4-8-2020



46 as of 2-13-2020

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Bee Gees ?– Bee Gees Greatest

Label: RSO ?– RS-2-4200, RSO ?– 2658 132 Format: 2 × Vinyl, LP, Compilation / Tri-fold Cover
COVER-VG++ Tri Fold
VINYL-VG++ to VG+++ in original poly inner sleeves

TracklistHide Credits

A1 Jive Talkin' Arranged By [Strings, Horns & Woodwinds] – Arif MardinConcertmaster – Gene OrloffProducer – Arif MardinWritten-By – Barry, Robin And Maurice Gibb* 3:43 A2 Night Fever Producer – Albhy Galuten, Bee Gees, Karl RichardsonWritten-By – Barry, Robin And Maurice Gibb* 3:30 A3 Tragedy Contractor [Miami] – Bob BassoContractor [New York] – Gene OrloffHorns [Boneroo] – Bill Purse, Kenny Faulk*, Neil Bonsanti*, Peter Graves, Stan Webb, Whit SidenerProducer – Bee Gees, Karl RichardsonProducer, Conductor [Strings] – Albhy GalutenWritten-By – Barry, Robin And Maurice Gibb* 5:01 A4 You Should Be Dancing Percussion – George Perry*, Joe Lala, Stephen StillsProducer – Albhy Galuten, Bee Gees, Karl RichardsonWritten-By – Barry, Robin And Maurice Gibb* 4:15 A5 Stayin' Alive Percussion – Joe LalaProducer – Albhy Galuten, Bee Gees, Karl RichardsonWritten-By – Barry, Robin And Maurice Gibb* 4:45 B1 How Deep Is Your Love Producer – Albhy Galuten, Bee Gees, Karl RichardsonWritten-By – Barry, Robin And Maurice Gibb* 4:02 B2 Love So Right Horns [Boneroo] – Bill*, Kenny*, Neil*, Peter*, Stan*, Whit*Producer – Albhy Galuten, Bee Gees, Karl RichardsonWritten-By – Barry, Robin And Maurice Gibb* 3:33 B3 Too Much Heaven Contractor [Miami] – Bob BassoContractor [New York] – Gene OrloffProducer – Bee Gees, Karl RichardsonProducer, Conductor [Strings] – Albhy GalutenSaxophone – Walter ParazaiderTrombone – James PankowTrumpet – Lee LoughnaneWritten-By – Barry, Robin And Maurice Gibb* 4:54 B4 (Our Love) Don't Throw It All Away Producer – Albhy Galuten, Bee Gees, Karl RichardsonWritten-By – Barry Gibb, Blue Weaver 4:03 B5 Fanny (Be Tender With My Love) Concertmaster – Gene OrloffProducer, Arranged By [Strings, Horns & Woodwinds] – Arif MardinWritten-By – Barry, Robin And Maurice Gibb* 4:02 C1 If I Can't Have You Producer – Albhy Galuten, Bee Gees, Karl RichardsonWritten-By – Barry, Robin And Maurice Gibb* 3:20 C2 You Stepped Into My Life Horns [Boneroo] – Bill*, Kenny*, Neil*, Peter*, Stan*, Whit*Producer – Albhy Galuten, Bee Gees, Karl RichardsonWritten-By – Barry, Robin And Maurice Gibb* 3:25 C3 Love Me Horns [Boneroo] – Bill*, Kenny*, Neil*, Peter*, Stan*, Whit*Written-By – Barry Gibb, Robin Gibb 3:59 C4 More Than A Woman Percussion – Joe LalaProducer – Albhy Galuten, Bee Gees, Karl RichardsonWritten-By – Barry, Robin And Maurice Gibb* 3:15 C5 Rest Your Love On Me Conductor [Strings] – Albhy GalutenContractor [Miami] – Bob BassoContractor [New York] – Gene OrloffHorns [Boneroo] – Bill Purse, Kenny Faulk*, Neil Bonsanti*, Peter Graves, Stan Webb, Whit SidenerProducer – Albhy Galuten, Bee Gees, Karl RichardsonWritten-By – Barry Gibb 4:21 D1 Nights On Broadway Concertmaster – Gene OrloffProducer, Arranged By [Strings, Horns & Woodwinds] – Arif MardinWritten-By – Barry, Robin And Maurice Gibb* 4:32 D2 Spirits (Having Flown) Contractor [Miami] – Bob BassoContractor [New York] – Gene OrloffHorns [Boneroo] – Bill Purse, Kenny Faulk*, Neil Bonsanti*, Peter Graves, Stan Webb, Whit SidenerProducer – Albhy Galuten, Bee Gees, Karl RichardsonWritten-By – Barry, Robin And Maurice Gibb* 5:10 D3 Love You Inside Out Contractor [Miami] – Bob BassoContractor [New York] – Gene OrloffHorns [Boneroo] – Bill Purse, Kenny Faulk*, Neil Bonsanti*, Peter Graves, Stan Webb, Whit SidenerProducer – Albhy Galuten, Bee Gees, Karl RichardsonWritten-By – Barry, Robin And Maurice Gibb* 4:08 D4 Wind Of Change Concertmaster – Gene OrloffCongas – Ray BarrettoProducer, Arranged By [Strings, Horns & Woodwinds] – Arif MardinTenor Saxophone – Joe FarrellWritten-By – Barry Gibb, Robin Gibb 4:52 D5 Children Of The World Horns [Boneroo] – Bill Purse, Kenny Faulk*, Neil Bonsanti*, Peter Graves, Stan Webb, Whit SidenerProducer – Albhy Galuten, Bee Gees, Karl RichardsonWritten-By – Barry, Robin And Maurice Gibb* 3:07

Companies, etc.

• Copyright (c) – RSO Records, Inc.
• Phonographic Copyright (p) – RSO Records, Inc.
• Manufactured By – RSO Records, Inc.
• Marketed By – RSO Records, Inc.
• Distributed By – PolyGram Distribution, Inc.
• Lacquer Cut At – Criteria Recording Studios
• Pressed By – Columbia Records Pressing Plant, Pitman

Credits

• Art Direction – Glenn Ross
• Artwork [Logo] – Tom Nikosey
• Drums, Percussion – Dennis Byron*
• Electric Guitar, Steel Guitar – Alan Kendall
• Keyboards, Synthesizer – Blue Weaver
• Lacquer Cut By [MF In Runouts] – Mike Fuller
• Photography By – Ed Caraeff
• Rhythm Guitar, Electric Guitar, Bass, Vocals – Maurice Gibb
• Rhythm Guitar, Vocals – Barry Gibb
• Vocals – Robin Gibb

Notes

.
Catalog numbers:
- RS-2-4200 on spine and back cover
- 2658 132 (Polydor Int'l Number) on all labels
- 2479 232 (Individual disc cat. #) on Record One and back cover
- 2479 233 (Individual disc cat. #) on Record Two and back cover

Embossed / textured front cover.

Side A and C on record one.
Side B and D on record two.



Printed in USA

Barcode and Other Identifiers

• Matrix / Runout (Matrix A, on label): RS-2-4200A
• Matrix / Runout (Matrix B, on label): RS-2-4200B
• Matrix / Runout (Matrix C, on label): RS-2-4200C
• Matrix / Runout (Matrix D, on label): RS-2-4200D
• Matrix / Runout (Runout side A / etched [Criteria logo P stamped]): R?S?-?2?4?2?0?0?-?A?S?-?C?P?-?3? RS-2-4200-AS-CP3 [Criteria logo] MF P
• Matrix / Runout (Runout side B / etched [Criteria logo P stamped]): R?S?-?2?4?2?0?0?-?B?S?-?C?P?-?1? RS-2-4200-BS-CP-1 [Criteria logo] MF P
• Matrix / Runout (Runout side C / etched [Criteria logo P stamped]): R?S?-?2?4?2?0?0?-?C?S?-?C?P?2? RS-2-4200-CS-CP2 [Criteria logo] MF P
• Matrix / Runout (Runout side D / etched [Criteria logo P stamped]): R?S?-?2?4?2?0?0?-?b?s?-?C?P?-?1? ? [Criteria logo] MF P RS-2-4200-DS CP1
• Other (LP1 individual catalog number, on label): 2479 232
• Other (LP2 individual catalog number, on label): 2479 233
• Other (Printed on back cover, lower right.): 0704

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Rating System
 
Mint (M): Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
Near Mint ( M-): A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
 (VG+++): Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
 All but the most mint-crazy collectors will find a V G+++ record highly acceptable.
Very Good (VG++): Many of the defects found in a VG+++ record are more pronounced in a VG++ disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
Still Sealed (SS) : Let the buyer beware, unless it's a U.S. pressing from the last 10-15 years or so. It's too easy to reseal on. Yes, some legitimately never-opened LPs from the 1960s still exist. But if you're looking for a specific pressing, the only way you can know for sure is to open the record. Also, European imports are not factory-sealed, so if you see them advertised as sealed, someone other than the manufacturer sealed them.