DIAL-A-POEM POETS: DISCONNECTED John Giorno Poetry Systems 2LP GPS-003 G MALANGA
$
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DIAL-A-POEM POETS: DISCONNECTED John Giorno Poetry Systems 2LP GPS-003 G MALANGAformat:
2LP Records, 12"vv grade: disc / vinyl vv
artist(s):
various, see below8-
Both records retain most of their gloss, there are scattered light marks on all sides, most are superficial, a few are probably lightly "feelable". Nothing deep or serious. The net effect is minor (generally static-level) noise intermittently. Unfortunately there isn't much to hide it; not much music, the recording quality and volume is variable (some are mediocre / low volume). So any noise present is usually going to be audible (but not necessarily "distracting"), even if minor.
title(s):
various, see belowlabel:
Giorno Poetry Systemsvv grade: cover / album vv
number:
GPS-0037+
Gatefold cover is a bit generally worn, with light ring wear on front, more on back, general edge wear with scaling and a few chips / nicks, corners rubbed and lightly to significantly bumped with associated creases. Inside is relatively clean.
mono / stereo:
stereoinfo / notes:
1974 double LP featuring the best poet/provocateurs of the moment. Rare private press or self-published.vv See artist and track list below vv
SIDE 1:
Allen Ginsberg: I'm A Victim Of Telephones (From Planet News), recorded GPS, December 1968
Chogyam Trungpa Rinpoche: Cynical Letter, A letter to Marpa, Sound Cycle (Aham), recorded Boulder, Colorado, March 1974.
John Giorno: Suicide Sutra, recorded GPS, September 1973.
William S. Burroughs: What Washington, What Orders, From Exterminator, recorded GPS, April 1, 1974.
Charles Plymell: 100 Flies On An Airplane Flying Around The World, From The Thrashing Of America, recorded St. Mark's Church, New York, February 6, 1974.
Michael Brownstein: Monologue From The Top, From Brainstorms, recorded GPS, February 7, 1974
John Cage: Silence (Excerpt), recorded Carbondale, Indiana, March 1969
This is actually the beginning of 'Diary:
How to Improve the World (You'll Only Make Matters Worse) continued 1967'
SIDE 2:
Anne Waldman: Fast Speaking Woman, recorded GPS, May 19, 1973.
Diane di Prima: Loba (excerpt), St. Lawrence University, Canton, New York, March 9, 1973.
Bernadette Mayer: Studying Hunger (excerpt), recorded the Museum of Modern Art, New York, May 3, 1973.
Robert Creeley: The Name, recorded First Unitarian Church, San Francisco, August 31, 1973.
Diane Wakoski: Exorcism, recorded, GPS, May 11, 1970.
Lorenzo Thomas: High Heel Jesus, recorded GPS, June 19, 1973.
Gregory Corso: Marriage, recorded The New School, New York, March 7, 1973.
Maureen Owen: Body Rush, recorded GPS, February 14, 1974.
Ed Sanders: Stand By My Side, Oh Lord, recorded GPS, May 9, 1973.
Charles Olson: The Ridge, recorded SUNY at Cortland, New York, October 20, 1967.
SIDE 3:
Allen Ginsberg: Jimmy Berman, recorded at The Record Plant, New York, November 1971.
Joe Brainard: More I Remember More (Excerpt), recorded GPS, February 11, 1974.
John Wieners: Memories In A Small Apartment (Excerpt), recorded St. Mark's Church, New York, February 13, 1974
Gerard Malanga: A Last Poem (Tentative Title), recorded Rutgers University, New Jersey, November 20, 1969.
John Perreault: Nude Death, recorded Museum of Modern Art, New York, May 3, 1973
Jack Spicer: Billy The Kid (Excerpt), recorded Art Gallery, Vancover, Canada, June 1965.
Jim Carroll: The Basketball Diaries, Age 13, Spring 1965, recorded GPS, April 25, 1973
Peter Orlovsky: All Around The Garden, recorded GPS, February 26, 1974.
SIDE 4:
Imamu Amiri Baraka (Leroi Jones): Our Nation Is Like Ourselves, recorded Buffalo State College, New York, April 24, 1970.
Michael McClure: Lion Poem, recorded St. Mark's Church, New York, March 13, 1974.
Ed Dorn: Recollections Of Grande Apacharia, recorded First Unitarian Church, San Francisco, August 31, 1973.
Frank Lima: The Hunter, recorded St. Mark's Church, New York, January 23, 1974.
Frank O'Hara: Adieu Norman, Bonjour To Joan And Jean-Paul, recorded Suny at Buffalo, New York, September 1964.
Bill Berkson: Stanky, recorded GPS, December 1968.
Larry Fagin: A Play, recorded GPS, April 1969.
Tom Clark: Little Aria, recorded Bolinas, California, June 19, 1972.
Paul Blackburn: The Once-Over (From Brooklyn Manhattan Transit), recorded by Jerry Newman and Eugene Brooks, New York, September 1963.
Philip Whelan: If You're So Smart, Why Aren't You Rich, recorded Reed College, California, October 27, 1965.
Ron Padgett: June 17, 1942, recorded GPS, February 9, 1974.
John Ashbery: The Tennis Court Oath, recorded GPS, February 26, 1969.
Clark Coolidge: Dews (Excerpt), recorded Mills College Tape Center, Oakland, California, April 1969.
Charles Amirkhanian: RADII, recorded Swedish Radio, Stockholm, April 1972.
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Record Grading Notes Clean all records before playing for best results. Do not assume that your record is thoroughly clean when you receive it.Records are not generally "play graded" beyond spot tests of potentially problematic areas, unless the listing suggests otherwise.
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10:
is unopened and/or looks fairly untouched.9:
vinyl appears fairly pristine, might have a few insignificant marks which should not affect play appreciably. Cover might show slight signs of handling or age.8:
has some scattered light marks on otherwise glossy vinyl which will likely produce minor and/or infrequent noise. A very nice play, not perfect. Cover has some clear signs of handling and/or age and maybe a mild version of some of the defects listed under 6 below.7:
will show many light marks and/or scuffs and/or scratches, some of which will definitely produce intermittent audible noise which will be heard through the music to varying degree. Vinyl may be somewhat dull. A fairly decent but flawed play. Cover shows a combination of mild to moderate symptoms of the defects listed under 6 below.6:
shows general wear on vinyl including loss of lustre and scuffs and scratching. It is assumed that many of these marks will produce frequent audible noise which can be heard easily through the music. Overall this is an obviously flawed but still somewhat enjoyable play. Cover will show some or all of the following defects to varying degree: edge wear/scaling, seam splits, ring wear/rub, bent corners, creases, graphic blemishes, stickers present and/or removed.5:
will show general significant scuffing and scratching on vinyl, with easily audible noise almost throughout. Cover shows many aggravated symptoms of the defects listed under 6 above. 5 is the lowest I will sell for LP's, and only in cases of special interest or rarity. I do sell 45's in this condition and less. SHIPPING COST MATRIX
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