ARIEL KALMA - LE TEMPS DES MOISSONS 1975 FRENCH MODAL MINIMALIST RETRO MODERN LP

$

28

ARIEL KALMA – Le Temps Des Moissons (aka Ariel). Wah Wah Records LPS 142. Spanish release. FACTORY SEALED NEW VINYL RECORD ALBUM. Originally issued in France in 1975 as a private pressing. This edition issued in 2014. Features the original printed jacket artwork (there are some original covers with hand-drawn artwork). Remastered from the original analog tapes with the inclusion of 2 bonus non-album tracks and a liner note insert with photos. Limited to 500 copies. MUSICIANS:  Ariel Kalma (all instrumentation and occasional vocals) with Loi Erhlich (guitar, percussion; on the track Bakafrika, plus additional musicians on this track). TRACKS:  Le Temps Des Moissons, Voyage Reternelle*, Bakafrika, Fast Road To Nowhere*, and Reternelle (* denotes bonus tracks). DESCRIPTION:  This is the debut solo album from Ariel Kalma, recorded in 1975. After a long journey to India where he learned the basics of modal music and singing, Ariel was inspired by the fusion of ancient and modern ways of playing music in the 70s with saxophone, ethnic instruments, effects, electric instruments, and electronic filters. As making a record was expensive at that time, after the first thousand records were pressed with a printed cover (the one featured with this edition, which ran short of the thousand pressed discs) Ariel ran out of money so he bought blank jackets and drew the shape of his hand and numbered each of the remaining copies. This first pressing is now rare and sought after! Another detail that made this album memorable, as it had rarely been done before:  Ariel convinced the pressing engineer to loop the groove at the end of side 2 - thus creating an endless loop (aka a locked-groove, like the one at the end of the original pressing of Sgt. Pepper’s Lonely Hearts Club Band) - and although it was casually mentioned on the cover, it caused surprises sometimes by sending listeners into a trance, especially for those who had manual turntables. As this is sealed I can’t confirm the presence of the locked-groove, but there is mention of it on the jacket notes, so most likely it is included (and, of course, heard only if you have a manual turntable; if the playing time on side 2 exceeds 24 minutes, you’re locked in). The CD version (of which I have not had) includes several minutes of the loop before ending.

Note from Ariel:  Saxophone is powerful. It has raw sounds that are often filtered, polished for easier listening. I like to let my saxophone sing and when I play, I hear high-pitched, teasing sounds (sympathetic tones) that I like so much. they titillate my senses. If it is too sharp for your ears, adjust your EQ till you are comfortable.

For your further reading enjoyment and enlightenment I include these brief track descriptions that I found on the Internet:

Le Temps Des Moissons

- Music of the morning and end of afternoon for one tenor saxophone, harmonium, wah-wah pedal & long delay space/time feedback effect - only active loops, no overdubs. Here we can hear the Indian influence of the composition: an introduction starting softly, slowly building up the theme, tuning each note and fine tuning the echoes, creating a space from where the theme can be exposed. Then the rhythmic part takes over and develops. Ariel added a third part, which is not in the Indian tradition, but more present in literature: a conclusion where the saxophone lets go and disappears into space.

Voyage Reternelle

- Abstract sax and bizarre rhythms plus loops, vari-speed tape recorder and vintage drum machines. This mix was made for a giant multi-screen disolve slide show at the Paris Kinopanorama, 1973

Bakafrica

- Promenade along the dunes on a camels back. Loy Ehrlich: electric guitar - Brahim el Belkani: Hajouj (djonkoloni); Ariel Kalma: sax, echoplex, percussion, filters. Paris, 1974, Brahim, a Morroccan friend was visiting and Ariel gathered musicians of various parts of the world in his studio. One day this piece was born out of Ariels idea to make a piece based on the African bass that Brahim played and a tempo constantly changing in speed, as a camel would in crossing the desert.

Fast Road To Nowhere

- Jaws harp, bamboo flute, a voice, and tuned echoes play around a melody from the Middle East: the road is narrow and steep and I walk alone...

Reternelle

- Dance for two saxophones and their harmonies for morning and evening to turn on the music and sing on the loop. Tuning loops and echoes for one saxophone is already hard, and here Ariel plays it on both saxophones, creating changing patterns that move rhythms around.   

THIS ITEM IS NEW AND UNPLAYED. Used items will include condition details for the cover, disc, inserts, etc.

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SS or SLD:  Still Sealed or Sealed (or some variation of sealed depending on how many characters I have left in the title line). This item is new and unplayed. Also appears in the listing description as Sealed LP or Factory Sealed LP.

NEW LP:  This item is new and unplayed, but was received from a supplier without being shrink wrapped or cellophane wrapped; more common on imports but also many of the smaller independent US labels do not seal their LPs.

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