AMAZING BOB MARLEY/WAILERS VINTAGE VINYL 1970'S ALBUMS BURNIN & 'NATTY DREAD

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AMAZING RARE VINTAGE ORIGINAL 1970'S BOB MARLEY AND THE WAILERS VINYL ALBUMS! THE 2 MOST INFLUENTIAL MARLEY ALBUMS!
1973 WAILERS - BURNIN - GATEFOLD ORIGINAL VINYL! #ILPS 9256- ISLAND RELEASE! BARELY PLAYED!  COVER, SLEEVE AND ALBUM IN EXCELLENT TO NEAR MINT CONDITION! SEE PICS! 
1974 - BOB MARLEY AND THE WAILERS - 'NATTY DREAD. #ILPS 9281 - ISLAND RELEASE! BARELY PLAYED!  COVER, SLEEVE AND ALBUM IN EXCELLENT TO NEAR MINT CONDITION! SEE PICS! 
INCREDIBLY HARD TO FIND 1970'S ORIGINAL BOB MARLEY VINYL IN THIS CONDITION, THAT WASN'T PLAYED TO DEATH
DON'T MISS OUT!
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Burnin' is a reggae album by The Wailers, released in 1973. The sixth album by Bob Marley, Peter Tosh and Bunny Wailer(the last before Tosh and Bunny departed for solo careers and the band became known as Bob Marley and the Wailers),Burnin' opens with a signature song, the call to action "Get Up, Stand Up" and includes a more confrontational and militant tone than previous records, such as in another Marley standard turned into a number one hit by Eric Clapton, "I Shot the Sheriff". The songs "Duppy Conqueror", "Small Axe", "Put It On" and "Pass It On" are re-recordings of songs previously released.

Burnin' peaked at number 151 and number 41 on the Billboard 200 and Black Albums charts respectively. In 2003, the album was ranked number 319 on Rolling Stone magazine's list of the 500 greatest albums of all time.[3] American singer Lauryn Hill's album cover for her debut The Miseducation of Lauryn Hill was inspired by the album cover of Burnin'. In 2007 the album was added to the Library of Congress' National Recording Registry for its historical and cultural significance.

Natty Dread is a 1974 album by Bob Marley and the Wailers. It was the first album released as Bob Marley and the Wailers instead of just the Wailers,[citation needed] the first recorded without Peter Tosh and Bunny Wailer, and the first recorded with the I Threes, a female vocal trio consisting of Marcia Griffiths, Judy Mowatt, and Marley's wife, Rita Marley.

Natty Dread peaked at No. 44 on Billboard's (North America) Black Albums chart, and at No. 92 on the Pop Albums chart. In 2003, the album was ranked No. 181 on Rolling Stone magazine's list of the 500 greatest albums of all time.[1]

Natty Dread is a spiritually charged political and social statement. It opens with a blues-influenced positive celebration ofskanking, reggae and sex, "Lively Up Yourself". The original and still unreleased demo of the Island version of "Lively Up Yourself" was recorded in 1973.

"No Woman, No Cry", the second track, is probably the best known recording on the album. It is a nostalgic remembrance of growing up in the impoverished streets ofTrenchtown, the ghetto of Kingston, Jamaica, and the happiness brought by the company of friends. The song has been performed by artists as diverse as Boney M.(sung by Liz Mitchell), The Fugees, Pearl Jam, Jimmy Buffett, Rancid and Gilberto Gil. Songwriting credit for "No Woman, No Cry" went to V. Ford. Vincent Ford, better known as "Tartar" to his friends and neighbors, had been a kind friend of Marley as a child in Trenchtown. Marley claimed he would have starved to death on several occasions as a child if not for the aid of Tartar. The original version of the song was in gospel style, featuring Peter Tosh and some unknown female backing vocals and was cut for Island in 1973.

"Them Belly Full (But We Hungry)" is a warning against allowing a nation's poor to go hungry, with the prophetic warning "a hungry mob is an angry mob", while "Talkin' Blues" and "Revolution" go deeper into controversial political commentary. "Rebel Music (3 O'Clock Roadblock)" is a reflection on the potential impact of reggae music on Jamaican society. The song was written after Marley had been stopped by a night-time police carcheck. The influence of Marley's increasing devotion to Rastafari can be heard in religious-themed songs like "So Jah S'eh", "Natty Dread" and "Lively Up Yourself", while Marley's reputation as a romantic is confirmed with smooth, seductive songs like "Bend Down Low". The title track of the album takes its title from an idealised personification of the Rastafari movement, Natty Dread.