M- RARE 1967 ORIG The MUSIC MACHINE "Bonniwell" WICKED FUZZ GARAGE PSYCH HEAVY
  $   185

 


$ 185 Sold For
Aug 2, 2020 Sold Date
Jul 28, 2020 Start Date
$   10 Start price
23   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

PLEASE READ BEFORE BIDDING: Please read the entire auction listing, including shipping costs, before writing to ask a question.   OUR GOAL IS CUSTOMER SATISFACTION. In order to meet that goal, we will ALWAYS work with our customers on any concerns that may arise. Because of that dedication, there should be no need to open a resolution dispute before working with us.  Please keep in mind, we would prefer to continue to provide you the opportunity to acquire the rare music we present each and every week.   Payment is required within seven days. We mail all paid items ONE WEEK after auctions end. Our listings are time consuming in detail and we are often traveling to find these gems, which at times delays the delivery schedule by a day or two. We ALWAYS process and ship every paid order. We have no control over parcels once they are mailed from our local Post Office. Overseas mail to some countries (Italy, Russia, France, in particular) has become very slow. Opening a dispute for slow mail is unacceptable.  We work hard to provide excellent service as is represented by our well over 18,000 positive feedback.   We use an ultrasonic KLAudio machine and thoroughly clean all records. Each order is carefully packaged by removing the LP from the jacket to avoid seam splits, use of 3 ml plastic cover sleeves over each LP and jacket, cardboard pad inserts, and placed in sturdy record mailers for safe delivery.   We take Customer Service seriously, and want you to be satisfied. Please give us 5 stars in each category through the feedback system, and we will be able to effectively continue to fulfill your passion for rare and collectible music! We have served thousands of satisfied customers - far more than our feedback records indicate - and our aim is to continue to do so. Thank you for your interest and support.   ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ SHIPPING:   USA ~ 1 LP = $4.00 Media Priority rates vary by area; please inquire.   All Canadian and Overseas shipping ~ Please inquire about rates. Priority shipping rates required on any order $200+ ~ Also, in the best interest of all of us, safe Express shipping rates on any order totaling $400+
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  • 1967 ????? ORIGINAL ~
    TOP RATED FUZZ-PUNK-GARAGE-PSYCH GEM

    MINT CLEAN 1967 PRESSING ..|/\|...............................................|/\|..
  • THE MUSIC MACHINE
    Bonniwell's Music Machine
  • ..|/\|...............................................|/\|..
  • USA -(GOLD) WARNER BROTHERS - WB 1732
    <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
    LOOKS MINT and PLAYS SHARP MINT !!
    FINAL  COLLECTION COPY . . .
    (see full details below)
    ORIGINAL 1967 first pressing on the GOLD WB label ... the superior second MUSIC MACHINE album ...a garage punk fuzz psych winner with virtually no bad tracks
    Fans of garage and psych are probably familiar with this LA band of Talk Talk fame. Sean Bonniwell and the Music Machine released two records and a plethora of quality outtakes and are sadly remembered, if at all, for their sole hit record, Talk Talk.
    The Music Machine covered themselves in black and played a grinding, relentless form of experimental garage rock.
    Their music was full of tension and uneasiness, and many consider singer/writer Sean Bonniwell a tortured genuis.
    Sean Bonniwell was really one of the grandfathers of garage-punk rock. Rock critics and fans alike often forget how good this original band was. Talk Talk’s follow up was the brilliant People In Me which barely dented the charts and in early '66 Bonniwell unleashed Point of No Return, a track with a swirling mass of organ and futuristic blasts of fuzz guitar.
    The Bonniwell Music Machine album above was recorded mostly with the original lineup who had recorded the 1966 "Talk Talk" debut. That LP was sabotaged, managers and producers forced Bonniwell to fill half the record with cover versions of current popular hits. Stellar originals battled it out with covers of Cherry Cherry and a respectable gutsy stab at Hey Joe.
    "Bonniwell's Music Machine" their second album was released in 1967 and was a small victory for a band who had fought for absolute creative control. The recording sessions were tension fueled wars between management, Bonniwell, and the band. Eventually, the band left Bonniwell, feeling that he sided with management and ruled with an iron fist. Bonniwell Music Machine saw the band forge ahead and move beyond their garage roots.
    The most popular song off the album, Double Yellow Line, is a real flame thrower, supposedly written while Sean was behind the wheel driving to the recording sessions! It is a unique statement that featured Bonniewell’s rants and hangups over some razor sharp guitars, a killer beat and strange fish bowl-like organ. Talk Me Down, Bottom of the Soul and the Eagle Never Hunts the Fly are just as vital and displayed Bonniewell’s alienation in spades. The Eagle Hunts was a monstrous, intense rocker with a wonderful fuzz meltdown that was supposedly disowned by the band during the recording sessions. Other strange pop songs like the psychedelic harpsichord-laden, harmony-rich Trap are a welcomed change in direction. Absolutely Positively is a fantastic fist pounding garage-punk anthem and Discrepancy was notable for two distinct vocalizations.
    It’s always great to see a garage band enter the studio stoked about the possibilities of recording and come out creating their acid punk masterpiece. Bonniwell was definitely a rock star in his own mind, making this record their definitive statement. In 1969 Bonniewell would release "Close", a rare sought after solo album...
    A: Astrologically Incompatible Double Yellow Line The Day Today Absolutely Positively Somethin Hurtin on Me The Trap Soul Love B: Bottom of the Soul Talk Me Down The Eagle Never Hunts the Fly I've Loved You Affirmative No Discrepancy Me, Myself, and I
    ...
  1.   CONDITION:

  2. The cover:rated: near M- no wear as you usually see on this white cover over 50+ years of age. There is a tiny delete at bottom left and tiny gold grommet at top left. Has solid seams, no bends, no writing...and overall should fit into most collections, mainly because it looks GREAT!

  1. The vinyl: rated: M- easily plays clean & outstanding ...the gold Warner Brothers labels are clean


A cool addition to anyone's music library! 
SEE: SELLERS OTHER ITEMS (((similar grooves for "head" people...)))

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for you BEFORE leaving ANY negative feedback. Thanks! ................................................    GRADING SYSTEM:
All imperfections are noted both cover & record
  GRADING SCALE: M, M-, EX, VG++,VG+, VG, VG- M    Completely clean, no marks, plays clean
M-   Carefully used, looks clean, plays clean, shiny gloss, plays clean
EX   Faint scuff or superficial mark, near M-, high gloss, plays clean VG++ Glossy with minimal scuffing or light mark playing very nice, enjoyable
VG+ a bit more scuff or marks still plays well with very minimal surface at worse VG   more marks/scratches only minor, nothing deep, no loud clicks or pops         this grade is abused by many, VG here does not mean "trashed" VG-  surface noise present, will not have skips or jumps     ALL PAYMENTS SHOULD BE MADE WITHIN 5 DAYS Of AUCTIONS END   BIDDERS PLEASE = Do Not Bid If You Are Not Serious About  Following Through The Transaction!   ALL ITEMS GUARANTEED FOR WINNING BID - LESS SHIPPING!


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