BILL HALEY BILL'S CHICKS ULTRA-RARE ORIG '59 STEREO LP
$
34
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· BILL HALEY AND HIS COMETS – HALEY'S CHICKS – ULTRA-RARE ORIGINAL 1959 DECCA RECORDS STEREO LP DL-78821
· MONSTROUSLY RARE ORIGINAL STEREO PRESSING, MANY TIMES RARER THAN MONO
· ORIGINAL U.S. PRESSING
· ORIGINAL BLACK, NON-GLOSSY (MATTE) DECCA STEREO LABEL WITH SILVER PRINT
· DEEP GROOVE PRESSING
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· ORIGINAL GLOSSY, LIGHTLY LAMINATED COVER
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· This album has NEVER been available on legitimate Compact Disc or in any other way, manner or format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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Bill Haley is the neglected hero of early rock & roll. Elvis Presley and Buddy Holly are ensconced in the heavens, transformed into veritable constellations in the rock music firmament, their music respected by writers and scholars as well as the record-buying public, virtually every note of music they ever recorded theoretically eligible for release. And among the living rock & roll pioneers, Chuck Berry is given his due in the music marketplace and by the history books, and Bo Diddley is acknowledged appropriately in the latter, even if his music doesn't sell the way it should. Yet Bill Haley -- who was there before any of them, playing rock & roll before it even had a name, and selling it in sufficient quantities out of a small Pennsylvania label to attract attention from the major labels before Presley was even recording in Memphis -- is barely represented by more than a dozen of his early singles, and recognized by the average listener for exactly two songs among the hundreds that he recorded; and he's often treated as little more than a glorified footnote, an anomaly that came and went very quickly, in most histories of the music. The truth is, Bill Haley came along a lot earlier than most people realize and the histories usually acknowledge, and he went on making good music for years longer than is usually recognized.
Bill Haley & His Comets came very close to a comeback of sorts on this album, after the dubious Rockin' Around the World LP. Chicks was what passed for a concept album in 1958, built on songs named for women. It was the first LP by Haley to be issued in stereo, and it started life in a very promising fashion, growing out of the number 22 placement for the single "Skinny Minnie" early in 1958. Not quite enough of what Haley and his band came up with was worthy of an album release, but there's some good dance music here and some not-bad rock & roll in spots. Even on the failed tracks they try hard, Rudy Pompilli honking away on numbers like "Whoa Mabel!" and chestnuts like "Dinah" and totally inappropriate songs like "Ida, Sweet As Apple Cider" to little avail in terms of first-rate music. Pompilli, Haley, and lead guitarist Frannie Beecher do succeed with "Corrine, Corrina," and come surprisingly close to turning Irving Berlin's "Marie" (which had been a number one hit for Tommy Dorsey 23 years earlier) into a rock & roll number -- almost, but not quite -- even deliberately echoing "Rock Around the Clock" at one moment. "B.B. Betty," featuring Billy Williamson on lead vocals, is also a solid number and kind of catchy, and their version of "Sweet Sue, Just You" isn't embarrassing, even if it's not groundbreaking rock & roll.
(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
THIS IS A NO-RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VG++. A few light abrasions ARE VISIBLE, but they appear fairly insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Stereo pressing of this title is much rarer, and by far more preferable to its mono counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies by a ratio of at least 10:1.
(d) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(e) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS ABOUT VERY GOOD+ (VG+)
The following flaws or imperfections are noted on the cover:
- Cover has all three seams (top, bottom and spine) partially split, as follows:
- Top seam: less than 1 inch / 2.5 centimeters.
- Bottom seam: between 4 and 6 inches / 10 to 15 centimeters.
- Spine: between 2 and 4 inches / 5 to 10 centimeters.
- Cover has two corners slightly worn / dinged / bent.
- Cover has three corners slightly worn / dinged / bent.
- Cover has some ring wear. On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 2 (front side) and 5 (back side).
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some light yellowing on both sides, apparently from aging.
- Cover has some visible fraying/tattering on all three seams
- Cover has a visible wrinkle (crease) in the cardboard base on the front panel
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No writing
- No stamps
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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