GENESIS FROM GENESIS TO REVELATION FIRST ALBUM ULTRA-RARE ORIG '69 DECCA UK LP

$

114

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·       GENESIS - FROM GENESIS TO REVELATION (GENESIS' FIRST ALBUM !!!) – ORIGINAL BRITISH PRESSING – ORIGINAL 1969 DECCA (UK) STEREO LP SKL-4990

·       ORIGINAL U.K. PRESSING

·       ORIGINAL DARK BLUE DECCA STEREOLABEL WITH “UNBOXED” (NOT FRAMED) DECCA LOGO AND SILVER PRINT

·       INCLUDES ORIGINAL INSERT/LYRICS SHEET

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.K. STEREO PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THIN CARDBOARD COVER (EUROPEAN STYLE)

·       ORIGINAL LAMINATED COVER

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1W/-2W'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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From Genesis to Revelation is the first studio album by the British band Genesis. It was released in March 1969 on Decca Records in England (London Records in North America). It was produced by Jonathan King, who discovered them in 1967 while the members of Genesis were pupils at Charterhouse School, King's alma mater. It was reissued in various regions, including the United Kingdom (home country), as In the Beginning (first in 1974) and then part of Decca's Rock Roots repackaging series in 1976 before reverting to original title in recent reissues.

Genesis originally consisted of Peter Gabriel, Tony Banks, Mike Rutherford, and Anthony Phillips, without a drummer. Once one of their demo tapes caught the attention of Jonathan King, he took them under his wing, gave them the name Genesis and, with the addition of schoolmate Chris Stewart on drums, recorded "The Silent Sun" as their first single. It was later described by the band as a "Bee Gees pastiche" written specifically to win King's approval, as the Bee Gees were one of King's favourite groups. Its February 1968 release on Decca Records was not a commercial success. Neither was the follow-up "Where The Sour Turns To Sweet" three months later. Or the third single "A Winter's Tale".

After replacing Chris Stewart with John Silver, King wanted the band to make an album with songs loosely based on passages in the Bible in the form of a concept album, and in the music style of the Bee Gees. The album was recorded in August 1968 during school holidays. King adding string accompaniments.

The band's name was omitted from the sleeve, because Decca had recently discovered that an obscure American act was also calling itself Genesis and asked the band to consider changing its name to avoid confusion, which King declined. The American "Genesis" in question was likely a Los Angeles-based group that released In the Beginning on the Mercury label in 1967.

By this time Jonathan King was losing interest in the band and they decided to record and perform on their own musical terms. Although King had more experience and was aiming to present Genesis in a marketable way, they were feeling more and more constrained by King's attempts to curtail and limit their increasingly lengthy and adventurous new compositions. The band went professional in the autumn of 1969, and after replacing John Silver with John Mayhew on drums, Genesis began formulating the music that would lead to Trespass the following year and were eventually signed to Charisma Records after an introduction by King to his friend Tony Stratton-Smith, a sports journalist managing bands in his spare time. Rutherford maintains that Genesis owes the producer a debt of gratitude:

Although initially licensed to Decca Records, King holds the rights to the album and has re-released it several times under a variety of titles. The album was not included in the 2008 box set, Genesis 1970–1975, which covers the rest of the band's era with singer Peter Gabriel.

On 27 July 1990, the album was reissued in a two disc set. The second disc included the four tracks included on And the Word Was....., four early versions of songs on the album, and ten interviews.

On 25 October 2010, the album was released as a special edition on iTunes. It includes the bonus tracks from the 1990 reissue.

 (EXCERPT FROM AN ONLINE ARTICLE IN WIKIPEDIA.ORGG)

For additional historical information on this album, including track listing ►click here

►or here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·       CONDITION:

·       RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The album comes with the original insert/lyrics sheet still intact.

(c)             The record comes in Decca's poly-lined stock inner sleeve, which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years!

(d)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS ABOUT VERY GOOD+(+)

The following flaws or imperfections are noted on the cover:

-        Cover has a few visible wrinkles along the seams and across both panels.

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2   (front side) and 4 (back side)

-         Visible shelf wear noted on the seams

-         Cover has two corners slightly worn / dinged (nothing significant)

-         Back cover has a small peel-off mark, probably from the careless removal of the price sticker  (less than ¼ square inch in size).

-         The laminated cover has a few air 'bubbles' and wrinkles in lamination (this is a common problem with most laminated 50’s and 60’s covers

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes. (the hole in the back is Decca's proprietary system of identifying the stereo vs. mono format)

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No yellowing from aging

-        No writing

-        No stamps

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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