Astrud Gilberto – September 17, 1969 Vinyl LP Record Album 2304 007

$

45

This listing is for Astrud Gilberto – September 17, 1969 Vinyl LP Record Album 2304 007.
Label: Verve Records – 2304 007 Format: Vinyl, LP, Album Country: Germany Released: 1970 Genre: Jazz Style: Bossanova, Easy Listening  
Condition:   Jacket:     Very Good         Vinyl:  Very Good
Tracklist:
A1 Beginnings 8:08 A2 Holiday 3:11 A3 Here There And Everywhere 2:25 A4 Light My Fire 2:54 A5 Let Go (Canto De Ossanha) 3:05 B1 Let's Have The Morning After (Instead Of The Night Before) 4:04 B2 Think Of Rain 2:46 B3 A Million Miles Away Behind The Door 2:27 B4 Love Is Stronger Far Than We 3:40 B5 Don't Leave Me Baby 2:30 B6 Summer Sweet 6:29
Astrud Gilberto (born Astrud Evangelina Weinert, March 29, 1940) is a Brazilian samba and bossa nova singer. She gained international attention in the 1960s following her recording of the song "The Girl from Ipanema". Astrud Gilberto was born Astrud Evangelina Weinert, the daughter of a Brazilian mother and a German father, in the state of Bahia, Brazil. She was raised in Rio de Janeiro. Her father was a language professor and she became fluent in several languages. She married João Gilberto in 1959 and had a son, João Marcelo Gilberto, who later joined her band. Astrud and João divorced in the mid-1960s. She has another son from a second marriage, Gregory Lasorsa, who also played with his mother. Later she began a relationship with her husband's musical collaborator, American jazz saxophone player Stan Getz. She emigrated to the United States in 1963, residing in the U.S. from that time.
She sang on two tracks on the 1963 album Getz/Gilberto featuring João Gilberto, Stan Getz, and Antônio Carlos Jobim. While it was her first professional recording, Astrud "wasn’t a complete novice. She grew up steeped in music (her mother Evangelina Neves Lobo Weinert played multiple instruments) and sang regularly with her husband in Brazil, including in a concert at the Faculdade de Arquitetura, part of one of Rio de Janeiro’s top universities." Her "beguiling, whispery voice" and steadfast approach to singing played a significant role in popularizing “The Girl from Ipanema.”, earning a Grammy for Song of the Year and a nomination for Best Vocal Performance by a female.
The 1964 edited single of "The Girl from Ipanema" omitted the Portuguese lyrics sung by João Gilberto, and established Astrud Gilberto as a Bossa Nova singer. It sold over one million copies and was awarded a gold disc. For the recording, it is reported Astrud only ever received the standard session fee, $120. However, according to Gene Lees in Singers and the Song II, Getz asked producer Creed Taylor to ensure she was paid nothing. In 1964, Gilberto appeared in the films Get Yourself a College Girl and The Hanged Man. Her first solo album was The Astrud Gilberto Album (1965). Upon moving to the United States, she went on tour with Getz. Beginning as a singer of bossa nova and American jazz standards, Gilberto started to record her own compositions in the 1970s. She has recorded songs in Portuguese, English, Spanish, Italian, French, German, and Japanese.
In 1982, Gilberto's son Marcelo joined her group, touring with her for more than a decade as bassist. In addition, he collaborated as co-producer of the albums Live in New York (1996) and Temperance (1997). Her son Gregory Lasorsa played guitar on the Temperance album on the song "Beautiful You", which features singer Michael Franks. Gilberto received the Latin Jazz USA Award for Lifetime Achievement in 1992, and was inducted into the International Latin Music Hall of Fame in 2002. In 1996, she contributed to the AIDS benefit album Red Hot + Rio produced by the Red Hot Organization, performing the song "Desafinado" (Portuguese for "slightly out of tune", or "off key") along with George Michael at his invitation. Although she did not officially retire, Gilberto announced in 2002 that she was taking "indefinite time off" from public performances.
Her original recording of "Fly Me to the Moon" was edited as a duet using a recording of the same song by Frank Sinatra for the soundtrack of Down with Love (2003). Her recording "Who Can I Turn To?" was sampled by The Black Eyed Peas in the song "Like That" from the 2005 album Monkey Business. Her vocals on "Berimbau" were sampled by Cut Chemist in his song "The Garden". Her recording of "Once I Loved" was featured in the 2007 film Juno. The "Astrud" track on Basia Trzetrzelewska's 1987 album, Time and Tide, is a tribute to Gilberto. Gilberto is an advocate of animal rights.

CONDITION Descriptions:
I base the condition of each of my Records off of Ebay's Grading System. 

• MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all. 
• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting. 
• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play. 
• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing. 
• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along. 
• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.
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