DUKE ELLINGTON/PAUL GONSALVES NEWPORT'56 RARE ORIG COLUMBIA 6-EYE LP DG SHRINK
$
124
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Description
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· DUKE ELLINGTON with his orchestra featuring PAUL GONSALVES – AT NEWPORT 1956 (NOT TO BE CONFUSED WITH 'AT NEWPORT '58 FEATURING GERRY MULLIGAN') – ORIGINAL 1957 COLUMBIA RECORDS MONO LP CL-1245
· ORIGINAL U.S. PRESSING
· THIS ALBUM IS INORDINATELY MUSICALLY AND HISTORICALLY IMPORTANT FOR A NUMBER OF REASONS, NOT THE LEAST IMPORTANT BEING THAT IT CONTAINS THE LONGEST TENOR SAX SOLO IN THE HISTORY OF RECORDED MUSIC WHICH NEARLY TRIGGERED A RIOT AT THE FESTIVAL (EAT YOUR HEART OUT, BOB DYLAN -- DUKE ELLINGTON TORE THE NEWPORT HOUSE DOWN TEN YEARS BEFORE YOU DID :-P) . HOW PAUL GONSALVES DIDN'T PASS OUT ON THE STAGE WHILE BLOWING NON-STOP FOR NEARLY 10 MINUTES IS BEYOND ME.
· ORIGINAL “SIX EYE” RED AND BLACK COLUMBIA LABEL
· DEEP GROOVE PRESSING
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH "-1A/-1J' ON SOME LABELS, THIS INDICATES THE VERY FIRST, ORIGINAL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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Duke Ellington's appearance at the 1956 Newport Jazz Festival has long been famous, and justifiably so. Paul Gonsalves' 27-chorus tenor solo on "Diminuendo in Blue and Crescendo in Blue" practically started a riot at Newport and made headlines around the world. The momentum generated by this concert led to Ellington's comeback and never let up during his 18 remaining years. After a brief truncated set that was cut short because four of Ellington's musicians could not be found, the Ellington Orchestra returned to the stage three hours later. They played "Take the 'A' Train," "Newport Jazz Festival Suite," a showcase for Harry Carney on "Sophisticated Lady," and a so-so Jimmy Grissom vocal outing on "Day In, Day Out." Then came "Diminuendo in Blue and Crescendo in Blue." The saxophone interlude caused crazed dancing, and soon the crowd was as loud as the band. When the crowd would not quiet down, Ellington saved the day by closing with a long version of "Skin Deep." But unknown to most people is that on July 9, the orchestra went to the studios to reproduce the program. The earlier version of the "Newport Jazz Festival Suite" had been a bit sloppy and Gonsalves' famous tenor solo on "Diminuendo" had actually been played into the wrong microphone. Ellington's band therefore performed the entire "Newport Jazz Festival Suite" again and it was issued on the original LP.Highly recommended.
(EXCERPT FROM AN ONLINE REVIEW BY SCOTT YANOW, ALL MUSIC GUIDE /ALLMUSIC.COM/)
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CONDITION:
RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(c) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(d) The record is STILL in its original inner, perforated plastic baggy, which has - apparently with success - shielded the record from the harmful impact of elements over many years!
(e) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
COVER IS (WEAK) NEAR MINT, STILL IN ITS ORIGINAL ►SHRINK WRAP
The following flaws or imperfections are noted on the cover:
- Cover has some light yellowish stains, probably from exposure to humidity. (nothing significant)
- Back cover has a few yellowish dust speckles scattered here and there (these tiny spots are not overly obtrusive or distracting and can be easily cleaned up after the shrink wrap has been removed)
- Cover shows some light yellowing on both sides, apparently from aging.
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No ring wear
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No wrinkles or creases
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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