GRAHAM NASH & DAVID CROSBY – SCARCE ORIG UK 1972 A1/B1 EX++ LP with SUPERB SOUND
  £   65
  $   86

 


£ 65 Sold For
Jul 10, 2016 Sold Date
Jul 3, 2016 Start Date
£   14 Start price
8   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

ONEADAYRECORDS – Simply Delivering Quality Music to the World in Quality, Safe Packing.

Postage: UK £4.75 (£1 per extra record). Europe (including Russia) £12.50 (£2 per extra record). Rest of World (including ALL parts of the USA) £16.50 (£3 per extra record). All boxes signed for in quality, safe packaging – I NEVER use mailing envelopes that offer virtually no protection at all – in fact I think these things should be banned as records WILL arrive damaged in them at some time. Here, you get what you pay for – SAFE PACKING in BOXES using 7mm DOUBLE-WALL STIFFENERS. Full details nearer the end of the listing.

Posting to Russia: Yes, I do post to Russia. But delivery can take up to 4 to 6 weeks from the UK. So please be patient. I will submit a tracking number to the winning bidder, and when the packet arrives there it can be followed online using the Russian post website.

ALSO: I now apply the Ebay ‘2-day’ rule for non-payment to keep things moving – cash-flow is important for any small business. I will always keep my P&P prices as low as possible, and even after yet another Royal Mail price hike from April this year, I have NOT raised my prices and will never compromise on solid, safe packing that is invariably heavier than most you will get. My P&P offers probably the best value-for-money for vinyl records available, and I even will pay for full insurance on any record that sells for over £100 at NO extra cost – that is UK and abroad. Also I aim to post the very same day after payment is received. You WILL see the difference when my packet arrives.

FINALLY: Late payers, non-payers and ‘0’ bidders will now be blocked or cancelled at my discretion. As will any bidder who cancels a bid. I do not like this practice as it is most often used to phish out the price to beat. Ebay does not approve and neither do I – so only bid on my items if you want them.

Artist or Band: GRAHAM NASH & DAVID CROSBY

Album Title: Graham Nash David Crosby

Producer(s): Graham Nash, David Crosby and Bill Halverson

TRACK LIST:

Side 1: Southbound Train; Whole Cloth; Blacknotes; Stranger’s Room; Where Will I Be?; Page 43.

Side 2: Frozen Smiles; Games; Girl to Be on My Mind; The Wall Song; Immigration Man.

Label/Format: Atlantic – original green and brick red new format labels with matt, smooth surfaces. This album missed the cut to be on the ‘Plum’ format and these deeper colour new label originals are much harder to find with a top quality, hardly played record.

Label Conditions: Both clean, fresh and highly attractive with any spindle traces tiny, few and faint. This is a super copy that plays with fantastic sound – the cover exceptional as well.

Cat Number: K 50011

Mode / Speed: Stereo / 33.3 rpm.

Warps: Assume all records I offer have no warping of any significance and all tracking is easy and effortless and should play on all turntables and even ‘budget’ decks.

Weight of this Record: 100 grams. The vast majority of records pressed at this time were light due to the oil shortage of the time. The better manufacturers did not mix recycled vinyl with new, but simply used less of it. This copy is superbly pressed with clean, top quality sound.

Country of Manufacture: England

Rarity: Moderately scarce, but much harder to find in this type of condition. Both record and cover are exceptional, the cover in particular, very hard to find like this.

Original Year of Release: 1972

Matrix Nos: K 50011 A1 / K 50011 B1 [both matchine punched and very clear]

Run-Out Groove Etchings: ‘BILBO’ / ‘ZOFO’

Musicians: David Crosby – vocals, electric guitar, guitars; Graham Nash – vocals; piano, organ, harmonica, guitar. with: Danny Kortchmar – electric guitar; Jerry Garcia – pedal steel guitar, electric guitar; Dave Mason – electric guitar; Craig Doerge – electric piano, piano, organ; Leland Sklar – bass; Chris Ethridge – bass; Phil Lesh – bass ; Greg Reeves – bass ; Russ Kunkel, Johnny Barbata, Bill Kreutzmann – drums; David Duke, Arthur Maebe, George Price – french horns; Dana Africa – flute.

Brief Info: The first album by this pair after the split of Crosby, Stills, Nash & Young. The four members all going their own ways and making four fantastic solo debut albums. This set is backed by a host of top quality musicians, including The Grateful Dead and former Traffic frontman, Dave Mason. It sold quite well in the United States, and the cover text is dedicated to ‘Miss Mitchell’ – being Joni. Original UK copies of this included a quite lavish E. J. Day Group double gatefold sleeve with a die-cut front rectangular window. It is incredibly hard to find in anything like top condition. Being black, unprotected and immensely fragile, those that do surface are often badly rubbed, ring worn, creased, torn and the window feathered, burred or damaged. This one has little to fault at all and looks superb – it could prove a major upgrade for some. The record looks hardly played and sound quality is fantastic. The inner sleeve had a small neat edge split which I repaired to stop it widening in the future, but most would not store the record inside this these day anyway. The top opening has some writing visible on the inner recess area, that the only real blemish as such on what is a near exceptional copy. Do not underestimate how difficult this album is to find like this.

Cover Grade and Format: EXCELLENT(++):and even this being somewhat conservative, this is a fantastic example of a very delicate cover that is rarely seen as such. An unlaminated double gatefold format with the front and back (middle when opened) single thickness and with a die-cut rectangle window. All surfaces are matt and smooth. Printed and made in England by the E. J. Day Group, and to make things even more perilous, the record enters from the inside into the back part of the cover. Includes the textured, wide recessed lyric inner sleeve.

Cover Front: To date, the very best overall example I have ever seen. This perilous front is little short of as-made with barely any rubbing, creasing and a nigh-on pristine die-cut window (as seen in close-up). No handling or storage marks, only three hairline spine edge fine creases, which is remarkable for a thin card. No sticker marks or issues, any blemishes are bordering on minuscule – try finding this front better.

Cover Back: Again single thickness card, this is again fantastic with barely anything to fault, the odd tiny tip crease being very critical. Any hint of rim impression ultra faint, the lack of ringwear a huge plus.

Cover Inner Gatefold: All the other four faces are near mint, including the inner side of the die-cut front and the vulnerable entrance area, there is little else to really add – simply exceptional.

Top Edges: All superb with even the single thickness edges being ultra crisp and neat. A huge bonus also is this cover is so neatly and squarely folded, making the edges all flush and parallel. On a triple gatefold, this is the difference between average and exceptional. The folded thicker edge is little short of mint.

Bottom Edges: Largely as above, the odd hint of minor thickening or burr trace, but flimsy storage edges rarely get seen much better. Again all are exceptional.

Right Edge(s), and Type: One closed thick edge is pristine. The front single thickness with minimal hint of thickening or burring, this is guaranteed untrimmed or enhanced in any way.

Spine and Text: As solid as possible, this being also single thickness, straight with minimal compression and folded square. A very gentle tilt to right being somewhat critical, but uncrushed and still erect. Being square, the edges meet up very closely together and parallel. All text is near perfect and unworn, and few original ‘Day’ examples will have this area seen much better. Even the fragile folds retain full ink coverage with no rubbing, scuffs or white ‘fold’ lines – I can seen no evidence of any cosmetic improvements on this cover. The owner simply stored it inside a protective sleeve and the difference for a cover like this is immediately apparent.

Corners: Clearly corners are going to be very vulnerable on a cover like this, but again, all have fared very well with little to fault. The spine pair are fantastic with barely any rubbing, any creasing microscopic. Largely the same for the right outer ones as well – the inside ones naturally protected, and no issues again. The lack of bashes or dinks adds even more to an already outstanding example.

Cover Summary: A very strong all-round example of this very fragile 1970’s cover, one that will prove immensely difficult to find much better – even matching this will prove hard. This beautiful item should please most-all collectors, and even those seeking a major upgrade.

The Inner Sleeve: EXCELLENT: this not taking into account of writing on the white inside recess at the top. Any opinion on that is purely subjective, this graded purely for real wear. One edge had a neat movement split which I repaired as neatly as possible. A lyric coloured inner sleeve with gentle surface texturing, soft card and vulnerable again. Clean, hardly aged or creased. This was not lined and avoiding some edge issues is hard. But overall, still attractive, but this the only part of the set with issues.

Vinyl Condition/Visual Grading: EXCELLENT(++): arguably better. A superb visual copy that is very clean with equally fine shine and fairly solidly pressed. Common to the time of issue, these were pressed light to save vinyl as oil was in short supply and very expensive. But pressed on pure vinyl, this plays superbly throughout. A copy with minimal plays on all the evidence with any surface trace marks bordering on minuscule and faint as seen critically under bright angled light – but look hard. Visually a beautiful A1/B1 record that should please most-all collectors again.

Album Played For Grading: Yes. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippets or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing B&W speakers that include the legendary tweeter from their awesome Nautilus range that reveals every blemish or minuscule sound present on any record.]

Sound Quality and Audio Grading: This quality album plays even above it’s high visual grading with barely anything to fault. Offering strong, distortion-free sound, all frequencies are sharp and clear - sound quality is very high with a wide dynamic range and very detailed sound with no tracking issues*. Any surface sounds are minimal indeed and this is an exceptional clean pressing. Few copies will outperform it significantly I feel sure. Both channels are clean and sharp, I am certain this record has been played very lightly, if indeed hardly at all, clearly very well stored and carefully handled, almost certainly in a non-smoking environment. Nothing spoilt my pleasure when play-grading this wonderful record. Fans of the CSN(Y) and solo albums of this period will love this album as well. An age-defying record, cover and music, this will prove very difficult to find better and can be strongly recommended.

* As played-graded on a high-end Linn LP12 Sondek turntable with Ittok Mk II arm and Ortofon Quintet Black moving coil cartridge tracking at 2.2 grams.

Now one of the most established sellers on Ebay and still offering the finest and most accurately described and graded records I can find. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty as I can all items I offer for sale with all the relevant information I can think of to help any potential bidder and collector. You may notice I only submit records sparingly on Ebay as I Play-Grade every record I offer in their entirety – also on higher-end equipment – not just bits to guess a grade - visuals alone do not always tell a true or full story. I will mention any defects or flaws no matter how small that I notice to be fair as possible to any interested collector – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same - just because an item is rare does not always mean it’s good. I get just as much pleasure offering a relatively common record in stunning near mint condition as the real rare items. All the pictures I use for your guidance are taken with a digital camera or scanned - they are NOT improved, cleaned-up or made better looking than they are with camera trickery or enhancing with digital programmes. Room light factors can make things vary sometimes, that is hard to control, especially in winter. If any picture I take looks more flattering than the actual item for any reason, I will clearly state the fact in the advert and vice-versa. I hope the item below is to your liking - any questions can be emailed and I will do my very best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items - bid with confidence - excellence comes as standard and so does Near Mint regularly. Please assume all records I offer have NO jumps, sticks, warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.

Equipment Used for Play-Grading: I now play-grade ALL the records I offer (unless clearly stated to the contrary) on the following equipment:

Deck: Linn LP12/Hercules/Cirkus with Ittok Mk II arm and Ortofon Quintet Black moving coil cartridge (tracks at 2.2 grams). Amps: Naim Supernait 2 with Project USB phono stage and Tellerium Black interconnects. Speakers: B&W 704 Floorstanding 3-way Monitors (bi-wired with Tellurium Black terminated cable). All records I offer on Ebay are cleaned on a professional VPI-17 vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too. Pictures taken with a Nikon D5000 SLR Digital Camera.

PACKING - THIS IS WHAT YOU GET.

What You Get: To confirm to the strict Ebay rules on shipping, I must now send ALL my packets ‘Signed-For’ with NO exceptions. Both buyers and sellers want their packets to have a safer journey and this is not a bad thing.

I now offer the fastest possible posting, often the very next day after payment is received or within two to three days maximum (unless on holiday). I only use FIRST-CLASS Mail. The record’s cover will be placed within a BRAND NEW soft protective sleeve and the actual record will be professionally cleaned on my new VPI-17 Pro vacuum system to give ultimate clean grooves and playing surfaces and the best possible looks and ultimate sound quality. You will NOT get tired, dull looking, dust infested records inside worn and foggy covers with tatty inners from this seller and that’s a promise and guarantee. All records are posted in professional boxes (NOT Mailers, these do not offer any real protection). The record(s) are REMOVED from their main cover to avoid edge splits and placed within a brand new polylined inner. The record’s original inner will be included if available. The boxes are then reinforced with at least TWO, ULTRA THICK stiffeners for maximum extra protection – these are FOUR TIMES thicker than commercial stiffeners and are custom-made for oneadayrecords. Really rare and expensive albums will even be Double Boxed if deemed necessary and possible. When larger boxes are used, the thick record and stiffener ‘sandwich’ is then thickly embedded into bubble-wrap to bulk out the record inside the box to centre the item inside to reduce the risk of damage still further. Printed address labels are used for clarity as well as a sender label. Customers requests or special needs for P&P will be respected if at all possible but ‘Signed-For’ posting is NOT an option anymore. I do not profit on posting, better quality packaging costs, I offer probably the best-value and safest shipping possible for ultimate confidence. The boxes and ultra thick double-wall stiffeners make a near impregnable fortress for safe shipping and this is used inland and overseas for ALL my records, not just the rare and expensive. I will invoice any winning bidder as soon as possible after the auction ends. My ‘loss’ or ‘damage rate’ is minuscule in over 14 years of Ebay trading and I consider that pretty exceptional. The only damage rate acceptable for this seller is ZERO and I think my packets will offer just that. It would take a vicious postman or postal service to damage these for sure. Oneadayrecords is a MAILER-FREE ZONE – they offer next-to-no-protection, and should be banned, no ‘professional’ should consider using them in my opinion. I discount of course for multiple purchases with a maximum of FIVE records per box (one double can sometimes be included subject to total weight). All postage costs are below and at the top of the listing.

NOTE: First Time Bidders: Please ask me first.

PLEASE NOTE: I now exercise my right to open a dispute after the Ebay rule of TWO days if no payment is received. I will then cancel the dispute to end the bid, again after the mandatory FOUR days and then offer the item to the runner-up or relist. The non-payer will also be blocked from my Ebay site as will any suspicious bids or bid withdrawals. Small businesses need prompt payment to trade and these strict rules WILL be applied.

SHIPPING COSTS & CONDITIONS – THESE comply with EBAY’S RULES - PLEASE READ CAREFULLY:

Posting & Packing: UK & CHANNEL ISLANDS all now sent via Recorded Delivery:

1 LP (FIRST-CLASS Recorded Delivery with Standard Royal Mail Insurance) [Signed For] = £4.75

1 LP (Special Delivery with Standard £500 Maximum Insurance) [Signed For, Next Day] = £7.50. (this includes insurance of £500). Add £1 per extra LP.

Posting & Packing: EUROPE & SCANDINAVIA. (Airmail Only):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £12.50 (enhanced Royal Mail insurance is an optional extra £3). Add £2 per extra LP.

Posting & Packing: ALL OVERSEAS (non-European) e.g. USA (ANY PART OF); South America; New Zealand; Australia; Canada; Japan and other Far East; (Airmail Only: I NEVER use Surface Mail):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £16.50 (£17.50 for double sets). Add £3 per extra LP. (enhanced Royal Mail insurance is an optional extra £3)

Payment Conditions:

I prefer PayPal or cheque from UK winning bidders. I can accept PayPal from overseas bidders or direct payment into my bank account.

Potential Bidders: I will cancel any bids I feel are time-wasters. A maximum 3 days for communication and 7 days for payment to arrive - if not I will relist the item or offer to the runner-up. Fast deals get great feedback from me. Any questions - please ask and thanks for looking.

My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund. I will not refund if any defect detail is clearly stated on the advert and missed by the buyer, so read the item description carefully. If any overseas collector does not understand anything in my listing, please email and ask me to help. Thank You.

SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE

My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT necessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, actually a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.

The Argument for Vinyl Original sound and mix (mono mixes are rarely available on CD), high quality sound on clean copies (played on a hi-end dedicated analogue system – breathtaking sound!), beautiful, large format covers, artwork, inserts and even full size posters etc; huge investment potential, and the pleasure of owning ‘the real thing’.


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