KINKS Everybodys In Showbiz 2LP RCA VICTOR 1972 US reiss+foc VPS-6065 RAY DAVIES
    23
  $   27

 


€ 23 Sold For
Jan 3, 2019 Sold Date
Dec 22, 2018 Start Date
1 Number Of Bids
  Italy Country Of Seller
eBay Sold at
 
save auction  

Description

WE ARE POSTING EVERYWHERE IN THE  WORLD.

SO IN ORDER TO AVOID MISUNDERSTANDING  WE ADVISE YOU TO ENQUIRE 

ABOUT POSTAGE COST BEFORE YOU ACTUALLY BID/PURCHASE THE ITEM

  PLEASE ASK FOR ANY INFORMATION

THE KINKS

An early highlight of the British Invasion that artfully chronicled British life past and present, 

fueled by the songwriting genius of Ray Davies. Although they weren't as boldly innovative 

as the Beatles or as popular as the Rolling Stones or the Who, 

the Kinks were one of the most influential bands of the British Invasion. 

Like most bands of their era, the Kinks began as an R&B/blues outfit. 

Within four years, the band had become the most staunchly English of all their contemporaries, 

drawing heavily from British music hall and traditional pop, 

as well as incorporating elements of country, folk, and blues

"EVERYBODY'S IN SHOWBIZ"

<reissue, originally published in 1972>

Produced by Raymond Dougls Davies

2LP     RCA VICTOR RECORDS      VPS-6065  STEREO

PRINTED IN U.S.A.    MID/LATE-70s REPRESSING

GATEFOLD SLEEVE 

THICK CARDBOARD COVER (AMERICAN STYLE)

Barcode and Other Identifiers

Barcode: none

LABEL: RCA VICTOR -  BLACK LABEL - SILVER TEXT

Catalog on cover: VPS-6065   

Catalog on labels: 

DISC ONE: VPS-6065-1 (BPRS-5178 / BPRS-5179)

DISC TWO: VPS-6065-2 (BPRS-5180 / BPRS-5181)

DISC ONE Matrix / Runout (Side A, Stamped): BPRS 5178  30S  B1

Matrix / Runout (Side B, Stamped): BPRS 5179  31S  A2

DISC TWO Matrix / Runout (Side C, Stamped): BPRS 5180  31S  A2

Matrix / Runout (Side D, Stamped): BPRS 5181 30S  A2

On labels: Stereo

TM(S) ® RCA Corp-Made in U.S.A.

? 1972 RCA Records 

On inside cover: Studio recordings made at Morgan Studios, London

On back cover: TMK(S) Registred...........©1972..........Printed in U.S.A.

tracklisting

Side A: HERE COMES YET ANOTHER DAY - MAXIMUM CONSUMPTION

UNREAL REALITY - HOT POTATOES - SITTING IN MY HOTEL

Side B: MOTORWAY - YOU DON'T KNOW MY NAME

SUPERSONIC ROCKET SHIP - LOOK A LITTLE ON THE SUNNY SIDE - CELLULOID HEROES

Side C: TOP OF THE POPS - BRAINWASHED - MR. WONDERFUL

ACUTE SCHIZOPHRENIA PARANOIA BLUES - HOLIDAY

Side D: MUSWELL HILLBILLY - ALCOHOL - BANANA BOAT SONG

SKIN AND BONE - BABY FACE - LOLA 

  grading

RECORDS EX (please, read above description)

SLEEVE NEAR EX but (please, see pictures and read above description)

Everybody's in Show-Biz is a double album with one record devoted to stories from the road and another 

devoted to songs from the road. It could be labeled "the drunkest album ever made," without a trace of 

hyperbole, since this is a charmingly loose, rowdy, silly record. It comes through strongest on the live record, 

of course, as it's filled with Ray Davies' notoriously campy vaudevellian routine (dig the impromptu 

"Banana Boat Song" that leads into "Skin & Bone," or the rollicking "Baby Face"). Still, the live record is 

just a bonus, no matter how fun it is, since the travelogue of the first record is where the heart 

of Everybody's in Show-Biz lies. Davies views the road as monotony -- an endless stream of identical 

hotels, drunken sleep, anonymous towns, and really, really bad meals (at least three songs are about food, 

or have food metaphors). There's a real sense of melancholy running throughout the record, 

most notably on the album's one unqualified masterpiece, "Celluloid Heroes."...(AllMusic)

 


price rating