and Jones expanded this approach on the blockbuster Thriller, often with equally stunning results, but they never bettered it.
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