Heart of the Congos
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Description
Return shipping and handling is the responsibility of the buyer. Open software, music, games, movies, and personal hygiene products are not eligible for returns.
You may return most new, unopened items within 30 days of delivery for a refund. If the return is a result of our error, we'll provide a prepaid return label Items must be returned in the condition they arrived in. The box, UPC bar code, packaging, and all other accessories must be returned. INTERNATIONAL BUYERS: All our items including electronics and DVDs are made for the US market (110/120 voltage) and may not be compatible with the line voltage and frequency in your country and may require an adapter or a transformer in your country. By purchasing from us, you acknowledge this and accept all responsibility for any damage that may occur with/without the use of an adapter or incompatibility.
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Exchanges
In the event that you receive defective or damaged merchandise, we will replace the item at no cost to you as long as it is reported within 7 days of receipt of the merchandise. Exchanges are subject to availability. Heart of the Congos- Shrink-wrapped
Lee Perry is generally acknowledged as a production genius, but on occasion that genius can be destructive, and while there's no disputing his talent, sometimes the results can be less than aurally satisfying. This is especially true when it comes to albums, where Perry's efforts were often erratic. On Heart of the Congos he was brilliant, and across the record's original ten tracks Perry created a masterpiece of music. Many critics consider this 1977 album one of the best roots records of all time, and at the very least, it was Perry's apex -- only Junior Byles' Beat Down Babylon is an equal contender. Which is why it's all the more shocking that the record was turned down by Island, and even back in Jamaica it received only a limited release. It took nearly two decades for Heart of the Congos to reappear, finally reissued with a clutch of period bonus tracks by Blood and Fire. The Congos themselves seem the least-likely contenders to record an exceptional album with Perry. The duo of Cedric Myton and Roy "Ashanti" Johnson had a unique sound, revolving around the former man's crystalline falsetto, which was set off by the latter's rich tenor. The pair composed deeply cultural songs, but both men's vocals had a gentle quality that would wither under a typical deep roots arrangement. Still, Perry had proved his worth working with the soft, husky tones of Byles, but few expected him to be able to repeat this feat. In fact, if anything, the producer was even more sympathetic to the Congos' styling and exhibited a musical self-restraint that astonished even his hardcore fans. Every track on the original album is worthy of classic status, and all presented the group and their songs in the best possible light. To this end, Perry was aided by a phenomenal group of sessionmen and guest backing vocalists which included Gregory Isaacs, a pair of Heptones, and the mighty Meditations. But beyond the Congos' superb songs and performance, the superb musicianship, and the exceptional vocal talents, it's Perry's arrangements that brought these numbers to life. Each one was carefully tailored, taking into consideration the mood of the piece and the vocalist. The tribal beats of "Congoman," for example, are just the song's launch pad; its the way the vocals and harmonies weave in and out that makes the piece extraordinary. The 12" and "Chanting" versions give further evidence of Perry's genius. "Ark of the Covenant" is stuffed to the brim with instrumentation, with the vocals soaring overhead, and brings the album to a religious fervor. In contrast, "Solid Foundation" is stripped back, a showpiece for Myton's marvelous falsetto. There's the stirring roots of "Open the Gates" and "Sodom and Gomorrow," while rocksteady echoes across the deeply affecting "Children Crying" and "La La Bam Bam." Every track offers something new: a unique sound, an unforgettable melody and rhythm, an unexpected arrangement. As much work went into the remastering as the recording, and the album sounds as good as it must have at the time it was recorded. Revel in the moment. [VP issued a ten-track edition in 1992.] ~ Jo-Ann Greene, All Music Guide
International Buyers - Please Note:
All our items including electronics and DVDs are made for the US market (110/120 voltage) and may not be compatible with the line voltage and frequency in your country, so may require an adapter or a transformer in your country. By purchasing from us, you acknowledge this and accept all responsibility for any damage that may occur with/without the use of an adapter or incompatibility.
Before placing an order please make sure this product is supporting or approved in your country (software, apps, customer support, service, etc) otherwise Shipping costs are nonrefundable.
Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility.
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