BobTheMusicMan Vinyl, Music & Other Media Auctions

 

Discogs information:

 

Bert Jansch ?– L.A. Turnaround

Label: Charisma ?– CAS 1090 Format: Vinyl, LP, Album 
Country: UK Released: 1974 Genre: Rock, Folk, World, & Country Style: Folk, Folk Rock

TracklistHide Credits

A1 Fresh As A Sweet Sunday Morning Composed By – Bert JanschElectric Bass – Klaus Voorman*Guitar, Vocals – Bert JanschPedal Steel Guitar – Red Rhodes A2 Chambertin Composed By – Bert JanschGuitar – Bert Jansch A3 One For Jo Composed By – Bert JanschGuitar, Vocals – Bert Jansch A4 Travelling Man Composed By – Bert JanschGuitar, Vocals – Bert JanschPedal Steel Guitar – Red Rhodes A5 Open Up The Watergate (Let The Sunshine In) Composed By – Bert JanschDrums – Danny LaneElectric Bass – Klaus Voorman*Guitar – Jesse Ed DavisGuitar, Vocals – Bert Jansch A6 Stone Monkey Composed By – Bert JanschDrums – Danny LaneElectric Bass – Klaus Voorman*Guitar – Mike Nesmith*Guitar, Vocals – Bert JanschPedal Steel Guitar – Red Rhodes B1 Of Love And Lullaby Composed By – Bert JanschElectric Bass – Klaus Voorman*Guitar – Jay LacyGuitar, Vocals – Bert Jansch B2 Needle Of Death Composed By – Bert JanschGuitar, Vocals – Bert JanschPedal Steel Guitar – Red Rhodes B3 Lady Nothing Composed By – John RenbournGuitar – Bert Jansch B4 There Comes A Time Composed By – Bert JanschElectric Bass – Klaus Voorman*Guitar – Mike Nesmith*Guitar, Vocals – Bert JanschPedal Steel Guitar – Red Rhodes B5 Cluck Old Hen Arranged By – Bert JanschElectric Bass – Klaus Voorman*Fiddle, Mandolin – Byron BerlineGuitar – Mike Nesmith*Guitar, Vocals – Bert JanschWritten-By – Trad.* B6 The Blacksmith Drums – Danny LaneElectric Bass – Klaus Voorman*Electric Piano – Mike CohenGuitar, Vocals – Bert JanschLyrics By – Bert JanschMusic By – Doc Watson

Companies, etc.

• Marketed By – B&C Records Ltd.
• Printed By – Garrod & Lofthouse International Ltd.
• Made By – Garrod & Lofthouse International Ltd.
• Published By – Misty River Music
• Published By – Essex Music International
• Published By – Heathside Music
• Published By – James Baker Music
• Recorded At – Ronnie Lane's Mobile Studio
• Recorded At – Sound City Studios
• Recorded At – Studio CBE
• Recorded At – Luxford House
• Remixed At – Island Studios
• Lacquer Cut At – Master Room

Credits

• Art Direction [Sleeve Art Direction] – Frank Sansom
• Artwork – Product Promotion
• Engineer [CBE Studios] – Jean-Louis (4) (tracks: A2, B3)
• Engineer [L.M.S. Mobile] – Ron Nevison (tracks: A1, A3 to B2, B4 to B6)
• Engineer [Sound City] – Bill Drescher (tracks: A1, A3 to B2, B4 to B6)
• Lacquer Cut By [Cut And Polished By] – George Peckham
• Mastered By – Porky (5)
• Photography By [Back Cover] – Mike Van Der Vord, Neal Preston
• Photography By [Cover] – Mike Van Der Vord
• Producer, Mixed By [CBE Studios] – Danny Thompson (tracks: A2, B3)
• Producer, Mixed By [Sound City] – Mike Nesmith* (tracks: A1, A3 to B2, B4 to B6)
• Remix [Island Studios] – Danny Thompson (tracks: A3)

Notes

Released on Charisma "Mad hatter" labels, comes with an LP-sized insert with lyrics and a Charisma company inner sleeve. 

? 1974 

Track 2 side 1 & track 3 side 2: Recorded at CBE Studios Paris. 
All other titles: Recorded at: Luxford house, Sussex on the L.M.S. Mobile. And at: Sound City, Sepulveda,California. 

Cut and polished by: George Peckham, The Master Room, London. Track 3 side 1 remixed: Danny Thompson, Island Studios, London. 

All tracks published by: Misty River Music Essex Music International, except Needle of Death and Lady Nothing, Heathside Music. The Blacksmith, lyrics Bert Jansch, music Doc Watson, James Baker Music. 

Printed and made in Great Britain by Garrod and Lofthouse International Ltd. 
Marketed by B & C Records Ltd., 37 Soho Square, London, W.1.

Barcode and Other Identifiers

• Matrix / Runout (Side A, label): CAS 1090-A
• Matrix / Runout (Side B, label): CAS 1090-B
• Matrix / Runout (Side A, runout stamped): CAS 1090 A-1U
• Matrix / Runout (Side B, runout stamped): CAS 1090 B-1U
• Matrix / Runout (Side A, runout etched): PORKY EH : BERT
• Matrix / Runout (Side B, runout etched): PECKO YOU KNOW

Our grading in condition section above.

Records graded to Record Collector guidelines.

Mint (M)

The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint.

Excellent (EX)

The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.

Very Good (VG)

The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable

Good (G)

The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc

Fair (F)

The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.

Poor (P)

The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing

Bad (B)

The record is unplayable or might even be broken, and is only of use as a collection-filler

CD?s and CASSETTES

As a general rule CD?s and Cassettes either play perfectly ? in which case they are in Mint condition ? or they don?t, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CD?s are difficult to grade visually; they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves.

 

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