LED ZEPPELIN " LED ZEPPELIN 1V " (Untitled) RED/PLUM ATLANTIC deluxe 2401012 -EX
  £   76
  $   101

 


£ 76 Sold For
Jul 17, 2016 Sold Date
Jul 10, 2016 Start Date
£   10 Start price
10   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

ARTIST - LED ZEPPELIN

TITLE - " LED ZEPPELIN 1V " (Untitled) 

LABEL - RED/PLUM ATLANTIC

RECORD NO. -  deluxe 2401012

YEAR - 1971

SLEEVE - EX- HEAVY GLOSSY GATEFOLD

VINYL - EX - NO Peter Grant credit.

INNER - Has sellotape repairs & has PETER GRANT credit

TRACK LISTING........

A1 Black Dog Written-By – Jimmy Page, John Paul Jones, Robert Plant 4:55 A2 Rock And Roll Written-By – Jimmy Page, John Bonham, John Paul Jones, Robert Plant 3:40 A3 The Battle Of Evermore Vocals [Appears By Courtesy Of Island Records] – Sandy DennyWritten-By – Jimmy Page, Robert Plant 5:38 A4 Stairway To Heaven Written-By – Jimmy Page, Robert Plant 7:55 B1 Misty Mountain Hop Written-By – Jimmy Page, John Paul Jones, Robert Plant 4:39 B2 Four Sticks Written-By – Jimmy Page, Robert Plant 4:49 B3 Going To California Written-By – Jimmy Page, Robert Plant 3:36 B4 When The Levee Breaks Written-By – Jimmy Page, John Bonham, John Paul Jones, Memphis Minnie, Robert Plant 7:08

Companies, etc.

  • Licensed From – Atlantic Recording Corporation
  • Recorded At – Island Studios
  • Recorded At – Headley Grange
  • Recorded At – Sunset Sound
  • Pressed By – Phonodisc Ltd.
  • Published By – Kinney Music Ltd.
  • Published By – Superhype Music, Inc.
  • Marketed By – Polydor Records Limited

Credits

  • Design [Co•ordination] – Graphreaks
  • Executive-Producer – Peter Grant
  • Illustration [Inside] – 'The Hermit' Barrington Colby M•o•M*
  • Mastered By – Pecko Duck* (tracks: A), Porky (5) (tracks: B)
  • Photography By – Keith Morris (8)
  • Producer – Jimmy Page

Notes

Atlantic red/white/plum labels.
? 1971 

Specific to this label variant are: 

1. 'Marketed by Polydor Records Limited' at 6 o'clock on labels. 
2. 'Under license from Atlantic Recording Corp.' in white area under ATLANTIC on left side. 
3. LED ZEPPELIN is printed above spindle hole 
4. Catalogue number at 3 o'clock above circular Atlantic logo reads 'deluxe 2401012' 
5. There is no Peter Grant credit, and song publishing credits are: Kinney Music Ltd./Superhype Music Inc. 
6. Track B1 is credited on B-side label as "Misty Mountain Hop" 

Sleeve is a gatefold, thick card with sealed left side edge when opened up to reveal 'The Hermit' drawing. Disc is housed in a grey card liner with credits on one side and the lyrics to 'Stairway to Heaven' on the other. Outer glue-tabs on the left and right sides of liner.
Importantly, although Jimmy Page had got all the 'Executive Producer Peter Grant' credits removed from the labels by this time, the liner still retains this credit, bottom left side. 

This release was commonly referred to as 'Led Zeppelin IV', to follow in sequence with their previous three releases, but no actual title appears on the release. 

(Note# No tracktimings appear on the labels or sleeve)

Barcode and Other Identifiers

  • Matrix / Runout (A-side, stamped [Variation 1]): 2401012 ** A//3 1 2 10
  • Matrix / Runout (A-side runout, hand-etched [Variation 1]): Pecko Duck
  • Matrix / Runout (B-side, stamped [Variation 1]): 2401012 B//3 1 2 4
  • Matrix / Runout (B-side runout, hand-etched [Variation 1]): Porky

SIX  LPs CAN BE MAILED FOR SAME PRICE AS ONE SECOND CLASS ONLY **( UK ONLY ) ** DOUBLE ALBUM = 2 x LPs.

PLEASE WAIT FOR COMBINED INVOICE

There may be slight paper scuffs or hairlines - if you require further condition reports please just ask.

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GRADING: All records are graded using the standard UK Record Collector Grading system as follows:

  • MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
  • EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.
  • VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
  • GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
  • FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
  • POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
  • BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.


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