the CHALLENGERS*K-39*VAULT 107*INSTRUMENTAL GARAGE SURF

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VAULT RECORDS 107.    LP  VG+ ( light scratches, you can sometimes hear light crackles, but the record is enjoyable and there were no jumps.  The 60's records often were more visibly scratched than later vinyl, but played well, as this one does).   CVR STRONG VG+ (corners, seams NICE).   review below is from Wikepedia:    

The Challengers were an instrumental surf rock band in the 1960s, located in Los Angeles. They started early in the game and helped make the genre "Surf music" popular. Their debut album Surfbeat is the biggest selling surf album of all time and almost single-handedly brought surf from California to the rest of the world. [1]

The Challengers carved out a special niche for themselves during the 60's with 22 albums to their credits-a number far in excess of any other instrumental "surf band"(unless you stretch that category to include The Ventures).[2]

The band was formed out of the ashes of The Belairs. The Belairs were just high schoolers at the time, but had a hit with "Mr. Moto." Their potential was cited by many, but it was an argument about use of the then-new Fender Reverb Unit that led to their breakup. The Belairs were originally formed by two guitarists, Eddie Bertrand and Paul Johnson, both 16 years old at the time they recorded "Mr. Moto". In early 1963. Eddie Bertrand heard Dick Dale using the Fender Reverb unit, and wanted to start incorporating heavy reverb into the Belairs' songs, since he felt reverb was the sound that would come to define Surf Music. Even at 17, Johnson was something of a "stick-in-the-mud" and told Bertrand that the Belairs had done quite well without reverb, and HE didn't see any reason at all to begin using it. The argument escalated until Bertrand finally left the band, which then broke up for good shortly after. Johnson confirmed this story in the liner notes he contributed to the Belairs reunion album released in 1986.

During their peak years, from late 1960 to Summer 1963, the Belairs had TWO drummers who played gigs with the band alternately, original Mouseketeer, Dickie Dodd, and another local school chum, Richard Delvy, and who like a minor Mike Curb, began a career of managing and producing local bands, ultimately recording numerous Southern California bands in the latter part of the 1960s.

The year before the Belairs breakup, Delvy left the Belairs to form a new band. From The Belairs, he brought only Jim Roberts (keyboards) with him, and recruited Randy Nauert (bass guitar). For guitar, Glenn Grey was brought in for lead and Don Landis for rhythm, With Nick Hefner on Saxophone, they became The Challengers. They played at high school and local dances and such, and eventually earned enough to rent a jazz studio, World Pacific, to record. Nick Hefner played on only one track. In about three and a half hours, they had an album. Surfbeat was released in January 1963 and quickly went up the charts. Just months earlier, The Beach Boys' released a vocal single, "Surfing Safari" and some months after the Challenger's "Surfbeat" release, Dick Dale's first album was released. The surf culture was becoming a national phenomenon and The Challengers helped put it in full gear. The album contained songs that were early influences on surf rock, including numbers by The Fireballs and Duane Eddy.

The Challengers moved on and continued to record albums. During the recording of On The Move, Hefner, Grey and Landis all left the band. Hefner was replaced by Phil Pruden, while Art Fisher and Eddie Fournier filled in the guitar spot. In 1964, they released the album K-39. The title track became a big hit and is their best-known song. The group continued their career, recording several albums a year, shocking by today's "one album every two years" pattern. They also had their own TV show, Surf's Up. LA cartoonist Rick Griffin, who later designed posters for groups during the psychedelic period, drew several cartoons for the band featured on the LP sleeves.

In 1965, as music changed, so did The Challengers. They began recording more pop-oriented music, like an instrumental version "Kicks" by Paul Revere & The Raiders. By 1966, they had gone the way of all other surf bands,and stopped performing live, but still continued recording and releasing albums. A 1970 release of the band was titled, fittingly Where Were You In The Summer Of '62.

The Challengers were involved with former Bel-Airs guitarist Paul Johnson, who also was involved with PJ & the Galaxies.

In 1995, after almost 20 years of non recordings, The Challengers reunited with new comers to release the album "New Wave"(Produced by original member:Richard Delvy), on the label Atmosphere, Miraleste Music.

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