BRAHMS Double Concerto in A Minor (Op. 102), Heifetz & Feuermann, RCA, DM-815
$
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BRAHMS
Double Concerto in A Minor (Op. 102)
For Violin, Cello and Orchestra
Jascha Heifetz - Violin
Emanuel Feuermann - Cello
and
The Philadelphia Orchestra
Conducted by Eugene Ormandy
RCA Victor Masterpiece Set
DM-815
Complete on Four Twelve-inch Records
Matrix numbers: 18136 - 18139
Johannes Brahms (German: [jo?han?s ?b?a?ms]; 7 May 1833 – 3 April 1897) was a German composer and pianist.
Born in Hamburg into a Lutheran family, Brahms spent much of his professional life in Vienna, Austria, where he was a leader of the musical scene. In his lifetime, Brahms's popularity and influence were considerable; following a comment by the nineteenth-century conductor Hans von Bülow, he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs".
Brahms composed for piano, chamber ensembles, symphony orchestra, and for voice and chorus. A virtuoso pianist, he premiered many of his own works; he worked with some of the leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim. Many of his works have become staples of the modern concert repertoire. Brahms, an uncompromising perfectionist, destroyed some of his works and left others unpublished.
Brahms is often considered both a traditionalist and an innovator. His music is firmly rooted in the structures and compositional techniques of the Baroque and Classical masters. He was a master of counterpoint, the complex and highly disciplined art for which Johann Sebastian Bach is famous, and of development, a compositional ethos pioneered by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, and other composers. Brahms aimed to honour the "purity" of these venerable "German" structures and advance them into a Romantic idiom, in the process creating bold new approaches to harmony and melody. While many contemporaries found his music too academic, his contribution and craftsmanship have been admired by subsequent figures as diverse as Arnold Schoenberg and Edward Elgar. The diligent, highly constructed nature of Brahms's works was a starting point and an inspiration for a generation of composers.
The Double Concerto was Brahms' final work for orchestra. It was composed in the summer of 1887, and first performed on 18 October of that year in the Gürzenich in Köln, Germany. Brahms approached the project with anxiety over writing for instruments that were not his own. He wrote it for the cellist Robert Hausmann, a frequent chamber music collaborator, and his old but estranged friend, the violinist Joseph Joachim. The concerto was, in part, a gesture of reconciliation towards Joachim, after their long friendship had ruptured following Joachim's divorce from his wife Amalie. (Brahms had sided with Amalie in the dispute.)
The concerto makes use of the musical motif A-E-F, a permutation of F-A-E, which stood for a personal motto of Joachim, Frei aber einsam ("free but lonely"). Thirty-four years earlier, Brahms had been involved in a collaborative work using the F-A-E motif in tribute to Joachim: the F-A-E Sonata of 1853.
Structure
The composition consists of three movements in the fast-slow-fast pattern typical of classical instrumental concertos:
- Allegro (A minor)
- Andante (D major)
- Vivace non troppo (A minor ? A major)
From the private collection of the late Dr. Harry Hammer, who was the Chairman of Macalester College’s music department from 1969-1977 as well as an avid collector for over 40 years. Dr. Hammer once served as a special hitting coach for the New York Mets. That was in August, 1965...hired to help the Mets' hitters follow the ball better, using a method he originally developed to teach musicians sight reading. All albums are from the late 20’s to early 40’s, and many are original, 1st editions containing pristine pressings from the golden age of 78’s. This collection consists of a nearly complete run of RCA Victor Musical Masterpiece Albums and Columbia Masterworks Album Sets.
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