ELVIS PRESLEY LPM 1254 RARE 1956 ISSUE OF HIS FIRST LP
  $   72

 


$ 72 Sold For
Feb 18, 2008 Sold Date
Feb 11, 2008 Start Date
7   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description


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ELVIS PRESLEY
RCA-LPM 1254
RARE 1956 ISSUE OF HIS FIRST LP!





ELVIS PRESLEY
RCA Victor LPM-1254
Mono LP

Original 1956 Pressing with 5S / 3S in trailoff grooves!

Today it all seems so easy — RCA signs up the kid from Memphis, television gets interested at around the same time, and the rest is history. The circumstances surrounding this album were neither simple nor promising, however, nor was there anything in the history of popular music up to that time to hint that Elvis Presley was going to be anything other than "Steve Sholes' folly," which was what rival executives were already whispering. So a lot was unsettled and untried at the first of two groups of sessions that produced the Elvis Presley album — it wasn't even certain that there was any reason for a rock & roll artist to cut an album, because teenagers bought 45s, not LPs. The first of Elvis' RCA sides yielded one song, "Heartbreak Hotel," that seemed a potential single, but which no one thought would sell, and a few tracks that would be good enough for an album, if there were one. But no one involved knew anything for sure about this music. Seventeen days later, "Heartbreak Hotel" was released, and for about a month it did nothing — then it began to move, and then Elvis appeared on television, and had a number one pop single. The album Sholes wanted out of Elvis came from two groups of sessions in January and February, augmented by five previously unissued songs from the Sun library. This was as startling a debut record as any ever made, representing every side of Elvis' musical influences except gospel — rockabilly, blues, R&B, country, and pop were all here in an explosive and seductive combination. Elvis Presley became the first rock & roll album to reach the number one spot on the national charts, and RCA's first million dollar-earning pop album. -- All Music Guide

Vinyl is VG+ with light scratches.
Plays very well with only very light surface noise.

Rare cover with green logo box in the upper right corner!
Cover is in VG+ condition with a split which runs along the bottom edge as well as some damage to the spine.

A VERY HARD RECORD TO FIND IN CONDITION AS GOOD AS THIS AND HIGHLY SOUGHT AFTER BY ELVIS COLLECTORS EVERYWHERE!

NOTES: Has green logo box on top right corner. Black label with dog on top and Long Play on Bottom. Silver text on label.

SELECTIONS:
Blue Suede Shoes / I'm Counting On You / I Got A Woman / One-Sided Love Affair / Just Because / Tutti Frutti / Tryin' To Get To You / I'm Gonna Sit Right Down And Cry / I'll Never Let You Go / Blue Moon / Money Honey.


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In Your Ear has been selling music to the masses since 1982. We carry new and used LPs, CDs, DVDs, 45s, 12" singles, posters and who-knows-what-else! In addition to our online RI store, we have 2 physical locations in Massachusetts:

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RECORD GRADING POLICY

MINT = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale

EXCELLENT = Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play

VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially effect play

VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.

VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.

VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.

Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like

Fair = you’re getting this record just to own but not to play

Poor = the sky’s the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest

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