LA BOTTEGA DEL FABBRO PERCHE' TU NON VUOI MONSTER RARE ITALIAN PROG PSYCH
$
450
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Description
SHIPPING RATES
LP - 12"
EUROPEAN UNION - SWISSE
USA - CANADA - JAPAN
AUSTRALIA - NEW ZEALAND
ITALY
1 UP TO 3 REGISTERED MAIL
€ 13,50
€ 18,50
€ 24,50
J3 - € 11
4 UP TO 7 REGISTERED MAIL
€ 19
€ 29
€ 34
J3 - € 11
7"
EUROPEAN UNION - SWISSE
USA - CANADA - JAPAN
AUSTRALIA - NEW ZEALAND
ITALY
1 UP TO 3 X 7” REGISTERED MAIL
€ 9
€ 13
€ 15
€ 6
OTHER COUNTRIES PLEASE ASK ME.
I’M ITALIAN AND THE RECORDS ARE IN ITALY .
I HAVE BEEN FORCED BY EBAY TO ENTER OBLIGATORY SHIPPING RATE.
PLEASE AT THE END OF AUCTION WAIT INSTRUCTION FOR PAYMENT .
I WRITE TO YOUR PERSONAL EMAIL AT THE AND OF AUCTION . I DON’T SEND AN DIRECT INVOICE THROUGH EBAY .
I WANT RECEIVE THE PAYMENT IN EURO IN SEVEN DAYS AFTER MY MESSAGE .
THE RECORDS ARE SHIPPED IN STRONG CARDBOARD MAILERS.
I SEND ONLY REGISTERED PARCEL IF YOU WANT ANOTHER KIND OF SHIPPING PLEASE CONTACT ME .
( ATTENTION FOR UNREGISTERED ITEMS I DON’T ACCEPT PAYPAL PAYMENT AND I DON’T WANT RECEIVE CLAIM FOR PARCEL LOST OR DAMAGE IN POST SERVICE ! ) .
I ACCEPT PAYMENT WITH PAYPAL + BANK TRASFER OR POSTAL RECHARGE .
FOR ITALIAN BUYER I DON'T ACCEPT PAYPAL .
CONTACT ME FOR ANY QUESTION BEFORE MAKE YOUR BID .
I GUARANTEE ALL ITEMS , IF YOU ARE NOT SATISFIED PLEASE CONTACT ME AND DESCRIBE YOU PROBLEM . I REFUSE OR EXCHANGE THE ITEM .
PLEASE DO NOT BID UNLESS YOU INTEND TO COMPLETE THE PURCHASE.
ATTENZIONE PER GLI UTENTI ITALIANI NON SI ACCETTA PAYPAL ( EVENTUALI
RICHIESTE DEVONO ESSERE FATTE PRIMA DI FARE OFFERTE )
ARTIST : LA BOTTEGA DEL FABBRO
PERCHE' TU NON VUOI / SOLO CON TE
CARDBOARD COVER POROUS , THERE ARE WRITTEN IN PENCIL CAN BE SEE PUTTING THE COVER BACKLIGHT ( SEE IMAGES )
The beat group Luciano e i Baronetti, from Brescia, came to a stable line-up in 1970 with 17-year old guitarist Tristano Giambelli (from the group Il Mondo d'Acquerello) replacing Giacomo Fabbroni (who had previously replaced the original guitarist Sandro Cherubini). The five-piece band had an intense concert activity in Lombardy and Emilia, often supporting big names like Nomadi, Pooh, Nuovi Angeli and with a repertoire of Italian and international hits which was slowly improved with more complex compositions by English groups such as Curved Air, King Crimson, Uriah Heep. The new name La Bottega del Fabbro was chosen in late 1971.
Their sole single was recorded in 1972 by the original line-up, which later had a change with the entrance of new keyboardist Maurizio Manenti to replace Binatti. Issued a year later, this nice single contains good organ and guitar playing, with a late 60's/early 70's feeling.
In this period the group started composing original material to play alongside the usual cover versions, and this was built as complex suites which gave birth to a theatre piece entitled Le ombre cinesi.
In 1973 the original singer Luciano Binotti was replaced by Danilo Rigosa and the group followed its concert activity, often supporting Il Rovescio della Medaglia, The Trip, Brian Auger and playing in various open air festivals (the two Davoli Pop in Reggio Emilia in 1972 and 1973, the Be-In in Naples, the Pop Music Meeting in Castiglione delle Stiviere, Viterbo Pop Festival).
The ever growing commitment and some fruitless contacts for a recording deal led to Minini and Tommasi leaving the group towards the end of 1973, replaced by bassist Giorgio Moser and drummer Roberto Benedini, both coming from the JB Club group.
The group kept playing in the early months of 1974 with a new guitarist, Vincenzo Gardoni, then broke up.
Some of the members of the last line-up (Manenti, Rigosa and Benedini) joined the backing group of singer Marcella Bella, and even guitarist Tristano Giambelli briefly played with them. Benedini later played with Ash. ( NOTE TAKE FROM ITALIANPROG BY AUGUSTO CROCE )
Label: ALE 002
Format: 7" 45 RPM
Country: ITALIA
Released: 1972
RECORD ( VISUAL GRADE ) : VG +
COVER : VG +
Near Mint (NM or M)
Vinyl
A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP cover should have no creases, folds, seam splits or other noticeable similar defects. No cut-out holes, either. And of course, the same should be true of any other inserts, such as posters, lyric sleeves and the like. Basically, an LP in near mint condition looks as if you just got it home from a new record store and removed the shrink wrap. Near Mint is the highest price listed in all Goldmine price guides. Anything that exceeds this grade, in the opinion of both buyer and seller, is worth significantly more than the highest Goldmine book value .
Very Good Plus (VG+)
Vinyl
Generally worth 50 percent of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
Very Good (VG)
Vinyl
Generally worth 25 percent of Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them. Goldmine price guides with more than one price will list Very Good as the lowest price. This, not the Near Mint price, should be your guide when determining how much a record is worth, as that is the price a dealer will normally pay you for a Near Mint record.
Good (G), Good Plus (G+)
Vinyl
Generally worth 10-15 percent of the Near Mint value. Good does not mean Bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear (on a styrene record, the groove will be starting to turn white). A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But, if it's something you have been seeking for years, and the price is right, get it...but keep looking to upgrade.
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