PLEASE READ **ENTIRE** LISTING BEFORE BIDDING. I CAN'T STRESS THIS ENOUGH.  

Def Leppard ?– Hysteria

Label: Mercury ?– 422 830 675-1 Q-1, Mercury ?– 830 675-1 Q-1, Mercury ?– 830 675-1 Format: Vinyl, LP, Album, 49
Country: US Released: 1987 Genre: Rock Style: Hard Rock

Tracklist

A1 Women 5:41 A2 Rocket 6:34 A3 Animal 4:02 A4 Love Bites 5:46 A5 Pour Some Sugar On Me 4:25 A6 Armageddon It 5:21 B1 Gods Of War 6:32 B2 Don't Shoot Shotgun 4:10 B3 Run Riot 4:38 B4 Hysteria 5:49 B5 Excitable 4:19 B6 Love And Affection 4:35

Companies, etc.

• Published By – Bludgeon Riffola Ltd.
• Published By – Zomba Enterprises, Inc.
• Published By – Why Bother Ltd.
• Published By – Warner Bros. Music
• Published By – Zomba Music Publishers
• Phonographic Copyright (p) – Phonogram Ltd. (London)
• Copyright (c) – Bludgeon Riffola Ltd.
• Manufactured By – PolyGram Records, Inc.
• Manufactured By – PolyGram Records
• Marketed By – PolyGram Records, Inc.
• Marketed By – PolyGram Records
• Mastered At – Masterdisk
• Mixed At – Battery Studios, London
• Recorded At – Wisseloord Studios
• Recorded At – Windmill Lane Studios
• Recorded At – Studio Des Dames
• Pressed By – Specialty Records Corporation

Credits

• Backing Vocals [All] – The Bankrupt Brothers
• Bass – Baron Beaverbrook "Sir Richard" Rick "Sav" Savage*
• Booking [Booked In North America By] – I.C.M., New York*, Marsha Vlasic
• Booking [Booked In The Rest Of The World By] – I.T.B., London*, Rod MacSween
• Drums – Civilian Rick "O.B. Oblivion, Dick, Bus Head" Allen*
• Engineer [Additional] – Erwin Musper, Pete Williscroft, Ronald Prent
• Engineer [Mixes] – Mike Shipley, Nigel Green
• Guitar [Guitars] – Air Commodore Phil "Felix, P.C., The Guru, Wambo, Tap" Collen, B.T.H.*, Wing Commander Steve "Steamin', Dreamy, Snikker, Mayhem, P.T.W." Clark, A.H.D.*
• Illustration, Artwork, Design – Satori (14)
• Lead Vocals – Joe "King Kreosote, The Diplomat" Elliott*
• Management [Managed By] – Q Prime Inc.
• Mastered By – Bob Ludwig, Howie Weinberg
• Performer [Def Leppard] – Joe "King Kreosote, The Diplomat" Elliott*, Air Commodore Phil "Felix, P.C., The Guru, Wambo, Tap" Collen, B.T.H.*, Civilian Rick "O.B. Oblivion, Dick, Bus Head" Allen*, Baron Beaverbrook "Sir Richard" Rick "Sav" Savage*, Wing Commander Steve "Steamin', Dreamy, Snikker, Mayhem, P.T.W." Clark, A.H.D.*
• Photography By [Individual Photos] – Laurie Lewis (4)
• Photography By [Live Photo] – Ross Halfin
• Producer – Robert John "Mutt", Mr. Green Thumb" Lange*
• Producer [Assisted By], Engineer – Nigel "See Elsewhere For Details" Green*
• Programmed By [Fairlight Programming] – Legendary Philip "Art School" Nicholas*
• Tape Op [Tape Operator] – Mark Flannery
• Written-By – Joe Elliott, Phil Collen, Rick Savage, Mutt Lange*, Steve Clark (5)

Notes

Printed inner sleeve with informations, live photo, and liner notes.

Catalog# on labels: 422 830 675-1 Q-1
Catalog# on spine and one side of inner sleeve: 830 675-1 Q-1
Catalog# on other side of inner sleeve: 830 675-1

All songs published by Bludgeon Riffola Limited / Zomba Enterprises Inc. (ASCAP) (on labels)
All songs published by: In the U.K./Ireland: Why Bother Ltd./Warner Bros. Music/Zomba Music Publishers. In Australia/New Zealand: Bludgeon Riffola Ltd./Warner Bros. Music/Zomba Music Publishers. In the Rest of The Known Universe: Bludgeon Riffola Ltd./Zomba Music Publishers. Thanks to Jan Garner, Ralph Simon and Clive Calder at Zomba for their help and encouragement. (on inner sleeve)
? 1987 Phonogram Ltd. (London)
© 1987 Bludgeon Riffola Ltd.
A Bludgeon Riffola Recording
Hysteria was recorded at: Wisseloord Studios, Hilversum, Holland: Thanks to Bart, Bert, Inge, Joke, Ronald, Irwin, Jan Fred, Peter, Freek, Henk and Henk, Albert Boekholt, Albert Hartwig, Junior, Miriam, Petra, Ilse and Lex. Windmill Lane Studio 2, Dublin, Ireland: Thanks to Irene, Bronwen, Suzanne, Ann Fox and Mark Flannery. Studio Des Dames, Paris, France: Thanks to Marcel.
Hysteria was mixed at Battery Studios, London, England.
Direct Metal Mastering at Masterdisk.
Manufactured and marketed by PolyGram Records, Inc., 810 Seventh Avenue, New York, N.Y. 10019.
Printed in U.S.A.

Very Special Thanks: Cliff Burnstein, Mutt Lange, Peter "Motor" Mensch.

Special Thanks: Steve Cater, Jack Cummins, Marty Goldberg, James Harman, Malvin Mortimer, Jeff Rich, Mike Rogers, Andrew Snelling and Ann Waddingham.

Thanks: Fred Ball, Jim Barber, Ray Burmiston, Nick "Telegram" Cua, d drums, Neil "Nellie" Dorfsman, Paddy Freeny, Billy Gibbons, Danny Gottlieb, Ross Halfin, Ian Jeffery, Clive Jewett, Maurice Jones, Fritz and Chris from Kick Music, O.J. Kilkenny III, Phamous MacMahon, Moray McMillan, Brian May and Jobby, MCD Promotions, (MacCann and Desmond), Ben Meldon, Rocky Newton, Tim Parsons, Marion Smith, Roy Teysse, Dave Thoener, Joannie Turnbull, Charles Wilkins, Pete Wooliscroft, and Robbie Wooten.

Rick Allen and everybody involved with Def Leppard would like to especially thank Doreen Billington, Eileen Pearle, Dr. Page, Dr. Ewans, the staff at the Royal Hallamshire, and everybody who wrote, called and supported us after the accident. He's back, we're back and we'll see you on tour in 1987/8/9!

Thanks to everybody at Phonogram: In the UK: Gillian Gould, Francesca Sayers, John Watson, David Simone, Tony Powell, Bob Fisher, and "Bad" Bernadette Coyle. Internationally: Lisa Anderson, Sian Thomas, Lee Kavanagh, and all at Phonogram Netherlands, France and Ireland who helped us along during this recording. Oh yes, thanks to the 40 odd Polygram/Phonogram folks who endured with us all at Mannheim, West Germany, August, 1986.

Def Leppard Salutes "Captain Love" for his contributions to the creation of this record. If you delve into this list, you, too, will understand and appreciate this man's importance (not to mention, the entire history of the world since 1984!).

Booked in North America at I.C.M., New York and in the rest of the world at I.T.B., London.

Additional Advice given by: Martin Goldberg and Ann Waddingham, Prager and Fenton, London, England. Bruce Slayton and Victor Wlodinguer, Robbins, Spielman, Slayton and Halfon, New York, N.Y. James H.K. Harman, Theodore Goddard, London, England. Andrew Snelling and the staff at Barclays Bank, Earls Court Road, London, England.

The Members of Def Leppard Play and Recommend the Following Equipment:
Rick plays Simmons Drum Pads and various Simmons Drum Machines, Shark Foot Pedals and Zildjian Cymbals. Rick and all of us would like to thank Bas, Lloyd and Andy at Simmons Electronics, Arndt Anderson of Shark and the legendary Ian Croft at Zildjian for putting Richard back behind the drums.

Sav plays Hamer Basses exclusively. Thanks to Paul Hamer and Joel Danzig at Hamer Guitars.

Phil plays Jackson Guitars equipped with Kahler tremolo arms exclusively. Thanks to Grover Jackson and Joanne and all at Jackson/Charvel Guitars and to Dave Storey, Gary Kahler, Roger Garvin and Sue Ellwanger at Kahler.

Steve will only ever play Gibson Guitars. Thanks to all the staff at Gibson Guitars.

Messers Clark and Collen use Randall Amplification (to get that "rad" Def Leppard guitar sound...). They would like to thank Bill Acton and Chuck Widner at Randall for help above and beyond the call of duty.

Joe plays golf with Spalding "Executive" Irons and Woods, "Dunlop 65", Golf Balls (courtesy of Shell Garages, Ireland); and Soccer with anyone who'll get out of bed.

Finally, we would like to thank everybody at Hoshino Industries (Tama Drums and Ibanez Guitars) for their help and support over the past couple of years.
Who knows, Joe, maybe that Bass Drum will make it on stage, yet!!

Also released with same catalog number and different labels.
Also available on Chrome Cassette (830 675-4 Q-1) and Compact Disc (830 675-2 Q-1).

49 on labels indicates the pressing was made at Specialty Records Corporation.
PLEASE ASK ANY AND ALL QUESTIONS **BEFORE** BIDDING.

PLEASE BE ADVISED, THESE MIGHT HAVE CAME FROM A SMOKING HOUSE, AND ALTHOUGH I TRY TO CLEAN EVERYTHING THROUGHLY, IF IT BOTHERS YOU I'M ASKING IN ADVANCE PLEASE SAVE US BOTH THE TROUBLE AND DO NOT BID, I DO NOT, AND WILL  ACCEPT RETURNS BASED ON SMELL OF SMOKE.

GRADING IS SHOWN BELOW (PLEASE NOTE UNLESS ITS SEALED I WILL NEVER USE MINT, ANDMOST LIKELY NOT USE M- OR NM UNLESS I KNOW THEY ARE UNPLAYED.

Mint [M]: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.   *Near Mint [NM or M-]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.   Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.   Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.   Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear. A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.   Poor [P], Fair [F]: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon. Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.   Still Sealed [SS] : Let the buyer beware, unless it's a U.S. pressing from the last 10-15 years or so. It's too easy to reseal on. Yes, some legitimately never-opened LPs from the 1960s still exist. But if you're looking for a specific pressing, the only way you can know for sure is to open the record. Also, European imports are not factory-sealed, so if you see them advertised as sealed, someone other than the manufacturer sealed them.
FEW MORE THINGS TO PLEASE KEEP IN MIND...

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PLEASE NOTE DUE TO THE CURRENT PANDEMIC,THE MAIL IS RUNNING BEHIND, ESPECIALLY MEDIA MAIL.

 I CANNOT/WILL NOT  BE RESPONSIBLE FOR THE AMOUNT OF TIME IT TAKES ON MEDIA MAIL, OR HOW THE POST OFFICE HANDLES THE PACKAGE. SO CONSIDER INSURANCE AND/OR THE USE PRIORITY MAIL. IF LOST OR DAMAGED BY USPS PRIORITY COVERS IT, MEDIA MAIL DOES NOT. AND NEITHER DO I. YOU SPENT ALL THAT MONEY ON THIS, WHY WOULD YOU NOT SPEND A FEW BUCKS AND PROTECT IT?

IT IS AN OPTION *YOU* MUST MAKE, BUT UNDERSTAND IT WAS *YOUR* CHOICE, AND AFTER THE POST OFFICE HAS IT IT'S UP TO YOU TO CONTACT AND TRACK. TRACKING IS PROVIDED BY EBAY IN THE ITEM DESCRIPTION. DO NOT BE "THAT" PERSON. 

ALSO AS FAR AS CHARGES MY SHIPPING POLICY IS TO CHARGE WHAT THE POST OFFICE CHARGES ME,NOTHING MORE, BUT NOTHING LESS, AND ITS NON NEGOTIONABLE.

FOREIGN BIDDERS PLEASE CHECK SHIPPING RATES BEFORE BIDDING.

UNLESS SEALED, OR MESSAGED FROM ME, THE ALBUM (S) WILL BE REMOVED FROM THE SLEEVES AND WILL SHIP PROPERLY WITH CORRUGATED STIFFENERS WHERE APPLICABLE USING EXTRA TAPE FOR THE CORNERS. THERE IS ABSOLUTELY ZERO REASON TO MESSAGE ON THIS,

BY MESSAGING I SEE YOU DIDNT BOTHER READING  THE LISTING, AND SINCE I GET THIS EVERY WEEK I WILL REFER YOU TO THIS LISTING ANDPROBABLY LAUGH :)         
     
        TO ALL FOREIGN CUSTOMERS, PLEASE NOTE I CANNOT AND WILL NOT FALSIFY ANY CUSTOMS DOCUMENTS,  *****PLEASE NOTE THIS IS AN "AS-IS" AUCTION, UNLESS I SAY OTHERWISE THESE ARE ALWAYS VISUALLY GRADED, IM TELLING YOU  THIS IN ADVANCE, IF I SEE ANYTHING I DOWNGRADE IT, BUT IT IS STILL A VISUAL GRADE******* . THAT BEING SAID I DO NOT ACCEPT REFUNDS. PLEASE MAKE SURE TO CHECK MY OTHER AUCTIONS FOR SOME AWESOME DEALS!, AND THANK YOU IN ADVANCE! BE SAFE OUT THERE!