NOAH HOWARD/DAVE BURRELL At Judson Hall LIVE 1966 ESP-Disk 1064 Free Jazz LP EX

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NOAH HOWARD/DAVE BURRELL~At Judson Hall~LIVE 1966~ESP-Disk 1064 Free Jazz LP~EX!

Product Description

NOAH HOWARD "AT JUDSON HALL"   ESP DISK 1064   EXTREMELY RARE ORIGINAL RELEASE FROM 1968 - 46 YEARS AGO! - ON THE ENIGMATIC ESP RECORD LABEL! COVER IS IN EXCELLENT CONDITION WITH A SMALL DRILL-HOLE IN THE LOWER LEFT CORNER. VINYL IS EXCELLENT WITH ONLY LIGHT WEAR!!   Tracklist A  This Place Called Earth 18:19  B Hommage To Coltrane 19:01    Bass – Norris Jones Cello – Cathrine Norris* Design [Cover] – Judy Parker Engineer [Recording] – George Klabin Liner Notes – Lionel H. Mitchell Percussion – Robert Kapp* Photography By [Cover] – Michael Soldan Piano – Dave Burrell Saxophone, Bells, Composed By – Noah Howard Trumpet – Ric Colbeck   Notes Recorded at Judson Hall, NYC, October 19, 1966.   One of free jazz's more enigmatic figures, alto saxophonist Noah Howard was documented so infrequently on record and spent so much time living in Europe that the course of his career and development as a musician remain difficult to trace, despite a late-'90s renewal of interest in his music. Howard was born in New Orleans in 1943 and began playing music in church as a child. He started out on trumpet (the instrument he played in the military during the early '60s) but subsequently switched to alto, and got in on the ground floor of the early free jazz movement. Most influenced by Albert Ayler, Howard made his debut as a leader for the groundbreaking ESP label, recording a pair of dates in 1966 (Noah Howard Quartet and At Judson Hall). Dissatisfied with the reception accorded his music -- and the avant-garde movement in general -- in America, Howard relocated to Europe, where he initially lived in France. He played with Frank Wright in 1969, and in 1971, he recorded with Misha Mengelberg and Han Bennink (among others) on Patterns, which was issued on his own AltSax label. Howard recorded a bit for FMP in the mid-'70s, and in 1979 also did a track for France's Mercury division, "Message to South Africa," that went unissued due to its militancy. Howard flirted with jazz-funk sometime in the '80s and early '90s, a phase that went largely undocumented. He returned to free jazz in the late '90s and began recording for labels other than AltSax, including CIMP (1997's Expatriate Kin), Cadence (1999's Between Two Eternities), Ayler (Live at the Unity Temple), and Boxholder (2001's Red Star), returning to the AltSax label after the turn of the millennium with the release of 2003's Dreamtime and 2007's Desert Harmony (with Jordan's Amir Faqir). Thanks to the relative increase in visibility, Howard began to get more of his due as an early avant-garde innovator. He died suddenly on September 3, 2010 while vacationing in the South of France.        
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