CHARLIE PARKER WITH STRINGS Mercury Records Norman Ganz Producer LP 33
$
32
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WEEK 2 of two weeks of great auctions ending May 11.
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A series of great JAZZ Records from early Ragtime to Beb-Bop on 78 rpm Victrola Records
Great Live Recording of CHARLIE PARKER
supervised by the famous Norman Granz producer of Jazz at the Philharmonic
CHARLIE PARKER WITH STRINGS Mercury Records Norman Ganz Producer
Mercury MB 35010 10" microgroove 78 rpm record
VERY GOOD Plus, rubbed and fine scratches, will play with some clicks and pops.
Jazz at the Philharmonic, or JATP, (1944–1983) was the title of a series of jazz concerts, tours and recordings produced by Norman Granz.
Over the years, Jazz at the Philharmonic featured many of the era's preeminent musicians, including Louie Bellson, Ray Brown, Benny Carter, Buddy DeFranco, Harry "Sweets" Edison, Roy Eldridge, Herb Ellis, Ella Fitzgerald, Stan Getz, Dizzy Gillespie, Lionel Hampton, Bill Harris, Coleman Hawkins, J.C. Heard, Billie Holiday, The Modern Jazz Quartet, Illinois Jacquet, Hank Jones, Jo Jones, Barney Kessel, Kenny Kersey, Gene Krupa, Charlie Parker, Oscar Peterson, Flip Phillips, Buddy Rich, Charlie Shavers, Willie Smith, Sonny Stitt, Slim Gaillard, Tommy Turk, Ben Webster, Lester Young, Nat "King" Cole, J.J. Johnson, Lee Young, Meade Lux Lewis, Helen Humes, Fats Navarro, Shelly Manne, Sonny Criss and Lou Levy.
[edit] Concerts and ToursThe very first concert was held on July 2, 1944 at the Philharmonic Auditorium, Los Angeles, and featured Illinois Jacquet, Jack McVea, J. J. Johnson, Shorty Sherock, Nat "King" Cole, Les Paul, Johnny Miller, Meade Lux Lewis, Bumps Myers, Joe Sullivan, Buddy Rich, Randall Miller, Bud Hatch, Marie Bryant, Red Callender, Lee Young and Carolyn Richards. Illinois Jacquet, Nat "King" Cole and Les Paul, in particular, created a sensation. The title of the concert had been shortened by the printer of the advertising supplements from "Jazz Concert at the Philharmonic Auditorium" to "Jazz at the Philharmonic". Norman Granz organised the concert with about $300 of borrowed money. Only one copy of the first concert program is known to exist.
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