BLUE NOTE JAZZ SET COLTRANE SHORTER TINA BROOKS FRED JACKSON LEE MORGAN 5 LP SET
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Description
BLUE NOTE SET OF 5 JAZZ LP'S AT A ONE TIME 2016 SPECIAL PRICED PACKAGE -
BLUE TRAIN - JOHN COLTRANE - BLUE NOTE RECORDS BST-81577 STEREO -
FRED JACKSON - HOOTIN N TOOTIN - BLUE NOTE 4094 -
WAYNE SHORTER - THE ALL SEEING EYE - BLUE NOTE RECORDS 4219 -
Lee Morgan Candy BN-1590 EDITION BLUE NOTE RECORDS
TINA BROOKS - TRUE BLUE - Blue Note RECORDS 4041
ALL OUT OF PRINT RE-ISSUE PRESSING.
FACTORY SEALED LP - The nicest thing you can do for your stylus and ears. The ultimate record – the way music was meant to be heard.
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You should never pass up the opportunity to upgrade your collection. They're each very limited in their pressings and disappear with extraordinary quickness from the vinyl market. This causes prices to skyrocket because once they are gone, they are gone forever! Don't second-guess yourself with this chance to upgrade your collection because before you know it, the opportunity will have passed forever.
BLUE TRAIN - JOHN COLTRANE - BLUE NOTE RECORDS BST-81577 STEREO, the tenor sax giant had signed with another label when he embarked on this one-off date for Blue Note, an excursion that paid off with an enduring modern jazz masterpiece. Boasting volley after volley of smart soloing and intuitively swinging rhythm work, BLUE TRAIN is a joy, from the coolly precise ensemble entry on the opening title piece through the set’s balance of elegant hard bop conversations and smooth downshifts into ballads. John Coltrane wrote four originals, all of them now regarded as standards, and assembled a rhythm section including pianist Kenny Drew, Miles Davis’ rhythm section of bassist Paul Chambers and drummer Philly Joe Jones, and trumpeter Lee Morgan and trombonist Curtis Fuller. Coltrane’s signature sound, now fully developed but still hewing more to familiar blues and chromatic harmonies than his later modalities, is confident and expansive, and his partners respond vividly throughout.
Tracks include: Blue Train – Moment’s Notice – Locomotion – I’m Old Fashioned – Lazy Bird.
Lee Morgan Candy BN-1590 EDITION This classic Blue Note session finds trumpeter Morgan not having to battle other horns, just front-and-center with an all-star trio behind him. It was his only quartet recording as a leader, for Blue Note. The exquisite Sonny Clark on piano, Doug Watkins' solid bass and the ever-tasteful Art Taylor behind the drums complete these sessions recorded in Hackensack by RVG in Nov. '57 and Feb. '58. Loaded with standards, it's a hard-bop masterpiece that both swings and shows the ballad side of one of the defining young trumpeters from the late 50s - early 60s. Not discounting the contributions from the rhythm section, the high-caliber interplay between just trumpet and piano is a rare treat and a marvel to behold.
Musicians: Lee Morgan, trumpet; Sonny Clark, piano; Doug Watkins, bass; Art Taylor, drums.
Selections:
1. Candy
2. Since I Fell For You
3. C.T.A.
4. All The Way
5. Who Do You Love I Hope
6. Personality
TINA BROOKS - TRUE BLUE - Blue Note RECORDS 4041
Tina Brooks sound is unique: a bluesy, crying tone that is instantly recognizable. This release from 1960 contains top notch musicianship from a very young Freddie Hubbard, and the brilliant Duke Jordan, who is absolutely in tune with Brook's vision here.
Sadly, although Brooks recorded four sessions for Blue Note, this was the only one released in his lifetime. After hearing this, you will want to pick up Jackie McLean's "Jackie's Bag" and Freddie Hubbard's "Open Sesame" -- both prominently feature Tina Brooks playing and compositions from around the same time as "True Blue".
Track Listings
1. Good Old Soul
2. Up Tight's Creek
3. Theme for Doris
4. True Blue
5. Miss Hazel
6. Nothing Ever Changes My Love for You
WAYNE SHORTER - THE ALL SEEING EYE - BLUE NOTE RECORDS 4219 - The all-seeing Eye is one of Shorters more obscure records but it's actually his best IMO. The reason for it's relatively unpopular status is probably because the music is pretty close to free-jazz at times (it's not a free jazz record though, explorative post-bop or inside/outside is probably the best description), a form of music many people hate. For me, who love free-jazz and this Blue Note post-bopstyle, it's pure heaven. Wayne Shorters playing is explosive throughout and so is Hancock. I'm not a big fan of Hubbard who appeared on far too many Blue Note records in this era (why they didn't use Woody Shaw more often is a mystery to me) but he does a good job without really standing out (as usual). The front line is filled out with the awesome trombonist/composer Grachan MoncurIII and the underrated altoist James Spaulding. They don't solo much but their contributions are no less important for that, giving the ensembles a rich sound.
My two favourite songs on this cd is "Chaos" and "Mephistopheles". "Chaos" is raw, edgy post-bop at it's very best with a great, Dolphy -inspired solo by Spaulding and one of my all-time favourite Shorter solos where he starts off pretty uninspired but soon turns into one of his most explosive solos (also check out Joe Chambers drum responses when Shorter kicks into high gear). Even Hancock gets aggressive on this one!!!
"Mephistopheles" is the most untypical song on the record. It was written by (and includes) Waynes brother Alan who was more of a free/avantgarde performer. It was also recorded for Marion Browns debut album with a different title. This version, however, is much better. The tempo is slower and the drums get into an awesome, almost tribal, groove. Hancock pretty much plays one chord throughout which gives it a hypnotic quality. This song sounds almost unlike anything in jazz and MUST be heard!
Overall, this album may not appeal to people who like other Shorter records like Ju-Ju, Speak No Evil (my other Shorter favorite) or the slick Adams Apple but if you like adventurous music, be sure to check it out!!!
FRED JACKSON - HOOTIN N TOOTIN - BLUE NOTE 4094 RECORDS
In Hootin' 'N Tootin' the listener is afforded the opportunity of hearing numbers of a famous orchestra noted for its smart arrangements along the rhythm and blues influence. The moods expressed are in the "down home" and "down to earth" groove. Under the leadership of Fred Jackson, tenor sax, the listener is propelled into the world of the new truth
1. Dippin' in the Bag 2. Southern Exposure 3. Preach Brother 4. Hootin' 'N Tootin' 5. Easin' on Down 6. That's Where It's At 7. Way Down Home
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On Sep-26-08 at 20:47:42 PDT, seller added the following information:
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