FREE 2for1 OFFER-Ry Cooder ?– Jazz Label: Warner Bros. Records ?– BSK 3197 Forma
$
20
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Description
3292017
FREE-2 for1-BUY ONE GET ONE FREE
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FREE 2for1 OFFER-Ry Cooder ?– Jazz
Label: Warner Bros. Records ?– BSK 3197 Format: Vinyl, LP, Album, Winchester PressingCOVER-VG++lighjt wear sticker lower left
VINYL-VG+++ in original inner sleeve
TracklistHide Credits
A1 Big Bad Bill Is Sweet William Now Alto Saxophone – Harvey Pittel, Pat RizzoBass Saxophone – Bill HoodCornet – Mario GuarneriDrums – Mark Stevens (2)Guitar, Slide Guitar [Bottleneck], Vocals – Ry CooderPiano – John RodbyTrombone – Randy AldcroftWritten-By – Jack Yellen, Milton Ager 3:34 A2 Face To Face That I Shall Meet Him Adapted By – Joseph SpenceCimbalom [Cymbalum] – Stuart BrotmanCornet – Oscar BrashearDrums – Mark Stevens (2)Guitar – Ry CooderHorn [Baritone Horn] – George BohanonMandolin [Mandobanjo] – David LindleyOrgan [Pump Organ] – Barbara Starkey (2)Tuba – Red CallenderWritten By – Traditional 3:16 A3 The Pearls / Tia Juana Adapted By – Ry CooderGuitar [Guitars], Mandolin [Mandolins], Tiple, Harp – Ry CooderWritten-By – Jelly Roll Morton 4:18 A4 The Dream Bass – Chuck DomanicoDrums – Mark Stevens (2)Marimba – Tom CollierPiano – Earl HinesSlide Guitar [Bottleneck Guitar] – Ry CooderWritten-By – Jack The Bear (2), Jess Pickett 5:03 A5 Happy Meeting In Glory Adapted By – Joseph SpenceCimbalom [Cymbalum] – Stuart BrotmanCornet – Oscar BrashearDrums – Mark Stevens (2)Guitar – Ry CooderMandolin – David LindleyOrgan [Pump Organ] – Barbara Starkey (2)Trombone – George BohanonTuba – Red CallenderWritten By – Traditional 3:13 B1 In A Mist Alto Saxophone – Harvey PittelBass – Tom PedriniBass Clarinet – David SherrGuitar – Ry CooderVibraphone – Tom CollierWritten-By – Bix Beiderbecke 2:05 B2 Flashes Guitar – Ry CooderWritten-By – Bix Beiderbecke 2:17 B3 Davenport Blues Alto Saxophone – Harvey PittelBass – Tom PedriniBass Clarinet – David SherrGuitar – Ry CooderVibraphone – Tom CollierWritten-By – Bix Beiderbecke 2:01 B4 Shine Alto Saxophone, Clarinet – Harvey PittelBass – Chuck Berghoffer*Bass Clarinet, Clarinet – David SherrClarinet – Willie Schwartz*Drums – Mark Stevens (2)Guitar, Vocals – Ry CooderPiano – John RodbyVibraphone [Vibes] – Tom CollierVocals [Quartet] – Bill Johnson (3), Cliff Givens, Jimmy Adams, Simon Pico PayneWritten-By – Cecil Mack, Ford Dabney 3:43 B5 Nobody Guitar, Vocals – Ry CooderVocals [Quartet] – Bill Johnson (3), Cliff Givens, Jimmy Adams, Simon Pico PayneWritten-By – Bert Williams 5:07 B6 We Shall Be Happy Adapted By – Joseph SpenceCimbalom [Cymbalum] – Stuart BrotmanCornet – Oscar BrashearDrums – Mark Stevens (2)Guitar – Ry CooderMandolin – David LindleyOrgan [Pump Organ] – Barbara Starkey (2)Trombone – George BohanonTuba – Red CallenderWritten By – Traditional 3:13 Companies, etc.
- Copyright (c) – Warner Bros. Records Inc.
- Pressed By – Capitol Records Pressing Plant, Winchester
Credits
- Arranged By [Quartet] – Bill Johnson (3)
- Arranged By, Conductor – Joseph Byrd
- Music Librarian, Copyist – Mickey Ingalls
- Producer – Joseph Byrd, Ry Cooder
- Recorded By – Douglas Decker
- Recorded By [Assistant] – David Rivas, Ken Deane
- Recorded By, Mixed By – Lee Herschberg
Notes
Printed inner sleeve with photos of session musicians on one side and liner notes by Ry Cooder on other side.
Barcode and Other Identifiers
- M
- Matrix / Runout (Side A runout etched [variant]): BSK-1-3197 WW- SP 1-1 ??
- Matrix / Runout (Side B runout etched [variant]): BSK-2-3197 WW-2 SP-1 ??
ALL VINYL GRADING IS BASED ON VISUAL INSPECTION
A vinyl sound recording has two aspects: visual and audio. I cannot possibly test play every record I list therefore, all grading is visual.
If you purchase a record and are disappointed with it, let me know and I will make good on the promise to do what is reasonable to make you a satisfied customer. My reputation as a seller allows me to stay in business. As my customer please know that I am dependent on your satisfaction.
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Rating System
Mint (M): Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
Near Mint ( M-): A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
(VG+++): Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
All but the most mint-crazy collectors will find a V G+++ record highly acceptable.
Very Good (VG++): Many of the defects found in a VG+++ record are more pronounced in a VG++ disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
Still Sealed (SS) : Let the buyer beware, unless it's a U.S. pressing from the last 10-15 years or so. It's too easy to reseal on. Yes, some legitimately never-opened LPs from the 1960s still exist. But if you're looking for a specific pressing, the only way you can know for sure is to open the record. Also, European imports are not factory-sealed, so if you see them advertised as sealed, someone other than the manufacturer sealed them.
price rating
