DON COVAY HOUSE OF BLUE LIGHTS NM ORIG'68 LP IN SHRINK

$

31

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·       DON COVAY – HOUSE OF BLUE LIGHTS – ORIGINAL 1968 ATLANTIC RECORDS STEREO LP SD-8237

·       ORIGINAL U.S. PRESSING

·       ORIGINAL RED (ORANGE) AND GREEN ATLANTIC RECORDS LABEL WITHOUT WEA LOGO ALONG THE LABEL’S EDGE AND WITH BROADWAY, NY ADDRESS.

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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This album, credited to Don Covay and the Jefferson Lemon Blues Band, is not only a great record on its own terms, but it's sort of a black parallel/precursor to a few blues-rock LPs by white artists that sold a hell of a lot more copies around the same time. On the one hand, it's as solid a blues album as anyone associated with R&B was making in 1969 and contains some of the best guitar-based blues on Atlantic this side of that one-off Blind Willie McTell record that they did at the end of the '40s. The guitar blues, interspersed with some organ-based numbers, mixes with Covay's whooped and hollered vocals like someone caught a performance at some roadhouse 20 miles from nowhere in Mississippi — except that it's perfectly recorded, like someone sneaked Atlantic producer Herb Abramson and a late-'60s tape unit into a roadhouse 20 miles from nowhere. But the repertory ranges wider than that description would lead one to believe, from standards like "Key to the Highway" and "But I Forgive You Blues" to a brace of Covay originals, including the jaunty "Four Women," the soulful "Homemade Love" (which manages to be smooth, raw, and cute, all in six minutes), and two parts of "House of Blue Lights" — not the Freddie Slack/Don Raye song popularized by the Andrews Sisters, Merrill Moore, and Chuck Berry, but, rather, a mournful lament akin thematically and in tempo to the original "House of the Rising Sun," only more intense and serious. The organ, mouth harp, and guitar textures achieved on that seven-minute song ripple and shimmer as though lifted and slowed down from the Rolling Stones' "Street Fighting Man," while "But I Forgive You Blues" goes back to '20s and early-'30s basics (and is really cool, with the guitars isolated on one channel so you can appreciate the playing up close and personal). Much of the album sounds like the sonic and spiritual blueprint for Let It Bleed and Exile on Main Street and parts of Layla & Other Assorted Love Songs.

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

THIS IS A NO-RESERVE AUCTION!

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The record comes in the original stock inner sleeve.

(d)          Stock (commercially released) mono copies of this album are NOT known to exist.

·       COVER

COVER IS NEAR MINT,  STILL IN ITS ORIGINAL ►SHRINK WRAP

The following flaws or imperfections are noted on the cover:

-        Cover has a small cutout saw-mark (an indent about 3-5 mm long ) on one of its seams.

-         Cover has two corners slightly worn / frayed / bent (just a beginning of the split seam)

-         Cover shows JUST A HINT of yellowing on back side, apparently from aging.

-         Cover has a partially split bottom seam (between 1 and 2 inches  / 2.5 to 5 centimeters)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No ring wear

-        No cut-out (drill) holes.

-        No cut-out corners

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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