CHICAGO CHICAGO VII INSANELY RARE ORIG '74 COLUMBIA TEST PRESSING BEAUTIFUL
$
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Description
WE CURRENTLY HAVE MORE THAN 1,000 LISTED ITEMS
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· CHICAGO – CHICAGO VII (THE GROUP'S SEVENTH STUDIO ALBUM) - ORIGINAL 1974 COLUMBIA RECORDS STEREO LP C2-32810
· ORIGINAL U.S. PRESSING
· ULTRA-RARE TEST PRESSING
· PLAIN, WHITE, COLUMBIA TERRE HAUTE, IN GENERIC TEST PRESSING LABEL WITHOUT ANY IDENTIFICATION MARKS WHATSOEVER.
· THIS TEST PRESSING COMES IN ITS GENERIC, PLAIN, WHITE COVER WITH A HANDWRITTEN TITLE, DATE OF RELEASE AND MATRIX NUMBERS
· NOTE: WE ONLY HAVE ONE OF TWO RECORDS (ONLY THE FIRST RECORD OF THIS 2-LP SET); WE ARE NOT SURE IF THE SECOND RECORD WAS EVER PRODUCED. IT IS POSSIBLE THAT THE TEST PRESSING – WHICH WAS DONE FOR REFERENCE PURPOSES – CONTAINED ONLY ONE, SINGLE DISC.
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING
· CLEAN, WEAR-FREE LABELS.
· FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the thickness of the vinyl as 7.
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1E/-1E'. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)
· PLEASE NOTE: THE MATRIX NUMBER IN THE TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD IS CONSISTENT WITH THE ORIGINAL, FIRST, 1974 PRESSING OF THIS ALBUM; THIS IS NOT, REPEAT: NOT A TEST PRESSING OF ONE OF THE SUBSEQUENT REISSUES OR REMASTERS.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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Amazing !!! An unbelievable piece: What we have here is an unheard-of TEST PRESSING of this Chicago Classic. While many test pressings often have alternate or demo- versions of known, later released songs, and while it is possible that this particular test pressing contains demo or alternate versions of some of the tracks, please don’t take our word that it does:
PLEASE NOTE: THIS TEST PRESSING APPARENTLY NEVER HAD A CUSTOM COVER; THE ALBUM WILL BE SHIPPED IN A PLAIN, GENERIC [WHITE] CARDBOARD COVER. TEST PRESSINGS ARE RARELY – IF EVER – FOUND IN CUSTOM (STOCK) COVERS.
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Although commercially successful, Chicago's previous long-player, Chicago VI (1973), had not been received as warmly from both the critics as well as from some bandmembers. Both parties expressed their dissatisfaction with the lighter fare and significantly shorter material. In response, the combo briefly returned to their previously tried and true methodology on their follow-up album. As such, Chicago VII (1974) was not only a double LP, but much of the effort likewise returned them to their former jazz/rock glory while continuing the middle-of-the-road (MOR) ethos that was concurrently impacting the pop charts. Nowhere is this more evident than the trio of sides extracted as singles -- including the Top Ten hits "(I've Been) Searching So Long," "Call on Me," and "Wishing You Were Here." The latter of which features some stunning backing vocals from Beach Boys Dennis Wilson, Carl Wilson, and Alan Jardine. The group were continuing in their incorporation of additional musicians, most notably Laudir DeOliveira (percussion) and David J. Wolinski (ARP synthesizer) -- both of whom are prominently featured throughout the sides. The opening instrumentals, including "Prelude to Aire," "Aire," and "Devil's Sweet," reflect Daniel Seraphine's (drums) tremendously underrated skills as a writer as well as the combo's recently underutilized talents as ensemble musicians. All three tracks provide a brilliant showcase for the brass/woodwind section(s) to flex their respective muscles, drawing heavily upon the styles of Weather Report and to some extent Miles Davis and Santana. The nature of their seemingly experimental fusion is stretched out even further on "Italian From New York." The cut includes some interesting ARP interjections from Robert Lamm, whose decidedly free-form contributions weave alongside some rubbery and liquefied fretwork courtesy of Terry Kath (guitar/vocals). His lead bobs around Lamm's synthesizer and an equally prominent cool-toned Fender Rhodes keyboard bed. The second half of Chicago VII directly contrasts the less structured instrumentals with more inclusive sides such as the previously mentioned hits "Call On Me" and "Wishing You Were Here." Other highlights include Lamm's funky mid-tempo "Life Saver," Peter Cetera's (bass/vocals) laid-back and unencumbered "Happy Man," and a double shot from Kath in the form of two serene ballads, "Song of the Evergreens" and "Byblos" -- which features some stellar acoustic strumming. This collection would be Chicago's final two-disc set by the original lineup and offers the best of the band as improvisational instrumentalists as well as concise, emotive vocalists and song crafters.
(EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a RELATIVELY thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type), vinyl, but not the thickest, most rigid vinyl, either.
(c) The record comes in a poly-lined inner sleeve, which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years!
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
COVER : This reference pressing comes without any custom jacket, and will be shipped in its original plain, generic, white cardboard cover (NOT GRADED SEPARATELY, BUT IN A NICE CONDITION OVERALL)
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