I.B.C Recording Studios Acetate The Sound of Soul Vol.2 Various VG/+
£
45
$
60
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Description
Title: The Sound of Soul Vol.2
Artists / Various
Label: President (Germany
Country of Issue: UK
Record is VG/+ Visually VG with a few marks and Acetate deterioration lots of shine and lustre. Play back is lovely and loud direct from the TAPES !!
No cover, came in poly lined inner
This LP didn't get a UK release.
Awesome track list!
Never seen before or again.
A1 –Albert Washington Doggin Me Around
A2 –Otis Clay A Lasting Love
A3 –Betty Everett I've Got A Claim On You
A4 –Kelly Brothers Can't Stand It No Longer
A5 –Viola Wills Lost Without The Love Of My Guy
A6 –Roscoe Shelton The Fire Still Burns
B1 –Soul Merchants, The Whole Lot Of Lovin'
B2 –Albert Washington These Arms Of Mine
B3 –Kelly Brothers You're That Great Big Feeling
B4 –Viola Wills I've Got To Have All Of You
B5 –Otis Clay Tired Of Falling In (And Out Of) Love
B6 –Johnny Wyatt This Thing Called Love
The IBC Recording Studios (IBC: International Broadcasting Company) were recording studios located at 35 Portland Place, London, England. In the 1960s–70s the studios become internationally famous after being used by some of the biggest recording artists in the world.
In the late 1970s, Chas Chandler bought the studios and renamed them Portland Recording Studios. The address was also home to George Peckham's cutting rooms (Porky Prime Cuts) and Radiotracks Studios, a company specialising in recording and producing radio commercials. It was later bought by Don Arden and was run by his son David Arden.
In its long history, and especially in its heyday as IBC, the studios manufactured much of their own equipment under the direction of Denis King. The quadraphonic mixing desk designed in the early '70s was still in use in the late '80s by Radiotracks, though in a different building. The desk had been built to take advantage of the quadraphonic technology that had been pioneered for music, though this never became popular and the desk was never used for that purpose in its music days. Instead the quadraphonic system on the desk was put to good use for mixing soundtracks for large events, including a celebration of 800 years of the Lord Mayors of London at the Guildhall. Although all the large mixing desks have been dismantled, one smaller desk, a nine-into-three desk used for locations recording still exists and is in private hands. The small, fully transistorised desk, built around 1958, was used to record "My Old Man's a Dustman" by Lonnie Donegan in 1960.
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Gradings : (*Condition is based on visual and grading)
Mint - The record is in brand new condition With no surface marks or deterioration in sound quality. The cover & any extra items (inserts, etc) are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
Excellent - The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging may have slight wear and / or creasing.
VG+ ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
Very Good - The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects.
Good - The record has been played so much that the sound quality has noticeably deteriorated, may have some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits,
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