JOHN LEE HOOKER BIG SOUL OF JL HOOKER RARE ORIG '63 VEE JAY STEREO LP IN SHRINK

$

25

WE CURRENTLY HAVE  MORE THAN 200  LISTED ITEMS

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·       JOHN LEE HOOKER – THE BIG SOUL OF JOHN LEE HOOKER -  ORIGINAL 1963 VEE JAY RECORDS STEREO LP SR-1058

·       ORIGINAL U.S. PRESSING

·       VERY RARE STEREO PRESSING, MANY TIMES RARER THAN MONO

·       ORIGINAL BLACK VEE JAY LABEL WITH MULTICOLORED SPECTRUM (“RAINBOW”) BAND ALONG THE LABEL’S EDGE AND “OVAL” VERSION OF THE LABEL (VEE JAY LOGO IS ENCIRCLED BY A WHITE OVAL LINE)

·       DEEP GROOVE PRESSING

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP

·       ORIGINAL, FIRST COVER WITHOUT 5-DIGIT LOS ANGELES ZIP CODE ON THE BACK PANEL (THIS  IS FOUND ONLY ON REISSUES AFTER 1968)

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

·       THE RECORD HAS 'AUDIOMATRIX' STAMP IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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There may not be much running time to this LP -- not even 30 minutes -- but John Lee Hooker gives us value for every second there is, and in a totally unexpected setting. Jumping into the R&B and soul explosions of the early '60s -- or at least dipping his toe into them -- he's backed here by the Vandellas, no less, on all but one of the 11 songs here. And coupled with an uncredited band that includes organ accompaniment, among other attributes that one doesn't usually associate with Hooker, he pulls it off. Indeed, he manages to straddle blues and soul far better than, say, Muddy Waters did during this same period; he's still a little too intense for the more pop side of the field, but he's also stretching the appeal of the blues with every nuance on this record, and there are a few cuts here, such as "Send Me Your Pillow" that would have fit on any of Hooker's far more traditional-sounding blues releases; and others, such as "She Shot Me Down" (a rewrite of "Boom Boom"), that are so close to his well-known standard repertory that they slip right into his output without explanation. And the whole album is short enough so that even if he would have gone wrong -- which he didn't -- there was only so far he could have gone wrong. As it is, this is near-essential listening as some of Hooker's most interesting work of the '60s.

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

Here we have one of the most magnificent and popular of ALL John Lee Hooker works, in its mega-rare STEREO version, from 1963. The awesome wide-channel stereo, which you will find inside, clearly separates JLH's voice from the instrumental track: You can listen to Hooker sing acapella if you want to. Or, you can exclude his vocal track and listen to his guitar playing alone. As far as I am concerned, early Vee Jay titles - when so available, which is almost never - should only be listened to in stereo, be it Jimmy Reed, John Lee Hooker, Beatles, Gene Chandler or Jerry Butler. These are some of the most gorgeous stereo recordings ever made. Word has it that John Lennon 'borrowed' not only the title, but everything else as well, for his (posthumous) 1981 hit "Nobody told me" from the same-titled JLH's track from this album. Check for yourself. We report, you decide…Track listing: San Francisco - Take a look at yourself - Send me your pillow - She shot me down - I love her - Old time Shimmy - You know I love you - Big Soul - Good Rockin' Mama - Onions - Nobody told me.

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·                               CONDITION:

·                               THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          THE VINYL IS IN DECENT, VERY GOOD (VG) CONDITION. CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in clean, playable condition. There are a numerous surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches  (1 inch = 2.5 centimeters) and a few others that might cause short periods of pops and clicks, specially during the low, quiet passages.

(b)          Stereo  pressing of this title is much rarer, and by far more preferable to its mono  counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies  by a ratio of at least 5:1.

(c)           The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(d)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS STILL IN ITS ORIGINAL ►SHRINK WRAP; HOWEVER, WE ARE UNABLE TO GRADE IT NEAR MINT DUE TO MINOR FLAWS LISTED BELOW; WE GRADE THIS COVER AS EXCELLENT OR VG++(A SMALL PIECE OF SHRINK WRAP IS MISSING)

The following flaws or imperfections are noted on the cover:

-        Cover has a small quality control (inspection) stamp on the back panel

-         Visible shelf wear noted on the seams

-         Cover has three corners slightly worn / dinged / bent.

-         Cover has a partially split bottom seam (between 1 and 2 inches  / 2.5 to 5 centimeters)

-         Cover has two corners slightly worn / frayed / bent (just a beginning of the split seam)

-         Minor shelf wear noted on the top and bottom seams (nothing significant)

-         Cover has a few tiny wrinkles along the spine

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1  (front side) and 2 (back side).

-         Cover shows some light yellowing on back side, apparently from aging.

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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