8-20-2019


39 as of 3-18-2019


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Arlo Guthrie / Pete Seeger ?– Precious Friend

Label: Warner Bros. Records ?– 2BSK 3644 Format: 2 × Vinyl, LP, Album, Gat 
Country: US Released: 1982
COVER-VG+++ some very light wear- Gatefold
VINYL-VG+++ to Near MINT

TracklistHide Credits

A1 Wabash Cannonball 3:00 A2 Circles Written-By – Harry Chapin 5:21 A3 Hills Of Glenshee 1:29 A4 Ocean Crossing Organ – Carol Ide 3:46 A5 Celery-Time 3:17 A6 Run, Come See Jerusalem Written-By – Blind Blake (2) 2:32 A7 Sailin' Up, Sailin' Down Piano – Bob Putnam 5:29 B1 How Can I Keep From Singing Written-By – Doris Plenn 2:38 B2 Old Time Religion 2:49 B3 Pretty Boy Floyd 4:29 B4 Ladies Auxiliary 1:37 B5 Please Don't Talk About Me When I'm Gone Written-By – Bee Palmer, Sam Stept*, Sidney Clare 6:27 B6 Precious Friend You Will Be There 7:08 C1 Do Re Mi 2:45 C2 Tarentella 2:13 C3 The Neutron Bomb 3:41 C4 I'm Changing My Name To Chrysler Written-By – Tom Paxton 4:21 C5 St. Louis Tickle 1:25 C6 Wimowehg (Mbube) Written-By – Paul Campbell (2), Solomon Linda 2:42 C7 Will The Circle Be Unbroken Arranged By, Adapted By – Arlo Guthrie 2:58 D1 Garden Song Written-By – David Mallett 8:00 D2 Kisses Sweeter Than Wine Written-By – Joel Newman (2), Paul Campbell (2) 1:36 D3 Raggedy Raggedy 1:32 D4 In Dead Earnest 2:09 D5 If I Had A Hammer (The Hammer Song) 3:09 D6 Amazing Grace Arranged By, Adapted By – Arlo GuthrieOrgan – Bob PutnamWritten-By – John Newton (2) 7:35

Companies, etc.

• Recorded At – Poplar Creek Music Theatre
• Recorded At – Pineknob Music Theatre
• Recorded At – The Greek Theatre
• Recorded At – Concord Pavilion
• Mastered At – Amigo Studios

Credits

• Coordinator – Jackie Guthrie*
• Design [Album Design] – Robert Seymour
• Drums, Percussion – Terry A La Berry
• Electric Bass, Vocals – Dan Velika
• Guitar, Vocals – Bob Putnam
• Illustration [Cover Illustration] – Dennis Auth
• Lead Guitar, Trombone, Synthesizer [Tuning], Vocals – Steve Ide
• Mastered By – Bobby Hata
• Percussion, Vocals – Carol Ide
• Photography By – Ruth Bernal
• Producer – John Pilla
• Recorded By, Mixed By – Mark Linett
• Written-By – Arlo Guthrie (tracks: A4, A5, C3, C5), Lee Hays (tracks: D3, D4, D5), Pete Seeger (tracks: B6, D5), Woody Guthrie (tracks: B3, B4, C1)

Notes

Recorded during July and September, 1981 at Poplar Creek Music Theatre, Pineknob Music Theatre, Greek Theatre and Concord Pavilion.

Mastered at Amigo (Warner Bros. Recording Studios), North Hollywood, California Mobil Recording by The Record Plant, Los Angeles, California.

Track A7 is based on "Baby, what do you want me to do" written by Jimmy Reed.

Tracks A1, A3, B2, C2 & C7: Public Domain.

Gatefold Sleeve with lyrics printed inside. White album, black print matte finish.




ALL VINYL GRADING IS BASED ON VISUAL INSPECTION
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Rating System
 
Mint (M): Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
Near Mint ( M-): A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
 (VG+++): Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
 All but the most mint-crazy collectors will find a V G+++ record highly acceptable.
Very Good (VG++): Many of the defects found in a VG+++ record are more pronounced in a VG++ disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
Still Sealed (SS) : Let the buyer beware, unless it's a U.S. pressing from the last 10-15 years or so. It's too easy to reseal on. Yes, some legitimately never-opened LPs from the 1960s still exist. But if you're looking for a specific pressing, the only way you can know for sure is to open the record. Also, European imports are not factory-sealed, so if you see them advertised as sealed, someone other than the manufacturer sealed them.